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I'm a Pop Star!

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Sandy Rai|16:51 UK time, Tuesday, 6 March 2012

I'm a Pop Star!, the last but by no means least of a three part BBC TWO series, is all about the men and women who go it alone, armed with just a microphone, some songs and an unquenchable desire to be pop top dog.

Not wanting to share the limelight with anyone suggests an ego of gargantuan proportion. But after meeting lots of solo stars and, chatting with them at some length, I have come to the perhaps surprising conclusion: they aren't all egotistical attention seekers. Of course some are. Like Adam Ant who openly admits: "I'm egotistical, you have to be to be a pop star". But there are others who are surprisingly shy and rather introverted, like Rick Astley and Nik Kershaw, both of whom were not only gobsmacked by the raging sea of screaming fans that greeted their first performance but also slightly mortified at being the only one in the spotlight. Such is the complexity of being a solo artist, whose face adorns many a teenager's wall and provided them with their first crush. (Talking of which, my Rick Astley poster - I think my mum still has it. And 20 years later he didn't disappoint!)

Anyway, back to the show. Of course most solo acts are fixated on one thing. They unashamedly admit to wanting to be No.1. No other chart position will do. Cliff Richard, famous for having rather a lot of them, still admits:

"If you make records, the only reason you make records is to be number one; that's the only thing. But that's what you aim at. I've never heard of anyone who says 'I just want to get to number 30'. It's a waste of time, isn't it"

In this film we set out to define the pop star. Broadly speaking pop stars fall into two categories. There are the soldiers. The ones being led along often by a Svengali figure. And then there are the generals. The ones that forge their own paths. Adam Ant was one such general whose extraordinary vision brought us such pop brilliance as 'The Dandy Highway Man' and the Prince Charming dance! Genius.

Of course it's the solo pop act, perhaps more than the boy band or girl group, that becomes the object of a young girl's or boy's affection. Often, to a rather alarming degree. Gary Numan told of girls wetting themselves when they met him. Will Young got cornered in the frozen food department of M&S and Mika got trapped in a hotel lift with crazed fan, wearing only a towel! You'll have to watch the film to find out why.

I also wanted to unravel the complex lifecycle of a solo pop career. With some notable exceptions, Madonna for one, the solo pop star has a shelf life. It's a cruel and fickle world and, like Alesha Dixon says:



"I think it's really important to have a thick skin when you're in the music industry, because you're working with a lot of sharks and you're working with a lot of ruthless people that will drop you like you're a penny. They won't care. It's a business"

One of the things that moved me the most about making this show was the artists' honesty. We're all expecting stories of brilliant careers, chart-topping successes and musical prowess. But perhaps more surprisingly are the rather more complex, often heart-breaking tales of being a star on your own, with no team mates.

Jason Donovan was the quintessential teen heartthrob, poster boy of 80s pop. Multiple No.1s. Dating Kylie, pop's princess. Star of one of the West End's biggest musicals. Even though he couldn't sing really well (by his own admission), he couldn't stop selling catchy pop records. Led by 80s pop Svengali Pete Waterman, the pop world was at his feet. But he wanted more:

"I was Joseph at The Palladium, on a huge wage with a big record, a hit show, um, you know, and I wanted to be Kurt Cobain from Nirvana. I did, that's what I wanted to be. I looked at myself in the loin cloth in the mirror, and thought 'what the hell are you doing?'"

After spiralling out of control and into drug rehab, his career seemed over. It's a touching and sad pop career trajectory. And Jason's honesty in the show is admirable:

"Sitting in the back of an ambulance, having collapsed from cocaine, is a particular moment in my life, I feel, um, I'm not proud of. I'm through it. And that's never gonna happen again."

And the heartfelt admissions don't stop there. From Adam Ant's nervous breakdown to Gary Numan's musical downward spiral, pop's fickle world has had its casualties. But hey! Without them the world would be a worse place. They've given us something to obsess over, someone to have your first crush on. They have brought us the soundtrack to our lives. So to those who serve on the pop front line - we salute you.

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Head over to the BBC TWO site to find out more about I'm a Popstar!, and watch more video clips from the series.

The Best Albums of February 2012

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Mike DiverMike Diver|10:52 UK time, Tuesday, 6 March 2012

BBC Album Reviews Editor Mike Diver picks the best of a fantastic bunch of new albums released in February

Album of the Month

Gang Colours - The Keychain Collection

(Brownswood; released 27 February)

Recommended by: Lauren Laverne

"The music made under this could-be-confrontational moniker is striking in its economy, its language refined and concise. It does enough to cast a spell on the listener throughout; but, when it strikes seams of gold, jaws hit floors. Not dancefloors, granted - but producer Will Ozanne has here delivered one of the most perfect after-party collections in recent memory, and one which is likely to soundtrack quiet hours of solitude for the foreseeable."

Read the full BBC review

Watch the official video for Fancy Restaurant (external YouTube link)

- - -

The Best of the Rest

Robert Glasper Experiment - Black Radio

(Blue Note; released 27 February)

Recommended by: Benji B, Jazz on 3, Gilles Peterson

"Glasper is a musician rooted in traditional jazz standards but brazen enough to push the limits of his sound, no matter how peculiar the outcome. Black Radio surpasses the excellence of his previous Experiment, Double Booked - while that was a segregated look into Glasper's conventional and outlandish affinities, Black Radio blends those ideals into one coherent set."

Read the full BBC review

Watch the official video for Black Radio (external YouTube link)

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Perfume Genius - Put Your Back N 2 It

(Turnstile; released 20 February)

Recommended by: Huw Stephens, 6 Music Album of the Day

"Put Your Back N 2 It exists in a bleakly beautiful twilight zone of Mike Hadreas' own making. Indicative of this is No Tear, with his tremulous vocal (a touch Sufjan Stevens) on the chorus echoed by a creepy (as in Twin Peaks creepy) slowed-down vocal counterpart. But then Hadreas' way of dragging you in to his sadness and confusion (and mirroring your own in the process) is a most bizarrely comforting feeling once you're alone with him."

Read the full BBC review

Watch the official video for Hood (external YouTube link)

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School of Seven Bells - Ghostory

(Full Time Hobby; released 27 February)

Recommended by: 6 Music Album of the Day

"Stadiums and the rockers that fill them might be an unexpected new influence, but like every good band SVIIB make these currents of inspiration their own to control. After all, similar stylistic traits haven't damaged the widespread appeal of Florence + the Machine. For a band that once threatened to run out of ideas, Ghostory is a staggeringly beautiful success. This is true trance music."

Read the full BBC review

Watch the official video for Lafaye (external YouTube link; contains strobe lighting)

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John Talabot - ƒin

(Permanent Vacation; released 13 February)

Recommended by: Huw Stephens

"Barcelona's John Talabot has here nailed his sublime colours to 2012's electro mast in no little style. While his focus is consistently on everything but what might qualify as a banger in 2012, there's no doubting that he's a master of dance's forever-changing language. File him beside The Field and Nicolas Jaar as a producer who stays ahead of the game by adhering exclusively to his own set of rules."

Read the full BBC review

Watch a video for Missing You (external YouTube link)

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The Twilight Sad - No One Can Ever Know

(FatCat Records; released 6 February)

Recommended by: Vic Galloway, Tom Robinson

"Whereas Editors seem to ape the tortured soul of Joy Division, here it's the real deal. The song titles imply as much: Dead City, Don't Move, Not Sleeping, Kill It in the Morning. These are more than ostentatious angst; they're doors onto shadowy, eerie scenes. Many of the songs start with ghostly rumours, like the stirring of troubling memories."

Read the full BBC review

Watch the official video for Another Bed (external YouTube link)

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Sharon Van Etten - Tramp

(Jagjaguwar; released 6 February)

Recommended by: 6 Music Album of the Day, Lauren Laverne

"Recorded in the garage studio of The National's Aaron Dessner, Tramp continues the trajectory that got underway with Van Etten's debut LP Because I Was in Love in 2009, broadening her sound and exhibiting greater confidence while markedly ramping up the volume. Its 12 songs blur into each other at first, hallucinatory and shapeless, further listening revealing moments of standalone fury and beauty of the kind that has always been present in her work."

Read the full BBC review

Watch a Soundcheck Live performance of Give Out, for The Green Space (external YouTube link)

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Hooray for Earth - True Loves

(Memphis Industries; released 27 February)

Recommended by: 6 Music Album of the Day

"With firm foundations built across several years of touring and recording, Hooray for Earth arrive for their UK breakthrough as a remarkably fully-formed outfit, radio-ready and - if there's any justice - with academy-sized sell-outs in their near future. True Loves delivers on the fantastic promise of its title-track, comprising a commendable listen for those demanding defined individuality from their chosen songsmiths."

Read the full BBC review

Watch the official video for True Loves (external YouTube link)

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Field Music - Plumb

(Memphis Industries; released 13 February)

Recommended by: Late Junction, Lauren Laverne, Vic Galloway

"This suburban, provincial sweetness - a tasty concoction far removed from the fashion-focussed silliness of London in both geography and intent - is eminently loveable. Not that the Mackem minstrels can't go glitzy. Listen to A New Town. It sounds like a Justin Timberlake track. That alone is a boggling but brilliant statement of intent, wouldn't you say?"

Read the full BBC review

Listen to Who'll Pay the Bills? on the Memphis Industries YouTube channel (external link)

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Gregory Porter - Be Good

(Motéma Music; released 13 February)

Recommended by: Jamie Cullum, Gilles Peterson

"Porter's voice is a marvel: a warm, assured tenor with precise, impeccable intonation, completely at home in classy originals that - like all good jazz - seem to bathe in timeless familiarity. There's a sense of sumptuous comfort about much of the album - and not just in the arrangements. Porter's lyrics, too, seem to come from a place of great emotional strength. Yeah, Gregory Porter is the real deal."

Read the full BBC review

Listen to Real Good Hands on the official Motéma Music YouTube channel (external link)

I'm in a Girl Group!

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Andy DunnAndy Dunn|12:36 UK time, Thursday, 1 March 2012

I have never, and will never, be in a girl group. I don't have the voice, the moves, and certainly not the prerequisite looks. But most of all, because... I'm a boy. Well, more of a bloke, actually.

This fact is somewhat prohibitive when pursuing the actual-girl group dream. But I hoped it might bring an air of objectivity when examining what it's really like to live that dream for BBC TWO's I'm in a Girl Group!

Since the girl group gold rush of the 1950s, three or more girls in matching gowns, with synchronised dance moves and harmonised voices, has been one of pop's sure-fire recipes for success. But along with the stardust and glamour of the fairy-tale life in a girl group comes a whole lot of DRAMA.

In the show, I was keen to explore the personal relationships beneath the polished outward appearance of the groups and have to admit to having been just a tad cynical about how "real" those relationships are, especially in a manufactured pop group.

So we tracked down a sparkling selection of girl group legends from six decades of pop to ask them first-hand what it's really like. These included a Supreme, a Ronette, a Crystal, two Nolans, some Sledge Sisters, three Bangles, a Bananarama, a Spice Girl, an All Saint, two Girls Aloud, a couple of Saturdays, two Pussycat Dolls, and an Atomic Kitten for good measure.

In the re-telling of their stories - some a rags to riches struggle, others an overnight talent show success - there was plenty of heartache, stress and sadness. In fact, hearing of the reality of broken friendships was genuinely moving. For example, Bananarama's Siobhan Fahey's account of her split from the girls who'd become her best friends:

"You go from being best friends to really irritating each other and then not wanting to be around each other and blaming each other for everything... I felt really unhappy, lonely, lost and friendless"

And if the fragile mix of personalities within the band isn't enough of a worry, the outside influence of men or The Man, if you will, looms large in the everyday challenges facing a girl group. From controlling managers and producers...

"He's talented, but he's, he's crazy as a bed bug, you know" (Ronette, Nedra Ross on Phil Spector)

...to the leery gaze of photographers and TV producers (terrible people they are!), it's a constant battle for the girls to be taken seriously as artists and performers. And that's really what the attraction has always been about for all these years... it's the songs and how they're sung that makes these groups great.

Unlike boy bands, girl groups can't rely on the fluttering hearts of the pop-buying public to be a success; it's the same young girls who scream and swoon at the heart-throb boy bands who also buy the most girl-pop records. So the songs have to be of the highest quality.

The Ronettes' Be My Baby is without doubt a contender for the finest pop song of all time, The Spice Girls' Wannabe the most empowering message a whole generation of young British women ever heard, and my own favourite, Cruel Summer by Bananarama, well, that's just a perfect slice of hazy, crazy, youthful yearning for lost love... aaahh... what the girl group does best!

It's not often you see a popular music documentary where the people on screen are almost entirely women, in fact it's practically unheard of (blink and you'll miss the two men who appear in this), so it was a refreshing change for me to interview these feisty and fun-loving women of all ages and I can honestly say there wasn't a diva-like demand from any of them. In fact Kerry Katona even bought our crew a drink... with her own money!

So there are plenty of highs and some painful lows, but the one thing everyone we spoke to agreed on, was that nothing in their lives - the fame, the fortune, even the unlimited shoe budget - can compare to that first moment they stood on stage and thought: "This is it, I've made it - I'm a Star!"

The girl group has the power to make dreams come true. That's a pretty special thing.



In order to see this content you need to have both Javascript enabled and Flash installed. Visit BBC Webwise for full instructions

Head over to the BBC TWO site to find out more about I'm in a Girl Group, and watch more video clips from the series.