BBC BLOGS - Stuart Bailie

Archives for February 2010

Schlepping With The NME

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Stuart Bailie|21:54 UK time, Sunday, 28 February 2010

NME.jpgThis photo was possibly taken in 1992 - around the time of NME's 40th birthday. I think the venue was Subterrania on Ladbroke Grove and I see a merry confection of young hacks. There's Stuart Maconie, Steve Lamacq and Andrew Collins. I see Live Reviews Ed Helen Mead, secretary Karen Walter plus James Brown, who went on to found Loaded magazine. Centre back is Bill Prince, now looking after GQ while the man waving his hands madly is Derek 'Bridges' Ridgers, a photographer of some notoriety.

In front of Derek is Gavin Martin, who learnt his trade with the Alternative Ulster fanzine. Another quality smudger is Kevin Cummins, just in front of Lamacq. I also see Danny Kelly, who was Deputy at the time and Editor Alan Lewis, looking quite pleased with a circulation rise to 105 000 copies a week. I think he had steered it up from around 88 000. Now it probably shifts 30 000 on a good week. Oh, them days...

The Choir Fellas

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Stuart Bailie|18:04 UK time, Friday, 26 February 2010

If you fell off a ladder in the old days of the shipyard, there was little ceremony. They'd check you for broken bones, dust you down and immediately, they'd send you back up those rungs. This was for your own good, mind. There was no time for fear or trauma. You had to beat that anxiety before it took root. Here was the tested solution.

choir250.jpgI was thinking about this when I watched the Belfast Community Gospel Choir play live last night. I've seen this project grow from the scattershot beginnings last September and already the 60 plus posse is looking comfortable in their collective skin. This gig in May Street

Church is their first 'proper' event and understandably there is some nervousness there. During a version of 'Can You Feel It', this develops into a bit of disarray and the song shudders to a stop. The only thing to do is to start again and make it work. And that's what they achieved.

Their leader is Marie Lacey, who is pure energy and is clearly alive to the idea of voices massed together, bringing joy to the city. She has put belief in a collective that has members from Barbados, Poland and Enniskillen. They were recruited from churches, workplaces and the Kremlin nightclub. They rock, kinda.

There was original material from Ria Maguire, a towering Psalm, and a version of 'I Believe I Can Fly' that was sweetly airborne. The tune that really bit me was 'Something Inside So Strong' that saw these regular civilians stepping up to the front and changing into

thoroughbred testifiers - channelling out soul and resilience and new-found power. It was something.

Playlist 22.02.10

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Stuart Bailie|21:51 UK time, Tuesday, 23 February 2010

I was explaining to a friend the other night about the alchemy that makes up a satisfying radio show. On a good night, a sequence of tunes will suggest itself, complementing each other, synching and contrasting when it suits. There's such a thing as a natural first

hour tune or something that's ideal for the final lap to midnight, when the runnings are often woozy, even a little transcendent.

As it happened, Monday's show was proof of this. The new Burning Codes tune is like trumpets and deep joy in the mainline. Robert Plant seems to take up the thread and The Drums are similarly on it. Meantime the second hour is the chance to get more expansive, certainly with the Soweto swell of Meloton Sisters - vintage emotion from South Africa.

Evening radio is some kind of permission to release six minutes of Ruth Theodore, playing haunted blues like John Fahey. And finally, the chance to sign off with Holly Miranda, the Miss Haversham of billowing, goth-trance.

Playlist 22.02.10

David Bowie - Modern Love (EMI)

Danny And The Champions Of The World - Wandle Swan (Loose)

Ash - War With Me (Atomic Heart)

Lawrence Arabia - Apple Pie Bed (Bella Union)

Jimi Hendrix - Bleeding Heart (Sony)

Holly Miranda - Forest Green Oh Forest Green (XL)

Burning Codes - Can You Hear The Sound (white)

Robert Plant - Another Tribe (Sanctuary)

The Drums - Best Friend (Moshi Moshi)

Wilma Lee And Stoney Cooper - This Crazy Crazy World (Righteous)

Gram Parsons - Oh Las Vegas (Reprise)

Harper Simon - Shooting Star (Tulsi)

Womack And Womack - Celebrate The World (Spectrum)

Julie Feeney - One More Tune (Mittens)

Louis Eliot And The Embers - Runaway Night (IRL)

Carl Perkins - Riverboat Annie (T Bird)

Jesse Dee - Alright (Munich)

Fionn Regan - Protection Racket (Heavenly)

Meloton Sisters With Amaqola Band - Sivenoe (Strut)

John Shelley And The Creatures - Fools (JSC)

Ruth Theodore - Sisyphean Rock And Roll (River Rat)

Hawksley Workman - The Ground We Stand On (Six Shooter)

Aretha Franklin - Ain't No Way (Rhino)

Yeasayer - Madder Red (Secretly Canadian)

Holly Miranda - Sweet Dreams (XL)

Buds You Like

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Stuart Bailie|11:10 UK time, Monday, 22 February 2010

A Plastic Rose played live on Friday and Saturday night, and as ever, they gave it socks. On the first of these, the Belfast venue was busy and excitable and so Gerry and the firm were at their best. On Saturday around 6pm, they jumped into their van at the Manor Park recording studio and high-tailed it to Crumlin, where a modest turn-out had gathered. No matter for these guys. "We'll play it like we always do," Gerry assured us. "Like there's a thousand people in the hall."

plasticrose220.jpgAnd that's exactly how it transpired. It was a girl's birthday and she was in decent spirits and so APR encouraged her and her mates to dance at the front. There was even an invitation to clap and the crowd obliged. Gerry, y'see is a natural communicator and he'll pitch everything at his potential fans. So many other acts have a reserve and debilitating cool, even a deal of shyness. And so, their rapport with the crowd is weakened. But even when APR were learning their job a couple of years ago and the music was patchy, Gerry always talked their efforts up to the max.

Saturday also provided the chance to see The Wonder Villains. They've been rightly hailed by Stephen McAuley at Radio Foyle and by the ATL team. Their music is sharp and vibrant while they have the melodies, the bleating synths and an unaffected air that you hope will sustain.

McQueen Is Cred

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Stuart Bailie|19:55 UK time, Thursday, 18 February 2010

Back in 1997 I was talking to Bjork about the uncommon beauty of her 'Homogenic' album. She was raving, conceptualising, emoting and variously making the case for art that is out there. Part of the project was making a record sleeve that would support this caper and so she called in the designer Alexander McQueen.

homogenic.jpgShe may have regretted it because soon she was overpowered with a tonnage of hair, tape, clogs, enormous false nails and severe contact lenses. So how could the singer possibly make contact with her fans under such circumstances? "All I could do," she explained, "was to give out love".

Which is essentially why Bjork was moved to write a strange poem after McQueen's recent death. The designer was up to her own standards of art and when the media found them talking together the drift was funny, intimate and challenging. And for the same reason, there was a rare, reflective moment during the Brits, when Lady Gaga also paid her dues. Music and style are made to parade and collide and the absence of McQueen is a bad thing.

Playlist 05.02.10

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Stuart Bailie|22:08 UK time, Tuesday, 16 February 2010

Playlist 05.02.10

BBC Radio Ulster, 92-95 FM

Online: www.bbc.co.uk/radioulster

Mondays, ten - midnight

Echo And The Bunnymen - Bring On The Dancing Horses (WEA)

Nancy Sinatra -Let Me Kiss You (Liberty)

Soulsavers -Some Misunderstanding (V2)

Johnny Cash - Ain't No Grave (American)

Midlake - The Horn (Bella Union)

Arctic Monkeys -My Propellor (Domino)

Solomon Burke - Love Buys Love (Rounder)

Eels - Mansions Of Los Feliz (E Works)

Lhasa - Fool's Gold (Warner)

Fairport Convention - Si Tu Dois Partir(Island)

Ben Glover - Where The Lines Are (Mr Jones)

Yeasayer - O.N.E. (Mute)

The Fat Lady Sings - Arclight (EastWest)

Ruth Brown - Ice Water In Your Veins(Rounder)

General Fiasco - Ever So Shy (Infectious)

Elvis Costello - True Love Ways (Edsel)

Monsters Of Folk - Dear God (Rough Trade)

Johnny Cash - Redemption Day (American)

Boo Hewerdine - In Paris After The War (Navigator)

Caitlin Rose - Answer In One Of These Bottles (Names)

Merle Haggard - Swinging Doors (Capitol)

Midlake - Fortune (Bella Union)

Polar Bear - Peepers (Leaf)

Josh Rouse - Sweet Elaine (Bedroom Classics)

Bebel Gilberto - Sem Contencao (East West)

Barb Jungr - Once In A Lifetime (Naim)

One Stetson Beyond...

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Stuart Bailie|20:11 UK time, Sunday, 14 February 2010

goodvibes2.jpgHere's a photo of Kyle Leitch and John T Davis, taken at the recent preview of the Good Vibrations film sampler at the QFT in Belfast. While neither of them possessed the bluster or the media appetite of Terri Hooley, they are both important figures in the legacy of Ulster punk music.

John T made the film Shell Shock Rock, which is the critical archive of the era and a peerless movie also. He made separate films of The Outcasts at large in Belfast and Protex in New York, as well as his reportage essays such as Hobo, Power In The Blood and Dust On The Bible. John is increasingly making his claim as a songwriter while his reservoir of art and humanity is still full.

Kyle manned the record counter at Caroline Music in Ann Street and was a huge supporter of Rudi and Stiff Little Fingers in the early days. Kyle has also been on a unique orbit around music since then and is prepped to deliver more. Both Kyle and John decided to suspend disbelief during the screening of the new film, and thus appreciated the mythological splurge of it all.

Arise, The Rose

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Stuart Bailie|09:54 UK time, Friday, 12 February 2010

Everbody is digging the new video by A Plastic Rose. It's another feisty statement from our music scene as Gerry and his team make another seemingly effortless ascent. Kudos also to video maker Matthew Alexander Patton, who has been threatening to pull off something like this for a while and now reaches actuality. Top work, all.

This Film Is On

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Stuart Bailie|21:25 UK time, Wednesday, 10 February 2010

Last December I reported on the first filming session for the Belfast punk movie, Good Vibrations. It was a rousing occasion and people reacted to the news with much passion. In the middle of it all is Terri Hooley, the focus of the fervour, who is responding with equal measures of humility and bravado. And on Sunday, we gathered at the Queen's Film Theatre to see a sample edit of the film.

hooley.jpgThere were maybe 150 people there - some with an active stake in the shooting and others just curious to see how their teenage years have translated to this kind of a production. We knew that the edit would be only seven minutes long but still, it was an event.

Happily, Richard Dormer seems at ease in the Hooley role; quizzical, twitchy, at odds with the mainstream. We seem him watching his first Rudi gig, and being transfixed by the power of punk. We watch the guy in the office of an amusingly straight bank manager (Lawlor Roddy), offering up £40 in collateral for the start-up on a record shop. And there's a savage montage of Troubles footage, ironically mangled into 'English Country Garden'.

Early days yet, but the production team seem to understand that this is a story that requires a proper deal of soul, intelligence, compassion and wit. They're giving us excitations.

Playlist 08.02.10

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Stuart Bailie|15:44 UK time, Wednesday, 10 February 2010

I got my first cassette recorder for Xmas 1972. I know this because my first few recordings are severely stamped into the recall system: 'You Wear It Well' by Rod Stewart, 'Crazy Horses' by The Osmonds and Marc Bolan bleating out 'Children Of The Revolution'. In those days, the immediacy of the scheme was so exciting that there was little thought for sonic fidelity.

Only now do I realize that when I recorded 'You're So Vain' by Carly Simon (microphone held to the radio speaker, natch) that the batteries were done and so the machine was grinding, pitching and playing havoc with the cheap cassette oxide. As a result, poor Carly sounded like she was performing said tune in a mid-Atlantic tornado, while sucking

helium and losing the will to live. Now, when I hear the 'proper' version, it sounds somehow wrong. It's in tune, for starters, and you can hear all those priceless words of venom and contempt. In the recent Warren Beatty biography, they said that he recognized himself in the song and contacted the author to say thanks. What a guy.

On her new album of acoustic versions, Carly revisits the song with a little less of the anger. Nevertheless, it's still a faultless portrait of a rotter supreme.

STUART BAILIE

BBC Radio Ulster, 92-95 FM

Online: www.bbc.co.uk/radioulster

Mondays, ten - midnight

Primal Scream - Come Together (Farley mix) (Creation)

Carl Perkins - Power Of My Soul (T Bird)

Lightspeed Champion - Marlene (Domino)

Mississippi John Hurt - Candy Man Blues (Rounder)

Lawrence Arabia - I've Smoked Too Much (Bella Union)

Johnny Cash - For The Good Times (Lost Highway)

Gil Scott Heron - On Coming From a Broken Home (XL)

Frightened Rabbit - Living In Colour (Fat Cat)

Carly Simon - You're So Vain (Rhino)

Josh Rouse - Lemon Tree (Bedroom Classics)

Husky Rescue - Sound Of Love (Catskills)

Second hour co-presented by Duke Special

Duke Special - Catfish (Reel To Reel)

Dan Michaelson and the Coastguards - 'Now I'm A Coastguard' (Memphis

Industries)

Duke Special - Wanda (Reel To Reel)

Magnetic Fields - California Girls (Nonesuch)

Them - I Gave My Love A Diamond (Decca)

Duke Special - Farmhouse Song (Reel To Reel)

Bertholt Brecht, Theo MacKeben - Mack the Knife (Naxos)

American Music Club - 'Home' (Cooking Vinyl )

Duke Special - Scandal (Reel To Reel)

Kate and Anna McGarrigle - "Heart Like A Wheel" (Ryko)

Return Of The Duke

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Stuart Bailie|13:08 UK time, Monday, 8 February 2010

DukeSpecial200.jpgDuke Special is back on the show tonight, talking about his three new CDs, his bold plans to raise music financing though online pledging and a series of upcoming gigs in unusual places. He'll also be bringing in some records by other artists that have impacted on his creative journey. That may involve tunes by The Magnetic Fields, Them, American Music Club plus Kate & Anna McGarrigle.

I'm looking forward to it. Of the Three CDs he's set to release, I especially admire the Kurt Weil songs based on Huckleberry Finn. That whole process is such a weave of ideas from Old Europe to the New World and back again. I'm also most curious to know how producer Steve Albini bedded into the 'Hector Mann' project. Meantime, the soundtrack to the Mother Courage theatre production reveals the artist in a very novel place, pushing his expectations and ours. All good.

Plaza, Delta, Forever

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Stuart Bailie|10:12 UK time, Friday, 5 February 2010

My favourite Facebook page at the moment is 'My Jeans Got Bogging At The Delta And Then At The Plaza'. For most people, that's a rather arcane reference but it will matter to those who served at two legendary Belfast clubs. I'm guessing that it happened around 1983-86 and the activity centred around two old dance studios.

plaza.jpgThe Delta, as I recall, was on Donegall Street opposite the cathedral. You had to wait until the old folk had finished with their Saturday evening foxtrot and shuffled down the stairs before the music was cranked up. About a year later and everyone migrated to the Plaza, a few minutes up the road on Donegall Lane.

The clubs were maintained by Jim and Ernie, the method was Bring Your Own and the entertainment was immense. This was a nasty period for Belfast nightlife - the Orpheus had declined after a bouncer was stabbed in the throat and the Dunbar Arms (now Mynt) was over the glory years of the New Romantics. Elsewhere, apart from the Crescent, it was flatlining. But Jim and Ernie put together these semi-secret nights where every shade of youth culture was celebrated and expressed.

In a city were tribalism usually meant hostility and mistrust, these two clubs gave shelter to all of the outsiders. They were beautifully tolerant. And musically, it had the best policy of any place I've ever witnessed. The soundtrack would hurtle from Grandmaster Flash and 'White Lines' to King Kurt and Hamilton Bohannon while finding time for The Sisters Of Mercy's 'Alice' and even The Pogues. I remember talking to the likes of Andy Cairns and David Holmes who came from very different places, but found some of their sonic education here.

I have indelible memories of hearing 'Like A Virgin' by Madonna and the place going silly. Likewise with Chaka Khan's 'I Feel For You'. And I blush to remember, 'It's Raining Men'. The boystown posse were always well represented. It was essentially their club, but they let everyone have their moment.

By the end of the night, the senses were overwhelmed, and you would routinely exit to Iggy Pop and 'The Passenger'. That was essentially the theme tune. It was a restless trawl around the ripped up entrails of a traumatized city, sustained by music and youth culture and special friends.

In my case then, a big shout to Markie and Paulene (met at the Plaza, now married), to Colin and Michelle, to Anna, Annette and Claire, Mal, Davy, Joanne, Peter, Dawn, Alan, Terry, Steve, Ingrid, Zowie and Zulema, Anne The Van, Marty Jameson, Lisa and Big Bird. Also to Roger Smyth, who later became a 9-11 hero but who operated back then as a psychobilly with unsavoury, hand-made shirts. True.

Playlist 01.02.10

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Stuart Bailie|18:13 UK time, Tuesday, 2 February 2010

Last night Reggie Chamberlain King and myself launched a new, occasional feature. The provisional title is 'Edge Of The Radar' but we welcome a better name. The premise is that it's fun to profile lesser-known acts that have made a real impression on the culture. And so we settled on Sparks to commence the project. Two brothers from California - one abstract and the other flamboyant - combining opera, cabaret, big guitars and polymorphous abandon. I think it worked, and the recent Sparks work, 'The Seduction Of Ingmar Bergman' was supreme. Any

suggestions for the next profile?

sparks.jpgSTUART BAILIE

BBC Radio Ulster, 92-95 FM

Online: www.bbc.co.uk/radioulster

Mondays, ten - midnight

Playlist 01.02.10

The Who - The Kids Are Alright (Polydor)

Mayer Hawthorne - Let Me Know (Stones Throw)

Duke Special - This Time Next Year (Reel to Reel)

The Kissaway Trail - New Year (Bella Union)

Sparks - This Town Ain't Big Enough For Both Of Us (Island)

Sparks - Achoo (Island)

Sparks - No. One Song In Heaven (Virgin)

Sparks - The Seduction Of Ingmar Bergman (Lil Beethoven)

Two Door Cinema Club - Undercover Martyn (Kitsune)

The Jam - The Eton Rifles (Polydor)

Carlton And The Shoes - Love Me For Ever (Soul Jazz)

Kathryn Williams - 50 White Lines (One Little Indian)

The Charlatans - North Country Boy (Beggars Banquet)

Ben Glover - Where The Lines Are (Mr Jones)

Josh Rouse - I Will Live On Islands (Bedroom Classics)

Paul Simon - Born At The Right Time (Warner)

Eels - A Line In The Dirt (co op)

Midlake - Acts of Man (Bella Union)

Ralph Stanley - Can You Hear The Mountains Calling (Rounder)

Danny and The Champions - Follow The River (Loose)

Beach House - Used To Be (Bella Union)

Baby Bird - Unloveable (Unison)

St Germain - Rose Rouge (Blue Note)

Musee Mechanique - Our Changing Skins (Souterrain)

Duke Special - Tellers Tale (Reel To Reel)

Polar Bear - Happy For You (Leaf)

From Belfast, With Love

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Stuart Bailie|09:43 UK time, Tuesday, 2 February 2010

I had a lovely time last night at the Belfast For Haiti gig. You may know that it was a fundraiser with many of the local bands of note taking place, with guest DJs and smiling faces akimbo. Anto and Ron put the event together with the help of CDC Leisure, who opened up the Limelight, Katy Daly's and the Spring & Airbrake for the duration.

general520.jpg



The camaraderie was potent, and it was a treat to see bands that have recently headlined the Ulster Hall having the grace to play in more modest circumstances. Take your credit then, The Answer and General Fiasco. Given that I was playing a few tunes at The Limelight, I got to enjoy the latter act, and to see their manifest improvement over a year of grind. Likewise with Cashier No 9 who are revealing the sweetest and most pithy songs. Meantime, at the other end of the Ormeau Ave strip, Panama Kings were apologising to the bouncers for a past misadventure and plotting out some more japes in the coming months. Cigars all round.



General Fiasco photo by Lily Bailie