Performance analysis
There are many different ways to interpret and perform Shakespeare’s plays. Watch the videos and decide how you would perform these three scenes from Macbeth.
Scenes to explore
Macbeth is a play full of violence, magic and illusion. In Shakespeare’s day, the stage would have been bare, the props few, and the lighting would depend upon the weather. Theatres were open air and the plays were held in daylight.
Nowadays, Shakespeare’s plays are interpreted in many different ways on stage and screen. Directors and their production teams make choices on how they want to stage the play and how the characters will deliver their lines. The decisions they make can often change how the audience think and feel about the play and the characters in it.
Let’s look at three scenes and explore the possibilities for an exciting and unforgettable performance of Macbeth.
- Act 2 Scene 1 – Staging the dagger scene
- Act 3 Scene 4 – Rehearsing the ghost of Banquo
- Act 1 Scene 3 – Casting the Witches
Act 2 Scene 1 – Staging the dagger scene
How do you stage the scene with the famous dagger that magically appears in front of Macbeth in Act 2 Scene 1? Do you dangle a dagger from the beams? Do you count on the audience believing in a dagger that only Macbeth can see? There are many possibilities for a director to consider.
PRESENTER
Here are the Directors. 12 divorces, nine law suits and three
stints in rehab between them, these guys know what they want,
and they normally get it. Today, they’re each looking for an
innovative staging solution to the dagger scene from Macbeth.
Portraying a dagger of the mind, live on stage? Easier said than
done.
TITLE
DIRECTORS’ DEN
PRESENTER
First into the Den is 38-year-old stage designer, Charlie. He
wants the audience to feel a growing sense of dread in this
scene appropriate to the bloody murder Macbeth is about to
commit.
CHARLIE
Mine eyes are made the fools o’ the other senses,
Or else worth all the rest; I see thee still,
And on they blade and dudgeon gouts of blood,
Which was not so before.
DIRECTOR IN BLACK SUIT
Nice one, Charlie. I think the red light suggests to the audience
that blood is about to be shed but I’m not sure about the guy
holding the dagger.
CHARLIE
What guy?
DIRECTOR IN BLACK SUIT
Him. He’s right there. The guy wearing the body stocking. Are
you seriously suggesting no-one can spot him?
MAN IN BODY STOCKING
I think he’s seen me.
CHARLIE
There’s really only me here.
DIRECTOR IN BLACK SUIT
Great. So there’s just you to disappoint. I’m out.
MAN IN BODY STOCKING
Charlie. Charlie.
PRESENTER
Next into the Den is designer, James. He’s hoping his use of a
simple spotlight will illuminate the troubled mind of Macbeth as
he steps ever closer to the darkness.
JAMES
Here it not, Duncan; for it is a knell
That summons thee to heaven or to hell.
DIRECTOR WEARING RED TIE
Now then, James, which bit of that do you think we didn’t like?
JAMES
Oh, the bell. I knew we’d overdone it with the bell.
DIRECTOR WEARING RED TIE
No, James. I really don’t like sitting here in the dark. Turn the
lights back on.
PRESENTER
Next up is designer, Greg, with his simple yet atmospheric take
on this famous scene. But will it light a spark in the Director’s
imaginations?
GREG
I have thee not, and yet I see thee still.
FEMALE DIRECTOR
That was spooky. I like the way we didn’t see a dagger at all, just
Macbeth reaching out into the darkness. Well done.
GREG
Thank you. I also have all Health and Safety aspects covered, as
you would need with a naked flame on the stage.
MAN WITH BUCKET
Oh. That wasn’t my cue, was it?
This video shows a group of stage designers pitching ideas on how to stage this scene. As you watch, consider the following:
- how much the staging idea would cost
- how long it would take to set up during a live production
- how the audience would react
Act 3 Scene 4 – Rehearsing the ghost of Banquo
In Act 3 Scene 4, Macbeth is certain that the ghost of Banquo comes to the feast and sits in his place but it’s a tricky scene to perform. Should Banquo appear at the table as a ghost, or should you just use clever lighting and sound effects and let the audience imagine he’s there?
TITLE
THE
BIG
SCENE
PRESENTER
Hello, and welcome to The Big Scene. We’re at rehearsals for
Macbeth, [CAPTION – MACBETH] and scenes don’t get much bigger than this. It’s the
clash with Banquo’s ghost [CAPTION – BANQUO’S GHOST] and the director [CAPTION –
DIRECTOR] really needs the audience to appreciate Macbeth’s horror at seeing the ghost of his old best friend who he’s had murdered. This is a big challenge! Can she pull it off on this team’s budget?
PRESENTER [OFF SCREEN]
And as you join us, the feast is well under way and Banquo’s ghost is about to enter.
BANQUO'S GHOST
Woo! Woo!
PRESENTER
Oh, and what a silly boy. The Director’s not happy at all. She
wanted a ghost, she’s got a tablecloth with eyes. Clearly no-one
told the young lad the audience needs to take the supernatural
seriously.
PRESENTER [OFF SCREEN]
Ah. This looks more promising. Oh, and he’s really pulled his
socks up here and has put in one hell of a performance. He
almost looks real. Could make Macbeth and the audience
question if Banquo’s been killed at all!
MACBETH
Which of you has done this?
PRESENTER [OFF SCREEN]
And that is back-from-the-dead-tastic. 110 percent from Billy
Banquo and it’s more than enough to scare the paranoid pants
out of the out of form Macbeth – and us, for that
matter. I’ve got the heebie-jeebies.
BANQUO'S GHOST
Erm, don’t have any lines.
PRESENTER [OFF SCREEN]
Hey, hey, hey. The guy’s right, and he’s got the boss really
thinking. Has she got a more stylised approach in mind,
perhaps?
MACBETH
Which of you has done this?
PRESENTER
Well, well, well, Banquo’s been replaced by nothing more than
lighting and sound effects.
BANQUO'S GHOST
Ridiculous.
PRESENTER
It’s utter madness, if you ask me. Macbeth’s madness, that is. It’s
a classy move by the Director. It puts a doubt or two in the mind
of the young King and it makes the audience really question his
sanity. Hang on, it looks like she might have another trick up her
sleeve. Can she up the tempo once more, I wonder?
MACBETH
Thou canst not say I did it. Never shake
Thy gory locks at me.
PRESENTER [OFF SCREEN]
Well, no-one saw that coming. She’s decided she doesn’t need
an actual ghost in that position at all. She’s made the audience
think Macbeth’s totally lost his marbles. Oh, but what’s this?
Oh, some numpty’s waltzed through with Banquo’s goat, of all
things. No audience would want to see that. A rehearsal of two
halves, and no mistake.
This video shows a group of actors rehearsing the scene and the director is trying out different ways to perform it. As you watch, consider the following:
- how Macbeth would react to what he sees
- how the other guests at the banquet would react to Macbeth’s behaviour
- how you’d ensure a theatre audience would understand what was going on
Act 1 Scene 3 – Casting the Witches
When you read Act 1 Scene 3, how do you imagine the Witches? Would they be dressed in dark clothing and pointy hats or, if you were putting on a performance of the play, would you go for a more modern twist on the traditional witch?
PRESENTER
Their cauldron boils, their potions bubble, and casting these girls
could be trouble. I say girls, could be guys, but whether fair or
foul, wicked or wise, they’ll cut Macbeth down to size.
This is Casting the Witches!
TITLE
MACBETH
CASTING THE WITCHES
WITCH
Fire burn and cauldron bubble! Ha-ha-ha!
CASTING DIRECTOR
I get it. You’ve gone for the classic evil witch. Guess it’s could work, but this whole green face, pointy hat stuff wasn’t around in
Shakespeare’s time. Besides, I need something surprising.
PRESENTER
Oh-oh. Looks like the next auditionee has arrived early.
GIRL IN PINK
Oh sorry, am I early?
WITCH
Yes.
PRESENTER
Ooh. This could get messy.
WITCH
Yes, you are. This is my audition. Now [BLEEP] the [BLEEP]
[BLEEP] [BLEEP] [BLEEP].
Unbelievable.
PRESENTER
She’s certainly got foul covered.
CAPTION
CASTING THE WITCHES
PRESENTER
The script does say they have beards, and these witches can be
presented in so many different ways, why not as men?
MAN AUDITIONING
You should be women and yet your beards forbid me to interpret
that you are so.
CASTING DIRECTOR
Sorry, you’re reading Banquo’s lines? We’re casting for the
witches.
MAN AUDITIONING
Well, I’m not doing that.
CASTING DIRECTOR
OK. So what’s with the costume?
MAN AUDITIONING
Costume? Are you taking the mick?
CAPTION
CASTING THE WITCHES
PRESENTER
Wow. Not necessarily what you’d expect but Macbeth is tempted
by the witches’ promises of power, and possibly beguiled by
them, so the dance could work.
LADY IN RED
All hail, Macbeth. Thou shalt be kind hereafter.
I really want Macbeth to fall under my spell.
CASTING DIRECTOR
Yeah, I could see that. Thank you. We’ll be in touch. I assume
you’re available.
LADY IN RED
Very.
CASTING DIRECTOR
I meant… for the play.
LADY IN RED
Call me.
PRESENTER
Her cauldron brings all the boys to the yard. Am I right, guys?
Right, cos she’s a witch, has a cauldron…Sorry.
TITLE
MACBETH
CASTING THE WITCHES
This video shows a group of actors auditioning to play the part of the Witches. As you watch, consider the following:
- how Macbeth would react to these witches
- what music or sound effects you would use to accompany the witches on stage
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