These tracks take us from Croatia to the United States via Vietnam and the Japanese island of Okinawa, but there's an oriental thread that runs through these tracks, the guitar on the Darko Rundek and Huang Thanh tracks seeming to meet somewhere between Eastern Europe and Eastern Asia (but ironically just as likely to have been created in the centre of World Music, Paris), and the last track completing a trip that even manages to stop off to pay homage to Brozman's genius on Hawaian guitar.