Episode Two

Andrew Graham Dixon finds out how Charles I became Britain's first connoisseur-king and the greatest royal collector in British history. It was a fateful journey to Spain to win the hand of a Spanish princess that opened Charles's eyes to the works of Titian and Raphael. But his transformation into a world-class collector was sealed with the wholesale purchase of the enormous art collection of the impoverished Mantuan court. The greatest of the Mantuan treasures were Mantegna's nine-picture series of The Triumphs of Caesar that Charles installed at Hampton Court. They are themselves a visual depiction of how power - and art - passes from the weak to the strong.
Andrew explores how Charles I's Royal Collection introduced a new artistic language to British art. The sensuality of Titian and the epic canvases of Tintoretto, still in the Royal Collection today, were a revelation for a country whose visual culture had been obliterated by the Reformation. And we see how Sir Anthony van Dyck created a glamorous new style for the king that could have served as a new beginning for British art. But this was a future that would never happen - the English Civil War and Charles I's execution put an end to this first great age of royal collecting, with the king's artworks sold in 'the most extravagant royal car-boot sale in history'.