Philip Ridley, probably most famous for writing The Krays starring Spandau Ballet brothers Martin and Gary Kemp, is also the writer/director of one of my favourite cinematic experiences of recent years, The Passion of Darkly Noon, and now he has made a horror movie, Heartless. And I haven't seen it. And, frankly, I'm terrified.
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Ever wondered what it's like at a preview screening? It's not all fun and games you know. Sometimes people get hurt. Sometimes those people are me. Here is a public information film that is a technically accurate reproduction of how this can happen.
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An Oshima retrospective at the BFI recalls a revealing story about the true nature of film censorship in the UK, in this instance concerning the Japanese master's most famous and notorious masterpiece, Ai No Corrida AKA In the Realm of the Senses.
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So here I am at the delightful Cropredy Festival having a wonderful relaxed time among a crowd of happy, easy-going people when my eye catches something that reminds me of some very bad news. Pirate news. Pirates of the Caribbean news. Pirate of the Caribbean news with a bitter and ruthless twist.
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Mark and his band perform on Simon Mayo's programme at the Cropredy Festival.
Go to Mark on 5 Live for more reviews and film debate.
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Mark gets cross with Quentin once again as he tackles the latest Tarantino film, Inglourious Basterds.
Go to Mark on 5 Live for more reviews and film debate.
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Left to its own devices the Kermode Uncut blog recombined the Boorman and Tarantino items to generate an explosion of energetic, elevated and enterprising discussion to which I am here delighted to alert you.
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Everyone knows his name, everyone knows he's the ultimate fanboy turned auteur. So why has this Inglourious Basterd never again scaled the creative heights of his early oeuvre? Why has everything he's made since looked, well, rather shoddy by comparison?
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In a new brace of movies about the life and times of notorious
celebrity gangster Jacques Mesrine, Vincent Cassel has reached the apex
of a formidable career that began with the white hot La Haine, includes
extraordinary work in films as varied as Elisabeth and Irreversible and
even a couple of outings in Steven Soderbergh's Ocean's 12 and 13. He
is without doubt one of the finest actors working today and yes, he is
French.
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Mark Kermode and Simon Mayo are in front of an audience once again to
debate the merits of specific movie genres in their Screening Room. The schools have broken up for the summer and to mark the occasion Mark and Simon discuss great and disastrous school movies.
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Perusing your comments I came across a request to explain my antipathy toward John Boorman, the director behind such brilliant movies as Hell in the Pacific, Point Blank and Deliverance. Yeah. And Exorcist II: The Heretic, the Worst-Film-Ever-Made. Starting to make sense? Anyway, it occurred to me that Kermode Uncut is as good a place as any to get this thing out of my system.
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