Dizzy Gillespie y Machito: Afro-Cuban Jazz Moods - EdexcelAfro-Cuban Jazz Moods
Dizzy Gillespie is considered to be one of the greatest jazz trumpeters and band leaders of all time. In 1975 he collaborated with Latin American musician Machito and his band the Afro-Cubans to create the album Afro-Cuban Jazz Moods.
The fusionMusical fusion is when two different styles are brought together to create a new type of music. of Latin American music and big bandA large group of musicians including brass, reeds, keys, guitars, double bass and a percussion section that plays jazz and dance music. jazz had been popular for many years, before Afro-Cuban Jazz Moods was recorded in 1975. Dizzy Gillespie had been particularly involved in Afro-Cuban music which he used in combination with a strong, distinctive bebopA type of jazz that uses a fast tempo, complex harmonies and rhythms, and virtuosic improvisations. jazz style. This is evident in his work from as early as 1947 and his famous track Manteca is a great example.
Other jazz performers were trying to experiment with music originating from around the world. Charlie Parker (saxophonist) and Machito recorded the Afro-Cuban Jazz Suite album in 1950, and pianist George Shearing recorded Latin Escapade in 1956.
The foundation of all Afro-Cuban music is the underlying son claveA cuban rhythm heard in jazz which is sometimes described as a 3 - 2 rhythm owing to the three augmented strikes, then two faster strikes. rhythm that originated in Africa. The word clave is the Spanish word for key - it serves as the backbone to the music.
The son clave rhythm is:
This is sometimes referred to as a 3-2 rhythm. The dotted crotchets in the first bar cut across the 4/4 beat and create a pulse in compound timeWhere each beat of the bar is divided into three.. This is also called a cross-rhythm An effect created when two or more conflicting rhythms are heard at the same time. Eg one may be in simple time and another in triple time..