Naturalism and StanislavskiEmotional memory

Russian practitioner, Konstantin Stanislavski's ideas are very influential. He believed in naturalistic performances that were as realistic as possible, and invented techniques that you can use.

Part ofDramaStyles, genres and practitioners

Emotional memory

Emotional memory is when the actor finds a real past experience where they felt a similar emotion to that demanded by the role they are playing. They then ‘borrow’ those feelings to bring the role to life.

Stanislavski provided a route map for exploring what he called "that conscious road to the gates of the unconscious", which is the foundation of modern theatre. And it is a map that no actor, even today, can afford to ignore.
Michael Billington, The Guardian. 9 May 2009

Method of physical actions

Imagine a simple activity like cleaning your teeth and then imagine a husband cleaning his teeth whilst deliberating on how to tell his wife about his mistress. This is a simple illustration of how a physical action can release the necessary emotions.

Subtext

The script of a play could be called the text. The subtext is the actual meaning and motivation behind the lines that are spoken and the actions taken. For example, the heroine might say to the hero, “I love you” and we might assume that it is the happy ending fairy tale moment. But the delivery would be very different if she was worried that he was about to walk out on her.

If

Stanislavski said that the character should answer the question, 'What would I do if I was in this situation?' Also known as the ‘magic if’, this technique means that the actor puts themselves into the character’s situation. This then stimulates the motivation to enable the actor to play the role.