Photo exhibition opens celebrating Martin Parr

Jonathan HolmesWest of England
News imageMartin Parr/Magnum Photos A 1980s photo of a family eating fish and chips, with piles of paper rubbish in the foregroundMartin Parr/Magnum Photos
Martin Parr's photos captured everyday life in the 1980s

A new exhibition has opened celebrating the work of the late photographer Martin Parr, who died in December 2025, aged 73.

The exhibition, entitled The Last Resort, shows photos that Parr took in the Merseyside seaside resort of New Brighton between 1983 and 1985.

The photos are on display at Bristol's Paintworks, organised by the Martin Parr Foundation.

The head of production at the foundation, Louis Little, told the BBC: "He would have loved it."

News imageMartin Parr/Magnum Photos An elderly man and woman sitting at a restaurant table. He has a suit and combover and is smoking, she is looking down at her hands. Both are wearing 1980s clothingMartin Parr/Magnum Photos
News imageMartin Parr/Magnum Photos A group of children and adults in a crowd waiting for hot dogs behind a wooden counter, most are in swimwearMartin Parr/Magnum Photos

Martin's photos divided opinion at the time
When taking the photos, he said he was simply showing the resort beside the River Mersey as it was

Parr's works were known for capturing the smallest details of everyday life.

His photographs were playful and had humour, but also provoked debate and discussion.

When the photos were exhibited at the Serpentine Gallery in London in 1986, Parr was berated for being patronising and voyeuristic.

"People from London and the South East, they really didn't know what places in the North looked like," said Parr before his death.

"The litter was quite terrible, but they just weren't used to it; so it was almost like it was my fault that the place looked so scruffy."

Little said: "It's very rarely shown as a whole project.

"What was key about Martin's work in the 1980s was that it was one of the first bodies of work to be shown in colour using flash photography as well.

"That was a huge step forward from the tradition dominating British photography at the time.

Head of collections at the foundation Isaac Blease said: "There's so many elements I find fascinating about the work.

"I think the way he was able to identify particular rituals and moments of the everyday that resonate and are very familiar to us."

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