19 October 2004
Tuesday 19 October 2004 17:00-19:30 (Radio 3)
This evening Petroc Trelawny talks to cellist Natalie Clein and London Mozart Players conductor Andrew Parrott about their UK concert series, and Natalie's debut CD; we take a look around the newly restored Christ Church Spitalfields and talk with project architect Red Mason. And after 7pm choreographer Siobhan Davies talks about the London premiere of her work Bird Song at the Linbury Theatre.
Duration:
2 hours 30 minutes
Playlist
17:02
Rossini
Overture to L’inganno felice
Le concert des Tuileries
Conductor Marc Minkowski
Erato 0630 17579
Track 1
5’49”
17:09
Manuel Ponce
Estrellita
Beverly Sills [soprano]
New York Philharmonic
Conductor André Kostelanetz
Sony SMK 60576
Track 12
17:12
Brahms
Allegretto quasi menuetto (Cello Sonata no 1 in E minor)
Natalie Clein [cello]
Charles Owen [piano]
EMI 5 86145
Track 9
17:18
Schubert
Scherzo from Grand Duo, orch Joachim
Chamber Orchestra of Europe
Conductor Claudio Abbado
DG 423 655
Track 5
17:35
Schubert
Arpeggione Sonata – 1st movement
Natalie Clein [cello]
Charles Owen [piano]
EMI 5 86146
Track 5
17:41
Mozart
Concert Rondo in A, K. 386
András Schiff – piano
Camerata Academica des Mozarteums Salzburg
Conductor Sandor Végh
Decca 433 042
Track 7
17:50
Scarlatti
Sonata in D min Kk 52
Christophe Rousset [harpsichord]
Decca 458 165-2
Track.9
18:00
NEWS
18:03
John McCabe
Six-Minute Symphony
St Christopher Chamber Orchestra
Conductor Donatas Katkus
Dutton CDLX 7133
Track 13
18:09
Schubert
Abschied
John Shirley-Quirk [baritone]
Steuart Bedford [piano]
ASV QS 6171
Track 7
18:32
Biber
Sanctus & Benedictus
Requiem ex F con terze minore
Gabrieli Consort & Players
Paul McCreesh
Archiv 00289 474 7142
Track 17
18:37
Saint-Saens
Fantasy for violin and harp, Op. 124
Catrin Finch [harp]
Chloe Hanslip [violin]
Sony SK 93103
Track 12
19:09
Lennox Berkeley
Three Pieces, Op. 2 (1935)
Margaret Fingerhut [piano]
Chandos CHAN 10247
Tracks 7 – 9
19:17
Holst
St Paul’s Suite
Royal Philharmonic Orchestra
Vernon Handley
Tring TRP 007
Tracks 8 – 11
