Easter: A Seasonal Journey... Paschal Plainchant
Hannah French explores plainchant in music for Easter, heard in its original single line as a cantus firmus and as settings of the text which transition from Lent to Easter.
Hannah French explores the use of plainchant in today’s Early Music Show, whether we hear it in its original single line as a cantus firmus (the fixed song that anchors a lot of Renaissance polyphony) or whether composers have made a free setting of the plainchant text to carry the transition from the gloom of Lent to the joy of Easter.
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Music Played
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Thomas Tallis
Dum transisset Sabbatum
Choir: Taverner Choir. Conductor: Andrew Parrott.![]()
Tomás Luis de Victoria
Vexilla regis
Choir: La Capella Reial de Catalunya. Ensemble: Le Concert des Nations. Conductor: Jordi Savall.![]()
William Byrd
Mass Propers for Easter Day
Choir: Cardinall's Musick. Conductor: Andrew Carwood.![]()
Giovanni Pierluigi da Palestrina
Missa Ad coenam Agni providi (Gloria)
Choir: Brabant Ensemble. Conductor: Stephen Rice.![]()
Pro Cantione Antiqua & James O’Donnell
Victimae paschali laudes (Plainchant)
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Johann Sebastian Bach
Christ lag in Todesbanden (Sinfonia)
Ensemble: Vox Luminis. Conductor: Lionel Meunier.![]()
Johann Sebastian Bach
Christ lag in Todesbanden (Christ lag in Todesbanden)
Ensemble: Vox Luminis. Conductor: Lionel Meunier.![]()
Johann Sebastian Bach
Christ lag in Todesbanden (Es war ein wunderlicher Krieg)
Ensemble: Vox Luminis. Conductor: Lionel Meunier.![]()
Johann Sebastian Bach
Christ lag in Todesbanden (So feiern wir das hoh Fest)
Ensemble: Vox Luminis. Conductor: Lionel Meunier.![]()
Johann Sebastian Bach
Christ lag in Todesbanden (Wir essen und leben wohl)
Ensemble: Vox Luminis. Conductor: Lionel Meunier.
Broadcast
- Sunday17:00BBC Radio 3
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