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| You are in: In Depth: Epsom Derby |
![]() | Bromley's labour of love ![]() In the commentary box: Peter Bromley Retiring commentator Peter Bromley gives BBC Sport Online's Frank Keogh a fascinating insight into his work. Dozens of articles, research spanning years, intensive homework and a dedicated attention to detail. Throw in a good meal, early night and prompt start and you're in the realm of every hard-working student. Commentating on horse racing is just like a big exam - testing ability and knowledge under pressure. But unlike an A-level, one blunder can mean not only personal anguish, but the wrath of millions. Punters are an unforgiving bunch and if you're listening to a racing commentary, you never expect the broadcaster to get it wrong.
This is where Peter Bromley has come in, a man whose voice is synomonous with the sport of kings. And as BBC Five Live's racing commentator prepares to retire after 42 years with one last call of the Derby, he outlined the rigorous preparations that go into a successful commentary. "I read everything that has been written about the Derby - the trials, records, features in the racing press. All this is tabulated, evaluated and stuck in a file," said Bromley, the son of a dentist. "When the declarations are known I shall work on the colours so they are instantly recognisable. "I'll have factfiles on every single horse, jockey and trainer so it doesn't matter who wins you've got something to say."
Just like an eager young student, Bromley even does his own colouring in for his unique form guide, which he meticulously sticks together. "It brings me peace of mind. It's a labour of love, which is hard work and time-consuming, but I don't know any other way of doing it. "Every time you colour in the silks, you know the name of the horse instinctively, and you can arrive reasonably relaxed." With the horses often hundreds of yards from the commentary box and conditions such as fog sometimes playing a part, recognising the mounts is no simple task. As well as the saddlecloth numbers and the various hoops, spots, quarters, checks, stars and stripes of the jockeys' silks, the commentator looks out for other identifying marks. Variations in horse's colours, nosebands or visors can be a godsend in identifying two similar mounts.
"It's very difficult to see them sometimes. They can be a mile, or in some cases even further, away," admits Bromley. "It's extremely difficult to see the difference between a quartered cap and a hooped cap at a mile-and-a-half. "But you have to try to ensure that you don't make a mistake that will antagonise punters." And yes, Bromley - like virtually every racing journalist - enjoys the occasional bet although rarely on the day in case "it clouds his judgement." "When you listen to other commentators, you sometimes think you know what they've backed as they start looking for the horse and calling it. Blinded by the sun "I've had one or two ante-post bets, but you don't remember you've got a bet at 33-1 when they're coming into the final furlong - it's only afterwards." Though he may not say it himself, Bromley is a perfectionist and making a mistake grates with him, even decades later. "That is the spectre hanging over every single commentator," added Bromley. He recalls a time when he was temporarily blinded by reflected sunshine during a race at Newmarket. "I was hit by this agonising sun, which was so warm it actually blew a TV lense below me. "I couldn't see anything for about 30 seconds, and could just see orange and green colours. "I guessed which horse it was, and got it wrong. It haunts me to this day." |
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