Key points
Hermia is one of the main characters from A Midsummer Night’s Dream, a comedy by English playwright William Shakespeare.
Hermia wants to marry Lysander but her father, Egeus, wants her to marry Demetrius. Hermia’s friend Helena wants to marry Demetrius but he rejects her.
Hermia and Lysander run away together, but a love potion causes chaos among the four lovers.
Did you know?
In Shakespeare’s time, the female roles would have been played by young men dressed as women. This is because women were not allowed to act on stage in England until 1661.
Plot summary
Hermia’s key moments
Click through the slideshow to see Hermia’s key moments

Image caption, Hermia’s father wants her to marry Demetrius, who loves her, but Hermia loves Lysander. Hermia and Lysander run away. They are followed by Helena and Demetrius.

Image caption, Puck accidently puts love potion in Lysander’s eyes, causing him to fall in love with Helena and forget about Hermia.

Image caption, Hermia thinks Helena has stolen Lysander from her and they argue. Oberon and Puck use magic to undo the love spell so that Lysander loves Hermia again.

Image caption, Hermia and Lysander get married.
1 of 4
Character traits

Hermia is a young woman from Athens who wants to marry Lysander. Her father, Egeus, wants her to marry Demetrius.
Independent
Hermia stands up for herself and insists that she should choose her own husband. She decides to run away with Lysander, leaving her family and her home.
Daring
Hermia rebels against her father, which would have been seen as very daring in Shakespeare’s time. Although he threatens to send her to a nunneryA place where nuns live. A nun is a Catholic woman who has taken a vow of poverty, chastity and obedience. or put her to death if she doesn’t marry Demetrius, she still runs away with Lysander.
Fierce
Hermia is frustrated when Lysander says he loves Helena. She has some passionate arguments with Helena and shows her fierce nature.
Did you know?
Relationships
Hermia has a difficult relationship with her father. He threatens her with death or life in a nunneryA place where nuns live. A nun is a Catholic woman who has taken a vow of poverty, chastity and obedience. unless she marries Demetrius. Hermia dislikes Demetrius and refuses to marry him.
Hermia loves Lysander and is willing to run away from home to be with him. When she wakes up alone in the woods after Lysander abandons her, she accuses Demetrius of murdering Lysander. She is confused and upset when Lysander changes his affections to Helena.

Hermia and Helena have been friends since childhood, but the romantic confusion creates conflict in their relationship. Hermia blames Helena when Lysander suddenly changes his affections to Helena and a fight breaks out between the four lovers.
Oberon and Puck reverse the effects of the love potion and Lysander falls back in love with Hermia. They get married alongside Demetrius and Helena.
Video - Rehearsing the lovers’ fight
What is the role of a director in a play?
The director of a play is in charge of all aspects of the performance. They make key decisions on everything from lighting to costumes. While practising the play, the director will tell actors where to stand, how to say their lines and how they should move.
Watch the following video about how a director might stage the fight scene.
Narrator: Welcome to the rehearsals for A Midsummer Night’s Dream, act 3, scene 2. Lysander and Demetrius are at each other’s throats, both thinking they’re in love with Helena, thanks to a cheeky little love potion from some mischievous fairies. Cue Hermia, who kicks off at Helena for stealing her man. But is this a slanging match or a serious scuffle? A comical scrap or a violent tussle?Only the director can decide.
Hermia: Oi. You juggler, you cantor blossom, you thief of love.
Helena: Oh! Ow!
Hermia: Get off me, let me out.
Chloe: Who fancies who? It’s pathetic really, I thought it was totes gonna kick off, but it’s just ‘andbags. Nobody wants any trouble. I do love a good fight though.
Oh my G. Don’t even get me started on those two. I reckon they might have had something to do with it and all, they just stood there, loving it.
Director: Okay well done everyone, well done, that's great, that’s great, I just think we might be able to do something to make it a bit funnier for the audience. So Lysander, what if you’re… you got hold of Demetrius, and you’re kind of maybe dragging him around the stage by the nose?
Chloe: There’s some right weird bloke comes over, Derek Tor I think his name was, anyway, I thought “At last, someone’s gonna break things up,” but he just made it worse.
Lysander: Be not afraid, she shall not harm thee Helena.
Demetrius: No sir, she shall not. Though you take her part.
Chloe: ROFL, I mean what are they like? It weren’t a proper fight but it was well funny, I nearly peed myself laughing. No, I mean it, I really did babe.
Director: Okay, that was really good. Really funny. But I think it’s time to get serious, I think we can make it more violent.
Chloe: I don’t know what Derek Tor was playing at, but he made it twenty times worse. It got well out of hand. And then girls, not classy.
Helena: Ow! Have you no modesty? No maiden shame?
No touch of bashfulness?
Chloe: I didn’t believe it, Derek Tor only got Puck and Oberon to go in and mix it up even more, and them girls, didn’t know what was going on.
I had to say something. All right, all right, leave it, she ain’t worth it, she ain’t worth it.
Director: What is going on here?
Chloe: Don’t come the innocent with me Derek, I seen you getting involved.
Director: I’m the director.
Chloe: I know who you are Derek, now keep out of other people’s business.
Director: You’re confused, this is a play.
Chloe: You might be playing Derek, but someone’s gonna get hurt in a minute.
Director: Argh, it's A Midsummer Night’s Dream.
Chloe: Oh yeah! Nice one, it’s all a dream. Do I look stupid to you?
Changes in character
Hermia is an independent and daring character at the start of the play. She is confident enough to rebel against her father and run away with the man she loves.
When Lysander appears to love Helena, Hermia feels confused, helpless and upset. She blames Helena and angrily confronts her.
Puck reverses the effects of the love potion and Lysander loves Hermia again. The four lovers think that the events of the previous day were just a dream. Hermia and Lysander are content and get married.
Activity - Order it
What do these key quotations mean?
I give him curses, yet he gives me love.
Hermia
Act 1, scene 1
Hermia is explaining to Helena that she has rejected Demetrius, but he still insists that he loves her.
Nay, good Lysander; for my sake, my dear,
Lie further off yet, do not lie so near.
Hermia
Act 2, scene 2
During their time in the woods, Lysander wants to sleep next to Hermia in the woods but Hermia insists he sleeps further away. Hermia thinks it is inappropriate to sleep next to each other before they are married and she wants to protect her reputation.
O, when she’s angry, she is keen and shrewd.
She was a vixen when she went to school,
And though she be but little, she is fierce.
Helena
Act 3, scene 2
These comments are made after Hermia blames Helena for the change in Lysander’s affections. Helena’s comments about Hermia tell the audience that they have been friends since they were children and that Hermia can be fierce.
Why is Hermia traditionally played as a short character?
There are lots of lines in the play that suggest Hermia is shorter than Helena. For example, when Helena says, “Though she be but little, she is fierce.” This contrast between the height of the two characters can also create some visual comedy, particularly when they are fighting. Hermia is referred to as an “acorn” and a “puppet”, whilst Helena is referred to as a “painted maypole” during their arguments.
Listen to a scene
This audio clip is from Act 3, scene 2, when Hermia discovers that Lysander and Demetrius both love Helena. Listen to the clip and then answer the question below.
Hermia: O me, you juggler, you canker-blossom,
You thief of love! What, have you come by night
And stol’n my love's heart from him?
Helena: Fine, i'faith!
Have you no modesty, no maiden shame,
No touch of bashfulness? What, will you tear
Impatient answers from my gentle tongue?
Fie, fie you counterfeit, you puppet, you!
Hermia: ‘Puppet?’ Why so? - Ay, that way goes the game.
Now I perceive that she hath made compare
Between our statures; she hath urged her height,
And with her personage, her tall personage,
Her height, forsooth, she hath prevailed with him.
And are you grown so high in his esteem
Because I am so dwarfish and so low?
How low am I, thou painted maypole? Speak!
How low am I? I am not yet so low
But that my nails can reach unto thine eyes.
Helena: I pray you, though you mock me, gentlemen,
Let her not hurt me. I was never curst;
I have no gift at all in shrewishness.
I am a right maid for my cowardice;
Let her not strike me. You perhaps may think
Because she is something lower than myself
That I can match her.
Hermia: Lower? Hark, again!
Who does Hermia blame for the change in Lysander’s affections?

Hermia blames Helena for Lysander’s change of heart. She calls Helena a “thief of love”.
Test your knowledge
More on A Midsummer Night's Dream
Find out more by working through a topic