The setlist is a possible introductory step to post-miles davis jazz. Each of the tracks are studio renditions of live performances. Interestingly, this music derives from the very use of studio techniques.

The first, Jon Hassell, stands as an example of global sound mashed into new music, coined by Hassell as "Fourth World Music". The tracks results from post-production of several live performances. The second, Arve Henricksen from Supersilent, has a very distinct sound inspired by techniques of traditional flutes - it is a studio recording, yet played live, improvised, with no overdubbing. The last, Molvaer, is a remix from one original performance.