Playlist 28.03.08
I'm a major fan of the Soul Jazz label, who are still bashing out tasty compilations of Seventies reggae, New York post punk, Philadelphia soul and the soundtrack to a Brazilian cultural revolution.
Their latest is a second volume of New Orleans Funk which was a perfect additive to my Friday night show.
The new REM album sounds good but rarely classic, but I'm liking the Scorsese soundtrack to the Rolling Stones film, 'Shine A Light' To hear Jagger and Jack White tackle 'Loving Cup' together is a rare pleasure. Also, I'll happily endorse Alexander Tucker, who is wondrously out of sych with everything.
PLAYLIST 28.03.08
STUART BAILIE
BBC Radio Ulster, 92-95 FM, 1341 MW
Online: www.bbc.co.uk/radioulster
Fridays, ten – midnight
Bonnie and Sheila – You Keep Me Hanging On (Soul Jazz)
REM – I’m Gonna DJ (Warner)
Mark Lanegan and Isobel Campbell - Come On Over (V2)
Rolling Stones – Shine A Light (Rolling Stones)
Young Knives - Turn Tail (Warner)
The Charlatans – The Misbegotten (Cooking Vinyl)
The Coal Porters – Adam And Evil (Prima)
Tift Merritt – Tell Me Something True (Fantasy)
Lee Dorsey – Four Corners (Soul Jazz)
Martina Topley Bird - Poison (Independiente)
Oppenheimer – Look Up (Fantastic Plastic)
Nick Cave – Moonland (Mute)
REM – Mr Richards (Warner)
Hot Chip – The Pure Thought (EMI)
Dandy Livingstone – Message To You Rudy (Trojan)
Cyril Neville – Gossip (Soul Jazz)
The Shortwave Set – Yesterdays To Come (Wall Of Sound)
REM – Man Sized Wreath (Warner)
Vincent Vincent And The Villains – Killing Time (EMI)
John Hiatt – Have A Little Faith In Me (Capitol)
Ben Glover – Strong Enough For This (Mr Jones)
Carl Perkins – Matchbox (Sun)
Alexander Tucker – Phanton Rings (ATP)
Rolling Stones – Loving Cup (Rolling Stones)
The Ting Tings – That’s Not My Name (Columbia)
Tift Merritt – I Know What I’m Looking For Now (Fantasy)
Tom Waits – That Feel (Island)
The Clash – Bankrobber (CBS)
Stu Bailie presents The Late show on Radio Ulster, every Friday from 10pm until midnight. See his playlist here.

There are anecdotes all the way, including the tale of how an assassination threat kept the Clash away from Derry and how the Undertones didn’t really rate the singing of Feargal Sharkey until the world told them otherwise. Mickey is also very good on the long evenings in the O’Neill house, where the trainee ’Tones would sit and talk music for hours, fuelled by tea and the indulgence of the parents.
The only difference is that this dad has pretentions of being a classy photographer, and in his head, he is actually Anton Corbijn, taking a cover session for the U2 album, ‘All That You Can’t Leave Behind’. Hey it’s not Hall 2F of Charles de Gaulle International, and the equipment is a little cheaper than Anton’s kit, but c'mon, a fella can dream, can’t he?
The music is so bold and twisted and uncommon. Guy Garvey sings like he's an accomplice to murder and the duet with Richard Hawley, 'The Fix' is two deadpan talents giving it their all. Elbow play the Mandela Hall, Belfast, April 22.
Eileen Rose - $20 Shoes (Evangeline)
Barry talks about his upbringing in Ardboe, Co Tyrone and his teenage days at a seminary in Navan. Thereafter we’re into the ferment of Seventies Dublin, where Barry chanced it with style and became a big-haired role model for rural fantasists. Also, they recorded ‘The Tain’ and ‘The Book Of Invasions’, so all was ultimately worthwhile.
This is not an item that you’ll find in any shop. It was issued by Warners as a promotional item in 1988 to alert the privileged media people that an important single was on the schedules. And so a few hundred of these pieces were mailed out to radio producers, journalists and TV executives. And since I was in the record company press office at the time, I was allowed one for myself.
Anyway, it was the age of the record company freebie. In my journalistic capacity I was wooed by countless T-shirts, jackets and even Filofaxes. I had monogrammed pyjamas, fluffy toys and leather bags. I wouldn’t like to think that any of this had influenced my reviews in the slightest. Although I still have my Thin Lizzy, ‘Whisky In The Jar’ bottle of the actual hard stuff. A shame they couldn’t actually spell the single title correctly, but who needs accuracy when the marketing department is cranking out the hits?
Brian Houston – Astral Weeks
Dexy’s Midnight Runners – Jackie Wilson Said (Mercury)
We met a few weeks ago at her home, overlooking Dublin Bay. She’s got a Grammy on top of the piano, and she let me hold it. I felt like making a speech. Instead, she talked me through her eventful career, from publican’s daughter to amateur folk singer (with a penchant for Joni Mitchell songs in Gaelic) to a vocalist of international standing and 20 million record sales.
The feature on this week’s
So U2 and Ash played to 2 000 Sixth Formers at the Waterfront, and Bono copied an old trick that he’d learned from Bob Marley at the One Love concert in Kingston, 1978. The reggae boss had pulled the political leaders Manley and Seaga together onstage, to send out a positive signal to the riotous city. And so Belfast got its first public handshake from Trimble and Hume, while the U2 singer held their arms up like prize fighters.
Sam Isaac – Fire Fire (AM AK)
So the plan is to have a weekly chat with one of the fascinating characters from the plot. Tonight, I’m starting with Terri Hooley, a friend, a folk devil and the guy who released ‘Teenage Kicks’ on his record label, ‘Good Vibrations’. He’s a lovely man but he tends to ramble, so the edit has been demanding. But it’s a tremendous journey, from Hank Williams to punk rock in bombed-out Belfast. The stories are funny, tragic and era-defining along the way.
This morning, I was talking on Good Morning Ulster, explaining that a quarter century of music journalism has left me with permanent ringing in my ears.
Frank Turner – Photosynthesis (Xtra Mile)
While there are several nordies in the room (