Archives for December 2009

Beyond Westminster: visiting Gladstone

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Paul VickersPaul Vickers08:00, Saturday, 26 December 2009

Hawarden, the Gladstone family home

Editor's note - Paul Vickers wrestled with his Sat Nav for a trip to the Welsh borders and the ancestral home of William Ewart Gladstone to mark Gladstone's bicentenary for Beyond Westminster. He recorded this short account of his visit specially for the blog - SB.

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Paul Vickers is a Producer on Beyond Westminster

The home lives of Radio 4 Royalty

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Steve BowbrickSteve Bowbrick12:01, Thursday, 24 December 2009

MyXmasOn4

It went like this. I called the nice people in the Radio Times press office and asked if I might have a pile of Christmas double issues for a special project on the blog. They arrived in the internal post the following day and I started sending them out to important Radio 4 people. A handful weren't able to join in - they were on holiday already or recording in remote parts - but ten agreed to help me out and, once they'd received their copies of the magazine, enthusiastically circled their Christmas listening directly onto the pages of the radio section (you can't miss it, it's right at the back). Some added notes (and Fi Glover did the whole thing using blue sticky notes).

You can see all the pages on Flickr. I haven't counted them properly but there are at least 300 selections from the Radio 4 Christmas schedule plus a few from the other networks. It's a genuinely fascinating selection and a real insight into the holiday habits of Radio 4 Royalty. And in many cases you can click right through from the cutting to the programme's page on the Radio 4 web site - handy if you'd like to listen again to the ones that have already gone out. You can also add your own comments or notes to their selections. Here are some highlights, with links to the scribbles themselves:

Please feel free to add your own notes and comments to the pages on Flickr, or as comments here on the blog. And if you're on Twitter, tell the world what you're listening to on Radio 4 over Christmas and the New Year using the hashtag #MyXmasOn4. Happy Christmas!

Steve Bowbrick is editor of the Radio 4 blog

The Controller's Christmas listening

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Steve BowbrickSteve Bowbrick17:44, Tuesday, 22 December 2009

Damazer Radio Times

Mark Damazer, as I'm sure you know, is the boss. The Controller of BBC Radio 4. So he's responsible for every one of the 13,000 or so programmes commissioned annually by Radio 4 and - in my own experience - he has an opinion about every one of them.

Mark Damazer

So, can there be a more interesting or influential selection of Christmas Radio 4 programmes? And what will those annointed do with the news that they've made it into the boss's holiday media schedule? Will this become an annual ritual? These and other questions will, I'm afraid, go unanswered but, since you asked, check out the pages from the 'legendary double issue' of The Radio Times that I gave Mark. He's circled a fascinating range of holiday programming and even added some notes. Here are the highlights:

And if you'd like to join in and tell the world your Radio 4 choices from the double issue, get your own copy out, ring the programmes you're going to listen to and upload pics to your favourite picture sharing site (Facebook, Flickr, Twitpic... there are many). Or just tell the world in a comment here on the blog, on Twitter or on Facebook. Whatever you do, tag it #MyXmasOn4.

Steve Bowbrick is Editor of the Radio 4 blog

  • Lots of other Radio 4 people have made selections from the 'legendary double issue' of the Radio Times. You'll find the rest of them here (and more will be added over the next few days).

Upshares - a new high

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Joanna CarrJoanna Carr10:40, Tuesday, 22 December 2009

graph

I like to think that every week on PM is a special week, but for regular listeners, this week will be... shall we say, extra special? For this is the week that the great Alexander Faris, composer of the Upstairs, Downstairs theme, will speak unto the nation.

For new readers: over the last year, PM has had a regular economics and business slot to cover the recession. We asked the listeners to name the segment, they nominated 'Upshares, Downshares'. Admittedly, we started playing the tune. But we never asked the listeners to start sending in their own versions. They just did. I haven't counted how many yet, but here follows a small selection of highlights. We've had: a reggae version, an Ennio Morricone version, a Russ Conway version, a Bee Gees version, a version by Mercury Award nominees, Led Bib, and a retro arcade game style. We've had recorder groups, several accordions, a choir, a barbershop quartet. Listener Kit Morgan has sent seven excellent BBC themed versions, including this radiophonic workshop version:

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And last night, on PM, we heard what Sandy Faris has made of it all, and how he's going to spend his royalties:

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And later this week - the definitve Upshares. I can't say more. Stay tuned.

Joanna Carr is Editor of PM

  • Lots more about Upshares, Downshares on the PM blog.
  • PM is on Radio 4 at 1700 Monday-Saturday. Listen again here.

Tim Bentinck's Christmas listening

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Steve BowbrickSteve Bowbrick17:26, Monday, 21 December 2009

Tim Bentinck Radio Times

Tim plays David Archer in Radio 4's long-running drama serial The Archers. He's not been in Ambridge for that long but he's a pillar of the series nevertheless. I gave him a copy of the Radio Times' 'legendary double issue' and asked him to get scribbling: he's ringed all the Radio 4 programmes (and quite a few from other networks) that he's planning to listen to over Christmas and New Year. And it's a fascinating selection.

Tim Bentinck is a Mac

See all of his selections (and his annotations) in his own fair hand on Flickr. And if you'd like to join in and tell the world your Radio 4 choices from the double issue, get your own copy out, ring the programmes you're going to listen to and upload pics to your favourite picture sharing site (Facebook, Flickr, Twitpic... there are many). Or just tell the world in a comment here on the blog, on Twitter or on Facebook. Whatever you do, tag it #MyXmasOn4.

Highlights from Tim Bentinck's Radio 4 choices are:

Christmas listening choices from more Radio 4 people tomorrow.

Steve Bowbrick is editor of the Radio 4 blog

From the diabolical airport lounge of climate change diplomacy

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Sarah MukherjeeSarah Mukherjee09:35, Monday, 21 December 2009

Demonstration @ COP15

Editor's note. Sarah Mukherjee, Radio 4's Environment Correspondent, was in Copenhagen for Cop15's messy finale. She wrote this sketch from the corridors outside the official meeting rooms as the formal agenda fell apart. As you'll have read, things didn't go exactly as she - or anyone else - expected - SB.

International conferences like these are like being in a diabolical airport lounge. Lots of people from all over the world, some rushing, others wandering.

I've been to several of these climate change talks over the years, and this seems to be the bloated older brother of all the others put together. Thousands of people - twice as many accredited as the venue could hold, flying from all over the world to talk about reducing global carbon emissions. The irony has not been lost on many of the journalists and other observers who have not made the trip.

The whole affair, both the logistics and the talks themselves, appear to be creaking at the seams - which makes it very difficult to cover as a story. In the early days of this process (we're talking years ago here), the whole thing was small enough to be held in a medium-sized conference centre.

If you hung around people's hotel rooms and the meeting areas when the ministers of two countries met (the 'bi-laterals' as they are known), they'd come out for a chat and tell you how everything was going. Now, people meet in 'delegation areas' that appear to be several hours' walk away from the press area, which is itself very distant from the main negotiation halls.

The weight of expectation has seemingly made things more, rather than less than less, difficult for not only the organisers, but also those who have come here, ostensibly to save the planet. It's like a weird town with its own language, its own rituals and its own rules.

There are meetings to agree on money for small countries to develop clean technologies, on whether countries will get money for reforestation (can you see there's a bit of a theme here), and how to measure carbon emissions reduction. So far, the meeting appears to be struggling to agree a text for the leaders to argue over.

The rich countries want the emerging economies like India and China to agree to curb their carbon dioxide emissions in the future; the emerging economies want industralised nations to accept deep, legally binding targets for reducing CO2 - and the poor countries want money and technological help.

So - will there be a deal? Well, it will be difficult to get 110 leaders here to talk without coming up with something they can all sign up to.

But maybe a more germane question for us in the UK is what difference will it make - if any - to daily life. As one delegate from another EU country told me: "offering developing countries billions of pounds to sign up to a deal is all very well - but where is the money going to come from, and how do we sell it to voters back home?"

Unlike many international processes, charities and pressure groups have always been fairly central to the negotiations. They have led the science, often becoming government negotiators and advisers as climate change has become a bigger public policy issue. So when huge numbers of those who were accredited to attend for the first week were told their passes were no longer valid for the second, there was undisguised fury. The Friends of the Earth grouping staged a sit-in, and many former delegates have been religiously turning up trying to get in. As more world leaders appear, they have had less and less luck,until now they are reduced to sitting outside the perimeter fence chanting.

We had the requisite demo, the requisite political positioning; now it comes down, as these things almost always do, to two men sitting in a room. President Obama and Premier Wen of China are meeting to try and finally settle their differences; nobody is betting that they will

Sarah Mukherjee is Radio 4's Environment Correspondent

Kirsty Young's Christmas listening

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Steve BowbrickSteve Bowbrick16:46, Friday, 18 December 2009

Michael Caine in the Radio Times

They don't call it 'the legendary Christmas issue' for nothing. The Radio Times at Christmas is a genuine publishing event. Still, in the age of the web and free listings pull-outs, the 274-page issue (the first to feature two different covers since 1923) will sell well over 2 million copies and clear nearly £5 million in revenue from the cover price alone. And around the country millions will get their felt-tips and their ballpoints out to ring the programmes they'll be listening to or watching over the 14 days it covers.

Kirsty Young

So I asked a select group of top Radio 4 people to get their own copies out and ring the Radio 4 programmes they're planning to listen to over Christmas and the New Year, starting today with broadcasting phenomenon and Desert Island Discs presenter Kirsty Young. Here are her choices. Fascinatingly, on page 242 of her double issue, she reveals that Michael Caine, Sunday's Desert Island Discs guest, is in her top three guests of all time.

And if you'd like to join in and tell the world your Radio 4 choices from the double issue, get your own copy out, ring the programmes you're going to listen to and upload pics to your favourite picture sharing site (Facebook, Flickr, Twitpic... there are many). Or just tell the world in a comment here on the blog, on Twitter or on Facebook. Whatever you do, tag it #MyXmasOn4.

Over the next few days I'll be posting the Radio Times selections of Julian Worricker (You and Yours presenter), Eddie Mair (PM presenter), Mark Damazer (Radio 4 Controller), Even Davis (Today presenter), Libby Purves (Midweek presenter), Tim Davie (Director of BBC Audio and Music) and Quentin Cooper (Material World presenter). I nearly secured Martha Kearney's selections today but she left London early to get to North Yorkshire for Any Questions ahead of the snow. Hope she made it.

Kirsty's selections from the legendary Christmas issue:

  • Desert Island Discs with Michael Caine, this Sunday at 1115. "In the top three guests - ever", she says.
  • The News at Bedtime, 1815, Christmas Eve: "Comedy gold. A must."
  • Woman's Hour, with Jane Garvey,1000, Christmas Eve: "I will be wrapping and Jane will be the perfect friend to do it with even though we've never met."
  • Count Arthur Strong's Radio Show, New Year's Day, 1130. Kirsty says: "Without question my absolute favourite radio programme... aside from Today... Obviously!"

Steve Bowbrick is editor of the Radio 4 blog

Werry good! Muppet meets More or Less

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Richard KnightRichard Knight08:49, Wednesday, 16 December 2009

The More or Less team was in a state of great excitement on Wednesday. We were about to interview one of our heroes: Count von Count, Sesame Street's Transylvanian arithmomaniac.

But what do you say to a Muppet?

The makers of Sesame Street offered some guidance. They sent my colleague Julia Ross, who fixed the interview, a document - 'Interviewing Muppets'. It suggested some appropriate questions: 'How do you like living on Sesame Street?', for example, or 'Who is your best friend'.

The same document gently steered us away from some less appropriate lines of questioning: 'Are Bert and Ernie gay?', for example.

We had no intention of asking the Count to speculate about what Bert and Ernie get up to in the privacy of the bedroom they, er, share... No, we were happy to stick to the numbers questions.

But when the time came to record our interview we were hit by a disorientating array of technological problems. Had I read 'Interviewing Muppets' carefully I would have been more prepared for what happened next. 'Muppets', it says, 'always stay in character'.

So that's how I found myself discussing ISDN line settings and 'simul-reccing' not with Jerry Nelson, the venerable occupant of the Count costume, but with the Count himself - who punctuated my lengthy technical briefing (we were fiddling about for at least 40 minutes) with cries of 'Werry good!', 'Yeees' and, of course, 'Ha ha ha ha!'.

Eventually we made the interview work. And, rigorous as ever, we elicited some revealing information. What's the first thing the Count counted? His fingers, his toes, his ears and his nose. His favourite number? 34,969. Are Bert and Ernie gay? I'm just kidding. As if we'd dare...

Richard Knight is Series Editor of More or Less

Appreciating Smiley

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Mark DamazerMark Damazer09:53, Monday, 14 December 2009

Simon Russell Beale as George Smiley

Tinker Tailor Soldier Spy part three has been and gone for me - though if you missed it you get the repeat next Saturday evening at 2100 and you can listen again on the Radio 4 web site.

And I thought it was fabulously good.

We have an audience measurement system for appreciation - called AIs - which should not be taken as religion. Sometimes the sample sizes are small, some genres (new comedy) always do less well than others... old favourites etc... and I do not use AIs as a mainstay of commissioning. So I risk inconsistency when I point out that the AIs for Tinker Tailor Soldier Spy were 91. This is astonishingly high... indeed, about as high as it gets.

This is my third bout of Smiley-mania. First came Alec Guinness in the TV adaptation in 1979 - then I read the books - and now this with Simon Russell Beale as Smiley. I think he's been extraordinary. And the dramatisers - Robert Forrest and Shaun McKenna - have done wonderfully well in striking a balance between faithfulness to the text and necessary compression.

Do catch it.

Mark Damazer is Controller of BBC Radio 4

  • The Complete Smiley, Radio 4's season of dramatisations of John le Carré's Smiley stories, carries on until Summer 2010.
  • Tinker Tailor Soldier Spy is part of the BBC's 'series catch-up trial' so you can listen to all three episodes on iPlayer or on the Radio 4 web site until seven days after the final episode is transmitted (20 December). Read about the series catch-up trial here.
  • Jeremy Howe, Commissioning Editor for drama at Radio 4, wrote about the Smiley season here on the blog.
  • There's a Wikipedia entry about the BBC's Appreciation Index.
  • The picture shows Simon Russell Beale from a set of production pictures taken for the season by Phil Fisk. There are more here.

Words and pictures from the National Short Story Awards

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Steve BowbrickSteve Bowbrick08:55, Thursday, 10 December 2009

The shortlisted writers at the National Short Story Awards ceremonyKate ClanchySara Maitland and Kate Clanchy

The nice people at Book Trust have sent us some pictures from the awards ceremony Monday night - and there are more here on Flickr.

Shortlisted Lionel Shriver's got an excellent piece about short stories in The Independent. She writes:

Exchange Rates, short-listed last month for the National Short Story Award, was the first proper short story I've written since I was 22. While a couple of other "stories" have been published meantime, they were both, sneakily, excerpts from novels.

And in The Times, Margaret Drabble, a judge, writes:

Short stories aren't just very short novels, although a few celebrated writers, including John Updike and Alice Munro, have published volumes using overlapping characters or imagined neighbourhoods that create an effect of a tapestry of interwoven lives -- not a continuous novel, but a series of episodes, cumulatively evoking a time or a place or a way of life.

Book blogger Elisabeth Baines (Fiction Bitch) likes the winner:

...short stories, as I'm frequently saying, are closer to poetry than novels, and this short story bears all the hallmarks of that: a linguistic attention and the structural and verbal patterning at which Clanchy as a poet is supremely practised, and it is these elements which create the control of emotion and tone for which this story has been rightly praised, and make it so moving.
Charlotte Williams, blogging for The Bookseller, is particularly pleased with the podcast:
Perhaps a small thing in itself - and of course Radio 4 has long been a champion of the form - but this podcast could be seen as part of a bigger scheme: with short story collections notoriously difficult to sell in print, maybe people are waking up to the different ways to get the form out there?

Steve Bowbrick is editor of the Radio 4 blog

The appeal is well under way

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Craig NormanCraig Norman23:06, Tuesday, 8 December 2009

St Martin's mosaic.jpg

Sunday, December 6th: Appeal day. The taxi drops me at St Martin's before 0700. It's dark, it's raining, and I notice two men sheltering with their belongings as best they can on the steps of the church. Into the office to switch on computers and a last-minute test of the phones.

I like to describe myself as being a bit like Santa - he and I both spend most of the year planning for the big day. The Christmas Appeal isn't the only thing I do: most of the time, I run the Vicar's Relief Fund, spending half of the money from the Appeal. Every day, support workers up and down the country send me requests on behalf of their clients. It may be rent arrears, usually because of problems with benefits, that are putting them at risk of becoming homeless; or they may be homeless and have a chance of obtaining a tenancy, but need a deposit, or a bed or cooker to put in it and begin to set up a home. Each request is considered, but the money has to last until the end of the financial year, and if I want to be sure that we can continue to meet crisis needs until then, I have to sift through each request and identify which ones will get a grant and which ones won't. Even though we try to make the money go as far as possible, I still have to say "no" to many more requests than to the ones I can say "yes, we'll help". Making that decision is the hardest part of my job, because I know that there's a person or a family behind that piece of paper who needs help. But it's necessary to prioritise the requests; otherwise we would run out of money in six months and spend the rest of year saying "no" to every request, even those in the most desperate need. Finding the balance between helping and staying within budget is rather like driving down a steep mountain road, riding the brakes just enough to keep the car going but not too fast that tumble off a cliff. This is why we need the Christmas Appeal to be a success.

This year's money will run out at the end of March. Next year's money will come from this year's Christmas Appeal, so careful planning is needed to ensure as many people as possible know about it and know how to support us. And when they do decide to support us, we've got to be sure we have the ability to accept their donation however they want to give it to us. This year, I've had meetings with our partners at BBC, our phone suppliers and many others, working towards this day when volunteers would give up part of their Sunday to take calls. By this stage, I was fairly sure the technical bit that had been planned out over the past few months would work: now we just needed people to ring in.

By 0730, others start to arrive: the phone engineer (just in case it doesn't work), the Vicar with breakfast things, the volunteers. The volunteers are people from all walks of life: we have members of the St Martin's congregation, our business manager and her husband, bankers, lawyers, secretaries from the big companies in the area. There's something about the Christmas Appeal that draws these people together, something that links them - and the people around the country they will be speaking with - to what this church represents and the work that we do. Is it simply a desire to help? To right a wrong? Or a recognition that there but for the grace of God go any of us.

Gradually, the volunteers take their places and get ready. The Appeal is broadcast at 0755. As it draws to a close and Nick's recorded voice reads out the number, I look at my watch. 10 seconds go by. 20... no phones ringing. How can it not be working? After 30 long seconds, just as we're about to ring the number ourselves to test it, the phones ring. Volunteers swoop on the calls and begin collecting names, addresses and credit card details.

Donors responding to the Appeal give what they can. Sometimes it's a little bit of money, sometimes it's a lot. Often, older people will tell us: "This is my heating allowance. I don't need it, so you can have it". Or: "I'm sorry it can't be more". But every little bit helps, and the volunteers graciously accept each donation, regardless of size.

And gradually, these various amounts of money start adding up, and by the time the first shift finishes at 0930 the total is over £7000.

The second shift take over; we now have a full house. In the slot before "The Archers", "Received with Thanks" is broadcast and I can use the online monitoring system to see the waiting time creep up as the volume of calls increase. At times like this, callers include people for whom the glass is half-empty as well as those for whom it is half full: some are indignant that they've had to wait so long, while the fact they've had to wait so long makes others realise that we are busy and must be doing well.

We could, of course, install an automated system, or we could outsource the calls to a call centre. Instead, we prefer to stick to the personal touch and use these volunteers. We know from donor's comments that they prefer to speak to a real person; if they time it right, they'll even get to hear the bells of St Martin's in the background. We may not quite carry off the polished professionalism bigger charities are able to mount, of course, but in the end, we're just a little operation working out of a church office. I think a lot of donors expect us to be a bit scruffy round the edges, and appreciate us for being so.

After a while, the calls begin to subside. The phones - and the volunteers answering them - have come through their toughest test. By 1100, we've topped £20,000 (that's about 4 or 5 weeks worth of Vicar's Relief Fund grants), and I can start to feel a bit more relaxed.

The sun shines through the windows. Calls peak and trough throughout the day and into the evening. It gets dark. Weariness settles over me like an itchy blanket. Despite the long day, I'm amazed how quickly the time goes.

Shifts of volunteers come and go. Sometimes it's difficult to get someone out of the chair for the next volunteer to take over. There's something almost addictive about what they're doing, as if they can't get enough of the feeling that's passing through the phone line, or they are wrenching themselves away from an unfinished task. When they do go, they often act as if they are leaving a party, rather than having spent the previous two hours concentrating over names, addresses and lots of numbers. Their parting words are often: "See you next year!"

Finally, at 2200, calls are diverted to the BBC call centre. The last donations are processed and we look at the final results: in this one day, the Christmas Appeal has collected over £60,000 in phone donations. I know more than £30,000 has been donated through the website. Hopefully, this will be the tip of the iceberg: the BBC will continue to take calls until another group of volunteers come in Thursday afternoon when Radio 4 repeat the Appeal. Cheques have already started to arrive in the post. Calls and web donations will, with any luck, continue through the month and perhaps into January. In spite of the recession, I'm beginning to think this might be a good year.

I couldn't finish without expressing my thanks to everyone who helped make the day such a success: to my colleague, Rod, who cheerfully ran around gathering volunteers from the door, making coffee and doing all those little things to help the day go smoothly; to Bronwyn who, as usual, minded the shop during the afternoon so I could grab some lunch and start this blog; to all the enthusiastic volunteers; to the people who do the technical bits with phones and websites that I will never fully understand but am just grateful that they work; and to all those generous people who gave what they could to help us help others in need. Thank you.

Craig Norman is Vicar's Relief Fund Administrator at St Martin-in-the-Fields

Shrt stry awrd - anncmnt Mnday

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Di Speirs16:48, Thursday, 3 December 2009

short van

Editor's note. Update: of course, the award has now been announced. Kate Clanchy is the winner. The Telegraph covered the announcement, as did The Guardian. Congratulations to Kate Clanchy! - SB

Not long now until our final meeting in a discreet London venue, to pick this year's winner. Which isn't going to be easy at all.

Meantime, not only are the stories going out on air each day at 1530 and available in the normal 'listen again' fashion - as are the five interviews with the authors on Front Row - but for the first time, and for two weeks only, we are able to offer the five stories as a podcast and as downloads for your MP3 player. It's very easy to do - just visit the series' podcast page where you'll find directions. Either subscribe to the podcast and get all five stories delivered to your MP3 player or right-click to download each story to your computer directly - to keep forever.

And the animated video clips, are all still available here. It's proved an interesting process finding visuals which reflect but don't distract from the audio - and my colleagues Rob and Hannah have done an excellent job I think. You can also check out Naomi Alderman's blog where she has written a lovely piece on her native Hendon.

And for those of you who prefer to read the stories in the old-fashioned way, Short Books have just published a beautiful anthology containing all five and an introduction from our Chair Tom Sutcliffe, which is available in all good book shops, and a perfect treat for Christmas.

As for me, I'm just going to re-read the stories one more time.

Di Speirs is Editor, Readings at BBC Radio 4

Stories from St Martin's

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Sally FlatmanSally Flatman11:08, Thursday, 3 December 2009

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At 0800 every day (0900 on Saturday) you'll find a small group of people at morning prayer in the church of St Martin-in-the-Fields at Charing Cross.

Amongst the worshippers you'll see homeless men and women from The Connection at St Martin's, an independent homeless charity operating on the site of St Martin-in-the-Fields Church. They offer practical advice, care and support to homeless people from all over the country, of all ages and all walks of life. This year alone over 5,000 homeless people accessed their services.

The poem in the slideshow above was written by Jamie, a young homeless man who's a member of The Connection's writing group.

And in this recording, you'll hear the Vicar of St Martin's talking about his preparation for the annual appeal and how he turns to the regulars at morning prayer for stories to use in the appeal programme itself - like Ben the gambler and the silent, angry man who can't bring himself to talk to anyone:

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Sally Flatman is Producer of the BBC Radio 4 St Martin-in-the-Fields Christmas Appeal

Archers Gold

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Steve BowbrickSteve Bowbrick12:34, Tuesday, 1 December 2009

Archers screen

Archers Week is over. During the week we published 19 posts about every aspect of making the world's longest-running radio serial.

This is good stuff by any measure. Anyone interested in radio drama or the creative process should bookmark this page, which lists all the posts. Here's a round-up of all the Archers Week posts, with quotes from some of them, in chronological order:

Julie Beckett, Senior Producer, started the week with a melancholy post about listening to Norman Painting's final episode in her car. She didn't want to get out until it had finished:

Coming into the office this morning, I've just learned that Vanessa, our Editor, was also driving home last night and sat in the car outside her house until the programme ended. Both of us were very moved.

Charles Collingwood (Brian Aldridge) stayed more-or-less in character for his post and actually dictated it to me in the Archers production office, pacing around as I typed (and wearing a cravat):

My episode this morning, without giving too much away, is with my gamekeeper, William. And grumpy William needs taking down a peg or two which I'm more than able to do.

Felicity Finch, one of four cast members to blog for us, was also thinking about Norman and had played opposite him in his final episode:

He had played Phil from the beginning. I feel very lucky and privileged to have shared these moments with him as he died two days later.

Tim Bentinck (David Archer) has been in Educating Rita at the Watermill Theatre in Newbury. For a radio drama actor, the daily repetition was a shock to the system:

However the result is that I feel more alive and brighter than I have for years - a nightly dose of adrenaline is a wonderful boost to the system and feels like having one's batteries recharged. I recommend it.

Archers supremo Vanessa Whitburn provides a snapshot of the well-oiled machine that is The Archers, humming and whirring away in Birmingham, churning out perfectly weighted storylines and episodes like clockwork:

Today, in their homes, eight writers are writing an episode of the Archers each, after a busy storyline meeting the week before last. Julie Beckett, my Senior Producer, and I edited eight weeks-worth of synopsis last week and so we broadly know where the writers are going and what they are writing.

Julie Beckett doesn't usually get a chance to watch the actors at work. She's usually much too busy directing:

So today and yesterday, while dropping in, I've watched the actors working. Fascinating to see the absolute concentration, the working together, the application of timing and emotion to the script - and all while turning the pages without a sound.

Sonja Cooper travels the country recording sounds for use in the studio. She sent me a collection of half a dozen precious sounds, including 'a pint being pulled', 'an anxious Hereford cow' and my favourite:

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I watched producer Rosemary Watts directing a couple of episodes from 'the cubicle' on the other side of the glass from the radio drama studio. An intense and quite complicated process. Working on storylines outside the studio is just as complicated, though:

...as it includes a combination of research lines, longterm storylines, programme anniversaries, events that are happening in the real world, and most importantly, liaising with our Agricultural Story Editor Graham Harvey - a mine of information and all of it good!

Sarah Morrison is a Broadcast Assistant. She loves the weeks when episodes are being recorded:

I love the feel of this period in our working cycle each month - it's what all the casting, writing, story-lining and paperwork culminate in and there's such a feel of family between the cast and production team.

Becky Wright plays Nic Hanson, a newcomer to the village, so she remembers her first day vividly:

When it came to start the readthrough, my nerves really kicked in: the people that you've been chatting to a few seconds earlier suddenly morph into those familiar characters heard on radios around the world... it was a surreal moment and for a few seconds I sort of stared into space, not quite comprehending that this situation actually involved me... then reality hit, my first line was coming up and Nic was about to have a voice of her own.

Tim Stimpson ('the youngest Archers scriptwriter in the history of the programme'), shares his technique for pacing the tension across a week of episodes - and it involves felt pens:

Michael Harrison, Studio Manager, is glad Christmas is over. Keri Davies, multitasker, describes his many roles: scriptwriter, message board host and web producer, to name but three. Archivist Mel Ward loves her card index. Producer Kate Oates shares the stress of recording Christmas in November and Spot sound guru Liza Wallis creates the many sounds of Ambridge in the studio.

And to finish the whole thing off, Controller Mark Damazer shares something of what must be a truly gripping annual storylines meeting (to which I was not invited) and Editor Vanessa Whitburn gets back to normal with the weekly pick-ups meeting.

Steve Bowbrick is editor of the Radio 4 blog

Back to normal in Ambridge

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Vanessa WhitburnVanessa Whitburn09:12, Tuesday, 1 December 2009

Mailbox, Birmingham

After a busy day on Thursday in London for the big meeting with Mark Damazer, (see his blog post about the meeting) I came into the Mailbox early on Friday morning to catch up on emails before chairing our monthly pick-ups meeting with the producers and archivist in The Archers team. This meeting does exactly what it says on the tin. We 'pick up' where the latest set of scripts leave off and decide on the broad shape of the storylines we will be covering at the next script meeting, using those longterms we were talking to Mark about yesterday as tramlines to keep us on the straight and narrow.

This meeting determines what storyline research needs to be done before the script meeting itself. Rosemary Watts, our research producer, takes copious notes at this meeting. I really don't know how she types so fast! She comes up with a research list for our agricultural editor, Graham Harvey and for herself and for our archivist. All these notes will eventually be sent to the writers and will inform what we do at our next script meeting. Due to the Christmas double-up, we are nearly storylining Easter 2010, believe it or not, and so an archive note about previous Easters in Ambridge will no doubt be very useful.

The meeting finishes at one and lunch is soup and a sandwich just in time to go to a session run by Tim Davie, Director of Audio and Music, who is visiting today. He will be giving us an overview of the state of play of everything the BBC does in Audio and his sessions do a great job of putting individual teams' work into the bigger picture for us all.

The blog week has been fun and I have enjoyed reading blog posts by so many of the talented team who make this programme happen. Thank you everyone who contributed and thanks to everyone who took the time to read the posts too. Happy Christmas!

Vanessa Whitburn is editor of The Archers

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