Dylan Thomas season: Dylan The Poet

An accessible but in-depth look at a writer who for too long has been more famous for his life than for his work. BBC Two Wales – April; BBC Four – Spring.

Published: 20 March 2014

Owen Sheers, Writer and Poet:

Dylan Thomas was a seismic event in the history of English language poetry. A 19-year-old whose powerfully original work attracted admiration and letters of interest from the leading poets of the day. A modern poet whose writing was daring and experimental, and yet was also rooted in an ancient music, an elemental vision. A popular performer who could attract audiences of thousands on his tours of America.

Dylan Thomas was also, however, a poet whose life continually threatened to subsume his work. With his death the myth of Dylan the hell-raiser, the womaniser, the drinker, crystallised about him, until it became all too easy to forget the startling poems that first caught the world’s imagination.

On the centenary of Dylan Thomas’s birth, I want to get back to what makes Dylan Thomas extraordinary - those poems. I want to ask why his work, despite its challenging nature, continues to have such enduring popular appeal. How did he create the seductive effects of his verse? And why, exactly, did his writing have the impact it did when it first appeared in print?

Focusing on five key poems from the different stages of Dylan’s artistic development, I’ll excavate his worksheets to illustrate the rigorous craft that went into the poetry.

I’ll also travel to the places at the source of his poems: suburban Swansea, the London of the Blitz, and the remote rural beauty of Laugharne. In doing so, via this poetic map, I hope to sketch out the biography behind the writing, and to explore the events that fed into Dylan’s work.

Along the way I’ll be meeting contemporary poets and writers, to learn something of the nature of Dylan’s legacy, and to gather their views on his poetry. By the end of the programme I hope viewers will have had an accessible but in-depth look at a writer who, for too long, has been more famous for his life than for his work. And I hope, too, that the poems that first began Dylan’s story will have been placed centre stage in the re-telling of it 100 years after his birth.

Welsh-language version

Owen Sheers, Awdur a Bardd:

Roedd Dylan Thomas yn ddigwyddiad anferthol yn hanes barddoniaeth Saesneg. Roedd yn ddyn ifanc 19 oed a’i waith gwreiddiol pwerus yn ennyn edmygedd a llythyrau o ddiddordeb oddi wrth brif feirdd y dydd. Roedd yn fardd modern, a’i gynnyrch yn arbrofol a beiddgar. Ac eto, roedd hefyd wedi’i wreiddio mewn cerddoriaeth hynafol, gweledigaeth elfennol. Roedd yn berfformiwr poblogaidd a allai ddenu cynulleidfaoedd o filoedd ar ei deithiau yn America.

Ond, roedd Dylan Thomas hefyd yn fardd yr oedd ei fywyd bob amser yn bygwth llyncu ei waith. Pan fu farw, tyfodd y myth amdano fel meddwyn a merchetwr, nes y daeth yn rhy hawdd o’r hanner anghofio’r cerddi ysgytwol a daniodd ddychymyg y byd.

Ganrif ers geni Dylan Thomas, rwyf am ddychwelyd i’r hyn sy’n gwneud Dylan Thomas yn unigryw – y cerddi hynny. Hoffwn wybod pam mae ei waith, er ei natur heriol, yn parhau i apelio gymaint. Sut y creodd effeithiau hudol ei farddoniaeth? A pham, yn union, y cafodd ei waith yr effaith a gafodd pan ymddangosodd gyntaf mewn print?

Gan ganolbwyntio ar bum cerdd allweddol o gyfnodau gwahanol yn natblygiad artistig Dylan Thomas, byddaf yn tyrchu trwy’i bapurau gwaith i ddangos y grefft lem yn ei farddoniaeth. Byddaf hefyd yn teithio i’r mannau sy’n gysylltiedig â’i gerddi: swbwrbia Abertawe, Llundain adeg y Blitz a harddwch gwledig anghysbell Talacharn. Wrth wneud hyn, drwy gyfrwng y map barddonol hwn, rwy’n gobeithio esbonio’r cefndir y tu ôl i’r gweithiau, ac ystyried y digwyddiadau a ddylanwadodd ar waith Dylan Thomas.

Ar y daith, byddaf yn cwrdd â beirdd ac awduron cyfoes, i ddysgu rhywbeth am natur yr effaith y mae gwaith Dylan Thomas wedi’i chael, ac i gael eu barn am ei farddoniaeth. Erbyn diwedd y rhaglen, rwy’n gobeithio y bydd gwylwyr wedi cael golwg fanwl, ond sy’n hawdd ei ddeall, ar awdur sydd wedi bod, am ormod o amser, yn fwy enwog am ei fywyd na’i waith. Ac rwy’n gobeithio hefyd y bydd y cerddi a gychwynnodd stori Dylan Thomas wedi cael y lle blaenllaw wrth ailadrodd y stori honno 100 mlynedd ar ôl ei eni.