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Adam Hart-Davis tells how advances in chemistry enabled photography to replace painting as the main visual medium in Victorian Britain. He shows how Victorian cinema began with private viewings through machines called mutoscopes, which worked like giant flick-books.

4 minutes

Last on

Tue 9 Sep 200810:30

Credit

RoleContributor
PresenterAdam Hart-Davis

Broadcasts

  • Sat 24 Nov 200712:45
  • Tue 9 Sep 200810:30