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Episode 49: A Special Relationship

Sunday, 16th December 2007, 5.05pm, Radio Scotland

Jazz Festival parade 1981, The Scotsman Publications Ltd (c) scran.ac.ukJohn Purser explores aspects of the relationship between Scottish and American music in James Dillon’s and Alasdair Nicolson’s works inspired by New York City, a ragtime fugue by David Johnson, Gordon McPherson’s dreaming of California via Phoenix, William Burroughs-style cut-ups in John Lunn’s Jazz Pointilliste, The Average White Band’s funk musings on transatlantic touring and Tam White’s masterly riposte to Muddy Waters’ assertion that white men can’t sing the blues.

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  1. James Dillon - East 11th St NY 10003
    Music Projects/London Richard Bernas, conductor
    CD East 11th St
    NMC d004 Track 1


  2. Alasdair Nicolson - 42nd Street Stomp
    Joanna MacGregor
    CD Play
    Sound Circle SC007 Track 1


  3. David Johnson - Prelude and Fugue 7
    Ian Hobson
    CD 12 Preludes & Fugues for Piano
    Zephyr Z113-98 Track 13-14


  4. John Lunn – Jazz Pointilliste
    Paul Hindmarsh, tenor William Sweeney, clarinet Jack Keaney, piano
    BBC recording


  5. Gordon McPherson - Phoenix
    Psappha
    CD Detours
    Metier MSV CD92073 CD 1 Track 5


  6. Gorrie/Stuart/Ball/Duncan/McIntyre/Ferrone: Person to Person
    The Average White Band
    CD The White Album
    Columbia 5134132 Track 4


  7. Tam White - Stonemason’s Blues
    Tam White, vocal/acoustic guitar Fraser Spiers, harmonica Neil Warden, guitar
    CD Tam White’s Shoestring
    Greentrax G2CD 7002 Track 9

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