Welcome all to the World Routes Academy blog!
This year, BBC Radio 3 launches a new scheme which aims to support and inspire young world music artists by bringing them together with an internationally renowned artist in the same field. In the first year of the BBC Radio 3 World Routes Academy, the focus is upon two Iraqi musicians; the young, London based musician Khyam Allami is the first recipient of this scholarship and he will work with the celebrated Ilham al-Madfai, the guitarist, singer and composer who will take on the role of mentor.
Radio 3's weekly programme World Routes (Saturdays, 3pm) follows the partnership over the 9-months of the scheme featuring regular interviews, documentary material, recordings and performance. In addition to following Khyam and Ilham's progress the programme takes a wider look at Iraqi music and cultural traditions.
Throughout the year, Khyam will be blogging abouthis experiences - here's his first post.
Over the coming months, this little corner of the virtual world is where I will be sharing with you the myriad thoughts, experiences and events that are or will be happening in and around this new adventure. Sounds simple doesn't it? Hmm... Seems to me that the most difficult part will be deciding on what not to tell you because my brain is already smoking and we haven't even started. Luckily for me and my other self (the hyper-organised control freak), this project started in January and so we have a nice clean point of departure. Good luck trying to keep up!
So, aside from practising the 'U-d (or Oud - short necked Middle Eastern lute),studying a reasonable stack of books in Arabic and English about the history of the 'U-d, some of the Arab world's greatest musicians, the Dastga-hs of Persian Classical Music, Iraqi Maqa-ma-t, Turkish Makamlar, Ethnomusicology, Orientalism and Arabic music theory all punctuated by extracts of Borges and Marquez... I've actually been working for the Royal Shakespeare Company, playing the 'U-d with the ensemble that accompanied their production of Arabian Nights.
Did I mention that I'm half-way through a Masters and trying to study the Turkish language? Or that I fell in love with the films of Almodóvar and replaced learning Turkish with Spanish and then went back to Turkish again? Anyway...
Up until last November, the theatre was uncharted territory but fortunately for me, the warmth of the cast and crew made our cold winter in Stratford-Upon-Avon a relatively painless experience. I say relatively only because playing the same 98% composed music eight times a week for two months does grate a little after, well, a few days but... theatre, as an artistic medium and environment is truly amazing. Can't wait to be involved in it again, hopefully in a more creative role though! A big thank you to my Arabian Nights brothers and sisters, see you all soon.
Fortunately, being in Stratford-Upon-Avon and away from London's light-speed tempos gave me a chance to get my head down and work hard in preparation for the WRA (World Routes Academy) and all that revolves around it.
The greatest thing about this project is that it's a type of artist development programme. In one seemingly self-contained opportunity such as a concert or a radio programme, there are a hundred other opportunities that can be developed to make the most of them.
For example, after finding a couple of photos showing the great Iraqi 'Ūd player Munir Bashir in a recording session for the BBC in the 1950s[1], this week I'll be delving into the BBC Archives in search of this and other old Iraqi recordings, hopefully to feature in the first World Routes programme dedicated to the WRA.
Another wonderful opportunity was the offer of a slot at WOMAD this summer. Rather than just preparing a solo 'Ūd programme, which is how I usually do things, I have just taken the first steps in putting together a very exciting new project with the great Palestinian 'Ūd player Ahmad al-Khatib and the wonderful Italian percussionist Andrea Piccioni. I will be heading to Sweden to work with Ahmad at the end of February with the plan of premiering the project at WOMAD and seeing where the wind takes us.
Hope you got all that! Either way, be sure to check back regularly to keep up on how all these things are going, and if you'd like to hear some music, check the performances listed on my website and put your name down on the mailing list to be kept up to date!
Right... emails, diary, bbc meeting, bbc meeting, another bbc meeting, book flights, telephone call, read academic article, search for some books... hmmm... where's my 'Ūd?
- [1] Click on this link for Bernard Moussali's fully illustrated article: Classical Music of Iraq - Music from far away and from long ago.


Comment number 1.
At 14:31 11th Feb 2010, Carlos Arribas wrote:Please inform whomever manages Radio 3's online audio stream that the stream has been "crackling" for the past 36 hours or so.
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Comment number 2.
At 10:33 13th Feb 2010, Vasi Hirdo wrote:Dear Radio 3, please do something with your audio stream. Since a few days the streaming it's broken, the sound is, as Carlos said earlier, cracked. We can't listen properly your shows. Thank you.
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Comment number 3.
At 13:04 13th Feb 2010, kleines c wrote:Good luck, Khyam!
https://www.khyamallami.com/site/
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Comment number 4.
At 15:22 15th Feb 2010, Carlos Arribas wrote:Will you PLEASE fix your audio stream? I contacted Iplayer tech support and received a reply suggesting I clear out my browser's cookies. I have done so and also tried several other computers. I had the same problem listening to the stream on all of them.
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Comment number 5.
At 12:42 16th Feb 2010, kleines c wrote:There is a relevant discussion thread on the Performance messageboard of BBC Radio 3, Carlos, suggesting that the audio stream has been restored to health, at least in Ireland.
https://www.bbc.co.uk/dna/mbradio3/F7497567?thread=7295012&skip=20&show=20#p92457630
As for Khyam, I have been following BBC Radio 4's 'A History of the World', and yesterday, there was an interesting 'Iraqi' object described by Neil MacGregor (et al.), the Lachish Reliefs:
https://www.bbc.co.uk/ahistoryoftheworld/objects/81-wccF3SqCa3GqpDKk3rg
Here is the transcript:
https://www.bbc.co.uk/ahistoryoftheworld/about/transcripts/episode21/
Whilst possibly not as exciting as the Arabian Nights, it did make me think about the resonances with the present day.
https://www.rscarabiannights.com/
https://www.bbc.co.uk/programmes/b006tnmp
Although I doubt that Radio 3 will attempt 'A History of World Music', an open challenge for Roger Wright, Lucy Duran and the World Routes production team (assuming that they can still all decide what world music is), I hope that your collaboration with 'mentor' Ilham al-Madfa'i will help bring people together, if only you and Ilham!
https://www.ilhamalmadfai.com/
So this is 'The Future of World Music'?
;)
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Comment number 6.
At 15:21 19th Feb 2010, kleines c wrote:Last night, there was a world evening at the British Museum (Room 10a), where Ahmed Mukhtar, Baghdad master of the oud (a Middle Eastern forerunner of the lute), gave an excellent performance on the oud, inspired by the Lachish Reliefs.
https://www.amukhtar.com/en/a/a290.html
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Comment number 7.
At 16:00 9th Mar 2010, Stratford Local wrote:It was the fact this was in Stratford Upon Avon which caught my eye. So lovely to listen to music there or watch plays, such an ispiring town, https://www.gostratforduponavon.com/ I wonder if the Bard lived in London if he'd have been inspired to write such great works..... I guess I'm encouraging all to leave London and visit Stratford so these events to help keep them going.
Keep up the excellent work Khyam and everyone else at Radio 3.
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Comment number 8.
At 17:05 18th Jun 2010, Glenn Sharp wrote:How are muscians selected for the world routes academy? How does it work? can you apply?
Many thanks,
Glenn Sharp (flamenco / world musician based in UK)
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