'They arrive as young girls and leave as radicals'

Katy Prickett
Courtesy of The Mistress and Fellows, Girton College, Cambridge A sepia-toned black and white image of eight women in the Girton College fire brigade, outside and against the corner of an ivy-clad building. They are surrounded by fire equipment. Two seated women are holding ropes, there is a pump in the middle, a third seated woman is holding a hat. Two standing women are holiding buckets and one of the women is perched on a ladder leaning on the wall Courtesy of The Mistress and Fellows, Girton College, Cambridge
The all-women fire brigade set up by Hertha Ayrton (standing on the left with a bucket) was run along professional lines with regular training and real equipment

The story of a trailblazing 19th Century physics student who set up an all-women fire brigade has inspired a new musical.

Hertha Ayrton founded the brigade in 1879, after she witnessed a haystack go up in flames next to Girton College, then a women's college at Cambridge University.

The musical, which will be premiered at the Lincoln Arts Centre, features the stories of four other pioneering science students who became student firefighters.

"They arrive as young girls and they leave Girton College as flaming social justice radicals," said co-creator and lyricist Helen Arney.

Birmingham Hippodrome/Angela Grabowska Jenni Pinnock, Helen Arney and Brian Mackenwells, smiling broadly, in a room with grey walls and shelves with books and plants on it. Jenni is seated left and has long reddish brown hair, is wearing glasses and a black top; Helen is standing in the middle and is wearing glasses and a blue jumper with a rainbow pattern; Brian is seated right and has light brown hair and is wearing a multi-colour plaid shirt. Birmingham Hippodrome/Angela Grabowska
Jenni Pinnock, Helen Arney and Brian Mackenwells developed the musical together through the Birmingham Hippodrome new musical theatre writers' group

Arney first heard about Ayrton (1854-1923) during her physics degree and, years later, chose her for an episode of BBC Radio 4's Great Lives.

She thought she knew all about the woman's life - Ayrton, who came from a Jewish family, supported her widowed mother and siblings as a teacher, before self-funding her way through Girton and eventually became the first woman nominated to become a fellow of the Royal Society

But Arney was amazed when the show's expert guest mentioned how she co-founded the all-female fire brigade.

"That is the moment I thought, well, that's it, that is the musical," she said.

"You can tell her whole life through this one moment where she sees a haystack go on fire in the field next to Girton and rather than thinking 'someone else will deal with that' she thought, 'I'm going to start a fire brigade'."

The students approached the London-based Metropolitan Fire Brigade for training, which initially turned them down.

Courtesy of The Mistress and Fellows, Girton College, Cambridge A black and white image of 11 late Victorian Girton College students standing against a building. They are holding fire fighting equipment including two water pumps, hoses, rope, a rattle and one is standing up a ladder. They all have their hair up and are wearing long dresses. Courtesy of The Mistress and Fellows, Girton College, Cambridge
Running a fire brigade was one of many ways the Girton students pushed against Victorian society's attempts to limit their opportunities

"They had to prove their worth, at which point they were given instruction manuals, and they weren't just throwing buckets, they were running rope drills, they learned to tie fireman's knots, they had a fire appliance, they had a fire bell, they met every week - it was a serious thing," said the musical's composer, Jenni Pinnock.

Dr Elisabeth Kendall, the mistress of Girton College, explained it was "highly structured, with captains, sub-captains and student corridor teams".

"It is entirely in keeping with the college's fearless spirit to have tackled the 19th Century version of a risk assessment by assembling its own all-women's fire brigade," she added.

The all-women Girton College fire brigade ran from 1879 to 1932, training every week, although they were only ever called to put out one fire.

Women were recruited to the fire service during World War Two, but it was not until 1982 that the UK's first full-time woman firefighter - 17-year-old Josephine Reynolds - joined Norfolk Fire Service.

Getty Images A black and white image showing a street packed with men wearing hats in 1897 in Cambridge after the vote to deny women degrees. To the right can just be seen a corner of the Senate House. In the middle is a banner strung off another buildings and on the far right an effigy of a woman is strung up above the crowds.Getty Images
A sea of male undergraduates in 1897 protesting against the vote to allow women to gain degrees for their studies at Cambridge

Girton was the first Cambridge women's college, but the university refused to grant degrees to women until the late 1940s, the last British university to do so.

Brian Mackenwells, the musical's book writer, said: "We've done a lot of research into the period and into these women's lives... and were super-interested in how in those three years at Girton, they learned to push against the rules of society.

"One of the key historical moments in the show is there was a vote in Cambridge University in 1897 on the question of should women be allowed a degree... and when the men struck it down, there was a full-on riot in Cambridge where straw effigies of women on bikes were set fire to."

Arney said part of the justification for denying women an education was that "if women used their brains too much their ovaries would shrivel, they wouldn't be good mothers, so it was phrased as actually helping society and protecting women".

Kendall said: "This was more than a fire brigade - it was an act of defiance.

"At a time when women at Cambridge were not even awarded degrees, Girton's women were running complex organisations, problem solving and demonstrating leadership."

Birmingham Hippodrome/Danny Kaan Five women lined up on a black stage singing. Behind them is a band and behind the band, there are stage lights. They are Elena Pitsiaeli, Courtney Stapleton, Elexi Walker, Maddison Bulleyment and Rosie Coles. Birmingham Hippodrome/Danny Kaan
An early version of the musical was showcased at the Birmingham Hippodrome

The museum's five protagonists were all in the fire brigade, but were not necessarily students at the same time.

"Hertha was our way in and then we realised, oh, we want to have some other characters," explained Arney.

"So it's become a musical about the women, their friendship and how they go about trying to change the world for the better."

Pioneering Girton scientists

Birmingham Hippodrome/Danny Kaan Three women dressed in black standing on a stage and singing into microphones. Behind them is a band, which is lit up in red. They are Elexi Walker, Maddison Bulleyment and Rosie Coles. Birmingham Hippodrome/Danny Kaan
It useses contemporary music to remind people the pioneering women were once youngsters, working out their path in life

Arney said: "The women you read about are such high achieving, prestigious people, but we get to meet them when they're still working out who they are and making mistakes and just being young women trying to have fun."

And Pinnock wanted to reflect that in the music, giving it "a very contemporary musical theatre feel that's very accessible... to make it catchy and fun".

The play was developed with the support of the Birmingham Hippodrome new musical theatre writers' group, Lincoln Arts Centre's innovate artist scheme and students from the University of Lincoln musical theatre department - the university named a research centre after Scott in 2018.

The Cambridge First All-Ladies Fire Brigade will have its world premiere on 10 May.

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