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A Thousand Months (Mille Mois)
15A Thousand Months (Mille Mois) (2004)

updated 18 June 2004
reviewer's rating
3 out of 5
Reviewed by Neil Smith
average user rating
4 Star


Director
Faouzi Bensaïdi
Writer
Faouzi Bensaïdi
Stars
Fouad Labied
Nezha Rahile
Mohamed Majd
Hajar Masdouki
Mohamed Bastaoui
Length
125 minutes
Distributor
Optimum Releasing
Cinema
02 July 2004
Country
France/Morocco/ Belgium
Genre
Drama
World Cinema

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Average star rating: 4 from 24 votes

A young boy and his chair prove inseparable in this leisurely Moroccan drama, set in a poor village in the Atlas Mountains during the month of Ramadan. The year is 1981, and eight-year-old Mehdi (Fouad Labied) is preparing for his first fast. But with a dad in jail, a friend in the morgue, and a teacher's chair to guard, it's hard to keep his mind on holy matters. Slow to the point of inertia and full of obscure subplots, A Thousand Months nonetheless offers a valuable and compelling insight into a dying way of life.

When his father Abdelkrim is jailed for his involvement in a labour strike, Mehdi and his mother (Nezha Rahile) move in with her father-in-law in a dusty mountain hamlet. There Mehdi, who believes his dad is working in France, is given the privileged task of looking after the local schoolmaster's seat, a role that makes him a teacher's pet in the eyes of his ill-disciplined classmates.

The fate of that chair is implicitly tied up with that of the village which contains - in no particular order - a newly appointed 'caid' (mayor), a farmer thought to have murdered his wife, and a teenager whose death in a car crash is viewed as divine punishment for wearing makeup during Ramadan.

"EPISODIC, RAMBLING AND HARD TO FOLLOW"

This is a land of fear and mistrust, where provincial government is inherently corrupt, and a wedding can suddenly become a riot. It's also a world under siege from the west - a Kate Bush song here, a Bruce Lee film there - where the city's distant lights offer a twinkling temptation to take the first cart out of town.

Though episodic, rambling and a little hard to follow, Faouzi Bensaïdi's feature debut offers enough incidental pleasures to help the audience over the cultural and linguistic barrier.

In French and Arabic with English subtitles.

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