Contains some adult themes. Teacher review recommended prior to use in class.
RYAN:You must be Kat?
KAT:Yes.
RYAN:Hi. Ryan, a fellow dutymanager.
KAT:Ahh.
RYAN:Good to meet you.
KAT:Yes, you too.
RYAN:Umm, how are you settling in so far?
KAT:Yeah, alright I think, getting there.
RYAN:When I was starting out, the manager mentoring me would always leave the worst jobs, the worst staff and the worst promotions.
KAT:Urgh! I hate a corny promotion, two words "jelly shots."
RYAN:OK, well look I'm hoping to be a better mentor than that. And what do you make of this one stalking the punters?
KAT:As long as it keeps them coming back.
STAFF MEMBER:I reckon the one on the left might be worth a go, what you saying?
RYAN:Using this place as your own personal dating app again?
STAFF MEMBER:Just until you make my dreams come true and ask me out?
RYAN:Yeah, you'd have me for breakfast.
STAFF MEMBER:Most important meal of the day.
RYAN:Hey! Is now still a good time for you?
KAT:Yes of course, thank you for coming in. Can't believe I still haven't got the hang of this after a week, you must be sick of showing me.
RYAN:Not goanna lie, when they told me the new duty manager needed help with the stock software, I was a bit like, "What have you employed her for then?" But, having seen you work… I umm, I get it.
KAT:OK well, thank you. I will get the hang of it.
RYAN:Right, so the first figure goes there.
KAT:Oh and then it's that one, is it?
RYAN:Ahh, that's right. Nice perfume.
STAFF MEMBER:Hey, new girl's arrived.
Ella:I'm a bit early I can come back if–
KAT:Ah yes If you wouldn't mind–
RYAN:Nah, nah now's good.
KAT:OK right yeah, we can finish this up later. Ella it's good to see you again, OK so let me show you around?
KAT:Bit different to some of the bars you've worked in before?
Ella:Just a bit.
KAT:Yeah I cut my teeth in old men's pubs too. There's not as many fights in here, ah Cass would you clear please? Thanks.
KAT:Yeah you just go straight to the door staff if you ever have any problems like that. Urgh, it can get crazy busy in here some nights but we've got a great team, so you just keep your head and you'll be fine. Alright?
Ella:Got it.
KAT:Looks like you're good to go.
KAT:Great.
ELLA:OK.
RYAN:Stock order's is done.
KAT:But I was just coming back to finish it?
RYAN:Ahh, teamwork innit? Brains and beauty, see ya!
FRIDAY NIGHTTWO WEEKS LATER
ALL: Sláinte!
KAT:Thank you to everybody, you've been a brilliant team. It's been a pleasure–
ALL: WOOP
STAFF MEMBER:Are we goanna make a night of it?
RYAN:Toasting our team? Always.
Yeah!
You dancing, Kat?
KAT:Ahh, not for me.
STAFF MEMBER:Ella? Come dance with me?
ELLA:You're alright, I'm heading home.
STAFF MEMBER:Ahh boring!
BOOS
RYAN:She should have stayed. These staff nights are important, being a team, having a laugh. And as managers, it's up to us to show the staff some love.
KAT:Cheers!
PARTY MUSIC
COUGHING
RYAN:Hey, you OK?
KAT:No, I'm mortified.
RYAN:It happens to the best of us, don’t worry about it. Come on, let's get you home.
KAT:No, no I'll stay. I'll be alright.
RYAN:Tactical vom and then back into the fray? Impressive, come on then.
RYAN:Steady…
STAFF MEMBER:Alright, more drinks!
CROUD CHATTING
Black Russian please?
KAT:No kahlua, sorry.
An Alabama slammer then?
KAT:No Amaretto either, I'm afraid.
CUSTOMER:What kind of a place is this?
KAT:I'm sorry sir–
RYAN:Is everything OK?
KAT:Yeah we're just running low on some of the liqueurs but we're handling it, let me make you one of my specials.
RYAN:There must be something else on the menu that takes your fancy? On the house. This is really good, I'd also recommended this one.
CUSTOMER:Yeah, one of those please.
KAT:Can't believe I messed up the orders so badly… takings are a disaster.
RYAN:You should have waited till I was in to help you.
KAT:Well, thought I had it under control. Umm, no thank you, I have a babysitter waiting.
RYAN:One drink, you look like you need it. Don't let this knock your confidence.
KAT:It's nice.
RYAN:You never know, maybe I'll make a career out of it.
KAT:You know, I never thought that this would be my career. You know when I had my little boy, I dropped out of uni. I thought that was it for me being ambitious. Kinda just fell into the bar work.
KAT:Then I realised… maybe I could be good at this.
RYAN:You are good at this. We could really have some fun with this bar.
KAT:Yeah, maybe. I should get doing.
RYAN:I'll get you a taxi?
KAT:No, no it's fine.
RYAN:No, I've got it, and I'll carry it on. What's your address?
KAT:Oh are you not taking that on home?
RYAN:I forgot to split it, doesn’t matter I'll book another. Unless…
KAT:Umm… Sorry.
RYAN:No, I'm sorry I… I thought I was getting signals. Are we OK?
KAT:Yeah, of course. I just need to get in. See ya.
Video summary
The first of three films telling the story of a professional relationship between a man and woman at work, which ends with an accusation of sexual harassment and an employment tribunal hearing.
The film shows how the two main characters meet and introduces the scenario where they both work as duty managers in a bar.
The film is accompanied by a discussion piece with 20 people aged 18 to 30 talking about their perceptions of what happens in this film.
Teacher Notes
This film is suitable for 14-16 year olds, however we advise making yourself familiar with the content and considering carefully whether it will be appropriate and of use for your specific cohort.
Check your school policies to make sure you follow school guidelines and talk to a member of the SLT if in doubt about anything.
Check to see if any of your class have any child protection issues – e.g. abuse or sexual harassment.
Once you are confident it is the right resource for your pupils, watch it through alone and jot down your thoughts, questions and reactions to the drama as it unfolds.
You may decide not to tell your class that this is a film about sexual harassment until the end. By doing this you will enable them to approach it with an open mind and really explore and debate their views without having any pre-judgement.
During the lesson/watching the film
Set up a working agreement with the class and create a list of ground rules for the session so everyone feels safe and able to talk and join in discussions without being judged. (Remember to include a reminder to talk to a trusted adult if anything in the film makes them feel uncomfortable).
You could start the lesson by exploring the nature of relationships - e.g. friendships, work colleagues, family members and romantic/sexual relationships. Look at similarities and differences and encourage lots of discussion - paired, group and/or as whole class - write up their ideas on a flip chart or smartboard so you can use or refer to these in future lessons.
Before showing the film you could ask them questions - pre-prepared or generated in response to the discussions on relationships - and these can be put up so they can be seen and referred to throughout the lesson. The questions can then be used for debating and discussing as you go through the film and/or at the end of this or the series. E.g. what do you think of the different relationships between the people in this drama? (Cat and Ryan plus their relationships with the other staff). Are they clear cut? What are the different perspectives with each of the characters? What did you think when ______ did that? How was __________ feeling at that point?
Timing: This film is 7.37 minutes long.The first section is called ‘Monday’. It stops at 1.26 minutes.The second section is called ‘Friday’ and stops at 3.05 minutes.The third section is called ‘Friday night, 2 weeks later’ and stops at 5.02 minutes.The fourth and final section is called ‘A week later’ and stops at 7.37 minutes.(The closing shot is of a group of young people who were filmed watching and discussing the film).
At the end of your session look back at your earlier questions and allow time for discussion and to pull everything together and for some quiet reflection at the end.
Always check in with the group and remind them to talk to someone if anything they have seen or discussed has made them feel uncomfortable and always signpost where they can get further support or information both within and outside of school. E.g. ChildLine will talk to people right up to the age of 19 for support and the Equality Advisory and Support Service is available to give advice, information or guidance on equality, discrimination or human rights issues. (Both are free to use).
Following on
There is an additional resource called ‘Discussion on Part 1’ which is part of a set of three separate films showing young people in discussion about each film. These can be viewed to inspire, support or use as an extension for your pupils’ debates. (E.g. If they are a lively bunch this could show them other perspectives or if they are a quieter group it could be good launch pad to get discussion going). Nb. Be sure to watch this ahead of the session so you are happy and aware of the content before showing it.
There are two other films in this drama series which show how the story unfolds (each also has a discussion film available to view). You could continue exploring this across a few lessons/weeks if timetabling allows and see how the story unfolds and how the law sees it at the end.
Continued debate and discussion is recommended and if you can resist not telling your pupils it is about sexual harassment until the end of the series, this will create a really interesting learning journey, building skills in empathy, discussion, listening and debating. This lesson could be followed up with further exploration on topics such as work etiquette, laws, protected characteristics/discrimination or more specifically the laws surrounding sexual harassment.
Sexual harassment is unlawful under The Equality Act 2010 in England, Scotland and Wales and The Sex Discrimination Order, 1976 in Northern Ireland.
Group discussion with their perceptions of the film
NARRATOR:Right, we're going to go and talk about it in that room.
NARRATOR:'So, what did the men think of Ryan's behaviour towards Kat?'
NARRATOR:Let's try and break down some of the things he does, see if they're acceptable. She asks him to help her with the stock software and he leans in… is he too close at that moment do you think?
MALE #1Yeah.
NARRATOR:Why is he too close is he not just–
MALE #1:He's too close because he's basically leaning over her shoulder, his arm is almost around her, but when other people come in she doesn’t seem to find a problem.
MALE #2:I don't think that’s too much.
NARRATOR:That's not an issue. So that bit is potentially OK?
ALL:Yeah, yeah.
NARRATOR:He then gets, you know there's a bit of fragrance in the air, he smells her perfume, he compliments it because he quite enjoys it. Is that not potentially offensive though? You know, he's kind of like very close no her. She's like, what's going on–
MALE #3:She wears perfume because she wants to smell nice, she wants others to know that she smells nice.
NARRATOR:Should she be a bit weirded out by those comments?
MALE #4:Nope, she's wearing the perfume for a reason, to smell good. And I think it's nice, if someone compliments you on your smell, that’s a nice thing you know? All he said is, "Oh nice perfume, nice smell"
NARRATOR:All of these are incredibly intricate aren’t they?
MALE #2:Yeah.
NARRATOR:Even the hand, can you really expect him to completely realise that she doesn’t want to kind of continue with him, off the hand?
MALE #5:For me, see when he put the hand on the back and he rode it down towards her waist, she moved it. She might not have spoken anything, but that to me is a massive indicator, that’s the end of that one.
MALE #5:He doesn’t directly ask her anything, because in my mind I think he doesn't want to do that because he knows she'll probably say no. So because he doesn’t give her the opportunity to say no directly and he's always just sort of round the edges, that sort of means he can carry on doing what he's doing and sort of push it a bit further every time.
NARRATOR:Is it ever OK? To try and kiss a work colleague?
MALE #6:Yes.
NARRATOR:Yeah, I mean have you kissed a work colleague?
MALE #6:No. I work for my mum, like.
ALL:LAUGHTER
MALE #5:You haven't kissed your mum?
MALE #6:What? No.
MALE #5:What's wrong with you?
NARRATOR:No, but I mean, is it OK to kiss someone that you work with?
MALE #5:Yeah, of course it is, if she's giving off the right signals and you like her and you know she likes you, it's like yeah, it's fine, it's fair game, do you know what I mean? At the end of the day, like. Yeah I think there's nothing wrong with it.
NARRATOR:I mean, I suppose they are in a workplace, should she not be allowed to just kind of not have to bechased?
MALE #6:Well no. Absolutely not, I mean like, in that… If somebody is going to chase her and then is turned down–
NARRATOR:What so she doesn’t have a choice in terms of whether someone is trying to basically get into bed with her–
MALE #3:She can't help if someone else likes her though, do you know what I mean?
MALE #6:She has a choice to let someone into bed with her… but she can't stop somebody from trying.
NARRATOR:So do you think that she's in an environment where she feels uncomfortable but she's too afraid to say anything about it.
MALE #2:I don’t think she's uncomfortable in the environment because you would have seen certain tendencies, she wouldn't drink, she'll be reserved, but she's still having fun. I just don’t see what he's done wrong, there's not been-- she hasn’t told him no, until the kiss.
NARRATOR:'So what does the law say? Someone who claims they were sexually harassed, has to prove they we're offended by the behaviour.'
RYAN:Are we OK?
KAT:Yeah, of course.
NARRATOR:Should Kat take offence from Ryan's behaviour?
MALE #7:She shouldn't be offended mate, she's a good looking woman, he's alright looking guy. He tried to make a move, they work in a bar - big whoop. Could have been a lot messier than this, she shouldn't be offended.
MALE #8:I think she has every right to be offended because, just looking at what I'd do… he's using and only using the work environment to use these kind of pulling tactics. When she can't get away from that, you could quite easily say, instead of just going home with her and giving her a kiss, you could have just said,
MALE #8:"Would you like to go out? A drink somewhere else after work?" And that would probably have been a lot more appropriate.
NARRATOR:Do you think that she should be offended by the way he's acted?
MALE #6:No I don't, not at all.
NARRATOR:Why?
MALE #6:He's taking the risk by putting moves on her, he's putting himself out there, making himself vulnerable in this situation. And then it's up to her to deny that, and she wasn’t explicit in her denial until the kiss, but up until then it was all-- it was a blurred line on what was actually happening.
MALE #6:'He proceeded to run his hand down her back, starting from her shoulder, working his way down and then she took it away.' I don’t think it was very fair to take that as an explicit sign that she was saying no.
MALE #7:I've done it before, I'm not going to lie to you. And it is a move to assess where you're at with someone, 'to know where the boundaries are. I don't actually have a problem with it.'
MALE #2:The kiss, he might have read the signals wrong… For me I don't think it's right she took offence, from the kiss. Cause' signs can be misconstrued, can be blurred and from the kiss, he just tempted fate and it didn’t work. So, that's my opinion of the situation.
MALE #5:The kiss I thought was… Inexcusable is a strong word but essentially yeah, it was an inexcusable. I don't think there was anywhere near enough sort of interest or… giving off signals to justify something like that and it's something very physical as well.
NARRATOR:'Just over half the men don’t think Ryan's done anything wrong. But, what will the women think? It's time for them to watch the drama.'
RYAN:Nice perfume. Unless… Are we OK?
KAT:Yeah, of course. I just need to get in. See ya.
FEMALE #1:You shouldn't have to expect that in a work environment, you shouldn’t have to expect your co-worker or anybody making you feel uncomfortable like that.
NARRATOR:Ok.
FEMALE #1:I work at a bar and like, yeah you know, you have the flirty nature, you're always friendly with the people you work with. But I know where to set boundaries and I think it's all about where you've set your boundaries–
NARRATOR:What are they?
FEMALE #1:It's knowing that like, yeah, we can have a bit of banter but I would never try-- Because in the clip I saw that he moved his hand down and she like, moved her hand away and also I noticed that he was trying to get her drunk a lot? Is that just me? Did you notice that?
NARRATOR:Yeah, yeah.
FEMALE #1:That's not OK, like you can't just get someone drunk and go "Oh well, we got a taxi home. Can I kiss you now that you're drunk?" that's not–
NARRATOR:But is there not a counter argument that he is just offering her a drink as opposed to trying to get her drunk?
FEMALE #1:But they're at work–
NARRATOR:But she is an adult and she has compacity and that is, I suppose, that is after work–
FEMALE #1:But I feel like he is just taking advantage of her.
FEMALE #2:I mean, the poor guy's read a few missed signals, he's put his effort into this woman and he's thought, "Do you know what? I'm gonna go for it" and he's been rejected, you kinda feel sorry for him in a way, she's not ever said once "no I don't want this" so how can you blame him? Like, how do we expect people to always see signals?
NARRATOR:What would you kind of feel uncomfortable with, with what Ryan had done? Would you expect him to try and talk to you, to try–
FEMALE #3:I would have liked a conversation before he tried to get physical with me, I would liked him to sit me down and say "I'm attracted to you."
NARRATOR:But they did have a conversation–
FEMALE #3:No, no, no he didn't make it clear. In every relationship I've been in, there has been a conversation before it gets anywhere, and that's what was missing.
NARRATOR:What do you think?
FEMALE #4:I personally, if one of my work friends, like… you know, touched my back or like, complimented my perfume, I wouldn't have took offence, she might be different. I mean if she found it offensive she should have definitely said something.
NARRATOR:Would you have taken offence if you were in that scenario?
FEMALE #5:I would have at the point of him kissing me, for A: assuming that he could kiss me. B: telling the taxi to leave, and there's a lot of assumptions there, so I would have been offended.
NARRATOR:So, should she have taken offence from the way Ryan acted?
FEMALE #6:Personally… I… find the whole hitting on someone at work a bit of dangerous territory to begin with.
FEMALE #2:Yep.
FEMALE #6:Like, don't do it? Just don’t do it.
FEMALE #2:Yeah I mean I understand women have insecurities you know, when we think we can't speak up but why can't we speak up? Why is this an issue?
FEMALE #1:Because some of them are rape victims–
FEMALE #2:Why, no we all say, you know, "we wanna be equal to men" why are we not allowing that to happen then, why are we not standing up for ourselves? Can we not point the finger at ourselves?
FEMALE #2:'I do think that women do have a responsibility' to communicate with men, but I just think they don’t.
MALE #5:In my opinion, it was clear enough when she removed the hand and the fact that she didn't really say anything to instigate or encourage his behaviour. That for me is like, OK stop.
FEMALE #4:I believe that women should say no if they feel like they are uncomfortable, I don’t feel like they have to sit back and not say anything just because we're women.
FEMALE #6:I was shocked and… a little disappointed that Kat didn’t have the courage in her to… identify the problem and call it out straight away, because that's exactly what I did and I just feel, you know, again it's a product of society that women do not feel comfortable enough to call someone out on their actions.
NARRATOR:'For it to be sexual harassment, Kat would have to show that she'd 'taken offence from Ryan's behaviour. 'It's time to put the question to the vote.'
MALE #7:'I don't think she should take offence from it,' but I think he should apologise if he offended her,and move on from the situation.
FEMALE #3:'I voted yes because, I believe Ryan took a step too far when he physically touched her inappropriately, I would say by kissing her.
FEMALE #5:I voted that Kat should have taken offence, from Ryan's behaviour.
MALE #2:'She shouldn't take offence to it 'and she didn’t speak up earlier about it as well.' If she felt any issues with it, she should have communicated.
FEMALE #2:'I didn't feel Ryan was offensive towards her,' I don’t think men would be offended by that, so I don’t see why the opposite sex should feel that that's an offensive situation.
NARRATOR:'So, should Kat take offence from Ryan's behaviour? 'Here's what the group thinks. '50% voted yes. '30% voted no. 'And 20% said they don’t know.'
These lessons will fit within:
Citizenship and PSHE in England.
The Curriculum for Excellence (Health & Wellbeing Education) in Scotland.
Learning for Life and Work in Northern Ireland.
Personal and Social Education (PSE) in Wales.
Part 2 - Two Weeks Later. video
The working relationship changes and leads to an employment tribunal.

Part 3 - The Prosecution. video
The employment tribunal hears evidence from the bar manager.
