Ouija: Origin Of Evil is the latest in a line of films using technical tricks to make it look like an old film even though it is a new digital production. Is this a good thing or just a distraction?
An excellent new documentary called 13th was recently screened in just one London cinema which meant it got reviewed in the national press but could only be seen on Netflix. What does this mean for critics and audiences?
The brilliant Argentinian crime saga The Clan is out on DVD - it features a chilling performance by a comedian in a serious role. What are the other great acting turns by comics?
This year the London Film Festival opened for the first time with a movie made by a black woman director - but are things really getting better in the British film industry?