Performance analysis
There are many different ways to interpret and perform Shakespeare’s plays. Watch the videos and decide how you would perform the three scenes from The Merchant of Venice.
Scenes to explore
The Merchant of Venice is a comedy with some very dark and serious undertones. In Shakespeare’s day, the stage would have been bare, the props few, and the lighting would depend upon the weather. Theatres were open air and the plays were held in daylight.
Nowadays, Shakespeare’s plays are interpreted in many different ways on stage and screen. Directors and their production teams make choices on how they want to stage the play and how the characters will deliver their lines. The decisions they make can often change how the audience think and feel about the play and the characters in it.
Let’s look at three scenes and explore the possibilities for an exciting and unforgettable performance of The Merchant of Venice.
- Act 1 Scene 2 - Casting Portia
- Act 4 Scene 1 - Rehearsing the court scene
- Act 5 Scene 1 - Staging Portia’s reveal
Act 1 Scene 2 – Casting Portia
When you read Act 1 Scene 2, how do you imagine Portia? Is she strong willed and witty or is she quiet as a mouse? In Shakespeare’s time, a male actor would play the role of a female character. Is it best to stick with tradition?
‘The Merchant of Venice' - How do you imagine Portia?
PRESENTER
Portia, one of theatre’s strongest heroines and a crucial piece of
casting. No audience is going to root for her unless she’s played
by an actor who can embody her many virtues. Tricky.
She’s got money and she’s funny. She’s bright and full of fight.
She’s a menace to the men of Venice, winning with her wits and
not with her… good looks. She’s bored of her situation and she
sometimes dresses up as a bloke.
Sounds like an ex of mine. This is Casting Portia!
TITLE
MERCHANT OF VENICE
CASTING PORTIA
ACTOR AUDITIONING AS PORTIA
Hi.
PRESENTER
She certainly looks the part. Portia is meant to be beautiful.
ACTOR AUDITIONING AS PORTIA
By my troth, Nerissa, my little body is… weary of this great world.
CASTING DIRECTOR
You’re very sweet but I need someone with a bit more bite.
ACTOR AUDITIONING AS PORTIA
OK. Thank you.
PRESENTER
Wetter than a weekend in Wales. Portia is hard core, remember?
There, there. It’s OK. Shh.
[CAPTION-CASTING PORTIA]
ACTOR AUDITIONING AS PORTIA
Are we doing this, or what?
CASTING DIRECTOR
And, action.
ACTOR AUDITIONING AS PORTIA
Don’t rush me.
ACTOR AUDITIONING AS PORTIA
ACTOR AUDITIONING AS PORTIA
I had rather be married to a death’s-head with a bone in his
mouth than either of these. God defend me against these two.
PRESENTER
She’s definitely nailing Portia’s feisty attitude.
CASTING DIRECTOR
It’s very good, but, erm, could you try something for me?
PRESENTER
The director’s just giving her a few notes. Let’s see what she
does with them.
CASTING DIRECTOR
I didn’t mean it. Your performance was great.
PRESENTER
I don’t think this is going to work out.
[CAPTION-CASTING PORTIA]
MALE ACTOR AUDITIONING AS PORTIA
Alright?
CASTING DIRECTOR
Erm… I think you’ve made a mistake.
PRESENTER
Yeah. Those shoes with that handbag?
MALE ACTOR AUDITIONING AS PORTIA
Oh, please, come on, give me a chance.
PRESENTER
Actually, he’s got a point. Portia does disguise herself as a man
and women weren’t allowed to be actors in Shakespeare’s day.
MALE ACTOR AUDITIONING AS PORTIA
God made him, and therefore let him pass for a man.
MALE ACTOR AUDITIONING AS PORTIA
Hold on. This girl acts like all men are pathetic idiots. I’m not
doing this.
CASTING DIRECTOR
Oh, come back! That attitude is perfect. Let’s talk.
ACTOR AUDITIONING AS PORTIA
Yep.
CASTING DIRECTOR
Oh, I’m sorry. Are you the person who was just in here?
ACTOR AUDITIONING AS PORTIA
ACTOR AUDITIONING AS PORTIA
Yeah.
CASTING DIRECTOR
It’s just, you look totally different.
ACTOR AUDITIONING AS PORTIA
Well, Portia’s a master of disguise. So am I.
CASTING DIRECTOR
Wow. That is amazing. If you can do that every night, you’ll be
perfect.
ACTOR AUDITIONING AS PORTIA
Sure thing.
MALE ACTOR
Did they buy it?
ACTOR AUDITIONING AS PORTIA
You ruined it.
CASTING DIRECTOR
Get out.
ACTOR AUDITIONING AS PORTIA
Get out.
MALE ACTOR
Sorry.
TITLE:
MERCHANT OF VENICE
CASTING PORTIA
This video shows a group of actors auditioning to play the part of Portia. As you watch, consider the following:
- how the audience react to these different interpretations of Portia
- whether the character should be played by a man or a woman
- how other characters in the play would interact with Portia
Act 4 Scene 1 – Rehearsing the court scene
In Act 4 Scene 1, Shylock is in court demanding his pound of flesh from Antonio. Portia arrives, disguised as a young male lawyer. She presents a case for mercy, then when Shylock refuses, she insists that the law is followed to the letter and that he takes his pound of flesh from Antonio.
‘The Merchant of Venice' - How would you rehearse the court scene?
Presenter
Here are theDirectors: 12 divorces, nine law suits and three stints in rehab between them, these guys know what they want and they normally get it. Today, they’re looking for effective ways to disguise the character Portia as a man.
Presenter
In Act 5, Scene I, Portia reveals that she was the lawyer, Balthazar, to her lover, Bassanio. The Directors want the audience to believe his shock at this revelation. Does theatre Designer, Graham, have the right idea?
Director
OK, Graham, and what’s your name, sir?
Susan
Susan.
Director
Graham, Susan, with a disguise that good the audience would really believe the shock Bassanio feels. I love it.
Director
Obviously, there’s some quick scene changes in this play. How long does it take to get all this makeup on and off?
Graham
Well, it’s not the fastest process but one would argue that the effect…
Director
Answer the question.
Graham
About three hours to get on, two hours to get off.
Director
Those sort of timings might work for a film, but never on stage. That’s ridiculous. I’m out.
Director
I don’t think I’ve ever met a man called Susan before.
Presenter
Next into the Directors’ Den are two Designers with a colour-
coded costume idea.
Designer
Here is a letter. Read it at your leisure. There you shall find that Portia was the doctor, Nerissa there her clerk.
Director
I like it. It’s quite simply simple and simply effective.
Director
The audience will know that Portia is disguised as Balthazar so you could argue that we don’t need to try to hide it from them. Well done.
Director
Look, I like the idea and I like you two, but blue is simply not your colour, girlfriend. It clashes with your eyes. For that reason, I’m out.
Presenter
Next into theDirectors’ Den is theatre Designer Tracey, from Cheam. She wants to try something very traditional with the character of Portia.
Tracey
And, of course, this technique removes the need for a disguise when Portia is pretending to be a man.
Director
Tracey, in Shakespeare’s times he had to cast men as women because it wasn’t allowed for women to be actors.
Director
You’ve merely created the same problem in the opposite direction. I’m out.
Male Actor
I told you we should have waxed my bikini line.
In this video a group of actors are rehearsing this scene and the director is trying out different ways to perform it. As you watch, consider the following:
- how Shylock would react to Portia’s speech
- how Portia would be so convincingly disguised as to fool even Bassanio
- whether the speech should be delivered in a serious or funny way
Act 5 Scene 1 – Staging Portia’s reveal
In the final scene of the play, Portia reveals to Bassanio that she was in fact the lawyer, Balthazar. Does this scene need lots of clothing and makeup or is it up to the audience to use their imagination? There are many possibilities for a director to consider.
‘The Merchant of Venice' - How would you stage Portia's reveal?
TITLE
THE BIG SCENE
PRESENTER
Hello and welcome to The Big Scene.
We’re at rehearsals for The Merchant of Venice, [CAPTION-ACT 4 SCENE1] Act 4, Scene 1, and the actress playing Portia faces arguably her biggest challenge yet. [CAPTION-THE MERCHANT OF VENICE]
She’s disguised as a man, [CAPTION –PORTIA (DISGUISED AS MAN) (PRETENDING TO BE LAWYER) (TRYING TO WIN OVER COURT)] pretending to be a lawyer, trying to win over the court and save [CAPTION-ANTONIO Antonio’s life and outwit the opposition, [CAPTION-SHYLOCK] team Shylock. [CAPTION-THE MERCHANT OF VENICE]
It’s a veritable minefield out there – not literally, of course,
because that would be bonkers – but just how [CAPTION-DIRECTOR ] the director gets her to tackle this key scene will determine how the audience interprets the entire production. Good luck with that, mate.
TITLE
THE BIG SCENE
ACTRESS
Be merciful. Take thrice thy money. Bid me tear the bond.
PRESENTER (OFF SCREEN)
Well, well, that is embarrassing. Portia might be disguised as a man but she’s tougher than most of them, and no-one wants to see acting like that from a player of her calibre, least of all the boss.
DIRECTOR
No, no, no. You’ve got to stay strong. Strong. Get up.
PRESENTER
Exactly. It’s time to sort the men from the boys, or the girls disguised as men, from the weeping boys who are not disguised
– no, no. I’ve lost it. I’ve lost it.
TITLE
THE BIG SCENE
ACTRESS
One drop of Christian blood, thy lands and goods Are by the laws of Venice, confiscate
Unto the state of Venice.
PRESENTER
Oh, and what on earth is she playing at? This play may be a comedy but you can’t take a scene of this magnitude lightly, and I don’t think the director’s seen the funny side, either.
DIRECTOR
Why don’t you try it a bit straighter?
ACTRESS
OK.
PRESENTER
And there’s clearly been a tactical rethink here. Let’s see how this girl performs now.
TITLE
THE BIG SCENE
ACTRESS
You shall have nothing but the penalty.
PRESENTER
And this is a clinical performance, showing complete contempt for the opposition there – and, arguably, it works. But the director really wants to see Portia enjoying herself out there.
DIRECTOR
(WHISPERING) I need you to give a little bit more, OK? Now, go for it.
ACTRESS
Mm. OK.
ACTRESS
Therefore prepare thee to cut off the flesh. Shed thou no blood.
PRESENTER
And what a class act, cool and in control. She knows exactly what she’s doing, making a fool of the opposition and really loving it.
ACTRESS
…thou hast incurred the danger formerly by me rehearsed.
Down, therefore, and beg mercy at the duke.
PRESENTER
Ah.
ACTRESS
Yes. Woo! Woo! Ah!
ACTRESS
Woo-hoo!
PRESENTER
Oh dear.
ACTRESS
Fly the flag!
PRESENTER
Now she’s gone just too far. That is disappointing.
ACTRESS.Yes! Come on! Yes!
TITLE
THE BIG SCENE
In this video a group of stage designers are pitching ideas on how to stage the reveal. As you watch, consider the following:
- how much the costume ideas would cost
- how long it would take to set up during a live production
- how the audience would react
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