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    NBT make a drama out of a classic
    Swan Lake
    Swan Lake

    How do you make an implausible yet classic story relevant to a modern audience? The Northern Ballet Theatre showed Katy Lewis how with their haunting and dramatic production of Swan Lake.

    WATCH & LISTEN
    SEE ALSO

    Theatre Page

    Not all tutus and tights! Interview with Jonathan Ollivier

    What dreams are made of? Interview with Jonathan Ollivier

    Read our review of A Midsummer Night's Dream

    BBC Norfolk: Northern Ballet Theatre: Interview with Jonathan Ollivier

    BBC Norfolk: Requiem review

    WEB LINKS

    Northern Ballet Theatre

    Milton Keynes Theatre


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    ESSENTIAL INFO

    Milton Keynes Theatre

    28 September - 2 October 2004
    Tues-Sat 7.30pm
    Thur & Sat Mats: 2.30pm

    Tickets: £11.00-£26.50

    Box Office : 01908 606090

    28 April - 1 May 2004
    Wed-Sat 7.30pm
    Thur & Sat Mats: 2.30pm

    Tickets: £10.00-£25.50

    Box Office : 01908 606090

    More about Jonathan Ollivier
    Brought up in Northampton, he completed his dance training with the Rambert Dance Company in 1996 and arrived at the NBT in 1999 via the Cape Town City Ballet. With the Northern Ballet Theatre, he has created many roles including the Prince in Beauty and the Beast, 'Death' in Birgit Scherzer's Requiem!! and Heathcliff in Wuthering Heights.

    Nominated for Best Male Dancer in this year's National Dance Critics' Circle Awards, he can currently be seen as Lysander in the company's production of A Midsummer Night's Dream - and Anthony in Swan Lake.

    In true Billy Elliot style, he stumbled upon dance courtesy of three older sisters. He loved it from his first class and has never looked back.

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    Swan Lake is the second production that I have seen in the Northern Ballet Theatre’s current tour, the first being the superb Midsummer Night’s Dream. And while their Tchaikovsky classic is very different from the fun and exuberant ‘Dream’ it is no less beautiful – or enjoyable.

    Once again, this company is not all tutus and tights! Swan Lake is probably the most famous of all ballets but in true NBT style, the story has been changed somewhat (cue a sharp intake of breath from the purists!) but nevertheless there are still enough swans to satisfy the traditionalists!

    Impression
    Set at the beginning of the 20th century, a young boy Anthony stumbles upon a dead swan whilst playing by a lake. This experience leaves a lasting impression on him.

    Later on in life, the older Anthony (Jonathan Ollivier) is attracted to his friend Simon (Christopher Hinton-Lewis), but worried about what this means, he marries Odilia (Victoria Lane Green) to please his mother and evade what he really feels.

    But when he can’t fulfil his marital obligations he finds a new outlet that brings relief. He retreats into the world of the swans that had made such and impression on him, in particular a curious yet beautiful woman Odette (Keiko Amemori).

    In his programme notes, Artistic Director David Nixon talks of a production of Swan Lake that he was in when with the National Ballet of Canada. It was slated by the critics but he says that their words fell of deaf ears because the company preferred their production over others that had appeared ‘soulless showcases for technique rather than movement and emotion’.

    Drama
    I think that Nixon has obviously brought this premise to his own version and it is what the NBT do so well. Rather than being just a lot of pretty steps by men in tights and women in tutus, his Swan Lake is real drama.

    The superb Jonathan Ollivier makes the anguish and torment that Anthony suffers palpable and is able to convey the dramatic feelings of confusion during his sexual awakening and combine them with some awesome leaps.

    Similarly there was Christopher Hinton-Lewis’s almost puppy dog adoration of Anthony and both his and Victoria Lane Green’s feelings of unrequited love were heartbreaking as they portrayed emotions that the audience could identify with.

    And this is the key to NBT’s success. Whilst the purists might complain, this company, along with those like Matthew Bourne’s, are helping to bring dance and inspiration to new audiences and that is very important.

    Passion
    But at the same time, while the love triangle story is one that a modern audience can relate to and really reflects the passion inherent in Tchaikovsky’s music, there are still the traditional elements and the mythical world of water, where swans can appear as women, is retained.

    The setting is haunting and mystical, while the ending is sad but beautiful. The modern twist not only breathes new life into a classic but it cuts through the fairy tale and brings a relevance to today’s audiences that is sometimes lost when you’ve got sorcerers who turn people into swans! It was quite mesmerising.

    Not all tutus and tights!
    Read our interview with Jonathan Ollivier

    Read our review of A Midsummer Night's Dream >>

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