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It is early Sunday morning. I am waiting in a car, in a side street, in the small village of Zejtun, Malta. Malta's curse is the car and this alleyway is the only space available on a road that, like a Russian doll, gets smaller the closer you get to the centre.
I'm meeting my host, Ruben, at the local parish church (photo above) which looks far too big for this little town but it is breathtakingly beautiful and has a remarkable number of naked light bulbs dotting its walls. As this and all the other churches empty, so the bars fill up and it is in these bars that the purveyors of Ghana (pronounced aa-na), Malta's traditional folk music, gather together do battle.
Ruben, waves and instructs me to follow his car through the narrow, potholed streets until we arrive at the Ta' Ganna bar.

Street outside the Ta 'Gana Bar

Ghana session in full swing

Maltese Guitar
As I leave another man tells me that "this is dying out" but I sincerely hope he is wrong. It may sound rough around the edges but this musical gathering binds the community together. It comes from the streets, from the bars and from the heart.
Gavin