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Review: Ghostpoet, Girls Names, Songs For Walter

Across The Line

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In the Court of…Tom Ravenscroft

Ghostpoet, Girls Names, Songs For Walter

The Mac Belfast, friday 27th September

The penultimate night of the In the Court of… festival curated by Tom Ravenscroft boasts an impressive triple bill of some of the UKs most up and coming live acts. From the folksier Songs For Walter to the more progressive Girls Names and finally settling on the unclassifiable Ghostpoet, this is definitely a night for discovering new music and wandering aimlessly outside of your musical comfort zone.

Manchunion band Songs For Walter take to the stage first and start tuning up while front man Laurie Hulme explains that the songs we are about to hear are indeed for Walter, his late grandfather who lived an extraordinary life. The crowd, while appreciative, seems wary and settles along the back wall of the venue muttering and chatting amongst themselves between songs.

Playing songs such as Purple Blue about his grandparents wedding and Meet Me at the Empire about their first date, Songs For Walter aren’t short on nostalgia, but are not by any means clouded and over-sentimental and the audience seems to endear themselves to this, laughing at Hulme’s jokes and moving ever so slightly closer to the stage.

The place is fairly filling up, but is still not full by the time Belfast quartet Girls Names are set to come on stage. There are a few cheers this time as the lights go down and Girls Names’ ghostly, intense new sound fills the air. Cathal Cully’s distinctive baritone fades in and out over futuristic synth tracks such as Drawing Lines and the Joy Division-esque A Second Skin.

Stopping only to mumble “thanks” and to take a sip of wine, Girls Names aren’t too talkative tonight, but you get the impression that they aren’t too chatty any night. Finishing with the mammoth seven and a half minute long title-track from their new album The New Life, Girls Names keep their heads down and just power through it, leaving the stage before the music finishes in one final, almost defiant flourish. At this point it’s safe to say that the atmosphere is tense, but the music is flawless.

Shortly after 11pm, Ghostpoet saunters on stage and casually calls for everyone to move forward and join him. He’s so charismatic that the crowd can’t help but oblige and as he opens his mouth to begin, the entire atmosphere flips. The stoic, quiet crowd start to move along in time to the music, a few even sing along and it’s very obvious that this is what they’ve been waiting for all night.

Kicking his set off with an older track Gaaasp from his debut album Peanut Butter Blues & Melancholy Jam, Ghostpoet takes the audience on an intimate musical journey through the ups and downs of his life, his fears of wasting time and being rejected. Brand new single, Cold Win is perhaps the most impactful track played tonight, with Ghostpoet screeching and cackling down the microphone, the crashing drums mimicking some kind of psychological breakdown. It’s totally unexpected and the crowd stands quiet before breaking into rapturous applause.

After a two-song encore, this night of new and at times jarring musical styles is over. As the lights come up, the crowd all look a bit stunned, unsure of what they have just experienced. It’s obvious that Tom Ravenscroft’s aim of introducing the Northern Irish public to interesting and fresh new music has definitely been fulfilled.

Words: Laura Caldwell

Photos: Robin Cordiner

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