Jacqueline Wilson’s Wonderful World

Saturday 23 October 2021, 4.30pm

A PDF version of this programme can be viewed here:


Alan Langford
Galop from ‘A Little French Suite’

Igor Stravinsky
Circus Polka

Keisha White
Someday – Theme from ‘The Story of Tracy Beaker’

Kevin Sargent
Theme from ‘My Mum Tracy Beaker’

Mason Bates
Nymphs from ‘Anthology of Fantastic Zoology’

Julius Fučík
Entrance of the Gladiators

Anna Clyne
Masquerade

Einojuhani Rautavaara
Melankolia from ‘Cantus arcticus’

Hans Christian Lumbye
Copenhagen Steam Railway Galop 


Dani Harmer Tracy Beaker
Emma Maggie DaviesJess Beaker
Isabel CliftonHetty Feather
Chloe LeaKaty Carr
Dame Jacqueline Wilsonreader
Mei-Ann Chen conductor

There will be no interval

This concert will be broadcast by CBBC in December and also by BBC Radio 3 (on 31 December at 7.30pm) and Radio 4 (edited, on Christmas Day). These will be available on BBC iPlayer and BBC Sounds for 30 days after broadcast.

I was thrilled when Paul Hughes from the BBC Symphony Orchestra got in touch with me and suggested the idea for this wonderful concert. I felt so flattered – and a little bit overawed – but I’m always willing to give anything a go!

Paul made most of the musical choices – though I chose one or two pieces – and I chose the books I wanted to read from. I tried to pick books that were different from each other, or that could be portrayed with different kinds of music, because some of my books have got rather a melancholy tone, and a whole concert of sad music might be very depressing! So we’ve got some really cheerful things and some lively music.

I think the different sorts of music are going to work well, but what I most want to hear is what the BBC Symphony Orchestra makes of the theme tune from the TV version of The Story of Tracy Beaker, because it’s a tune that certainly many people know and I’ve even had the delight of Stormzy sampling it! To hear it played by a proper symphony orchestra will be a thrill. I can imagine the shivers of pleasure going down my spine.

I hope this concert is going to be exciting for you all. It makes it so much more real when you can see an author and hear them chat about their books and read extracts from them.

It should be a thrill for any of you who are musical. But, even better, I hope it encourages any of you who, like me, don’t come from a musical background and hardly ever heard music at all, let alone classical music. If it introduces some of you to the joys of listening to music, that will be a real bonus.

Dame Jacqueline Wilson

Jacqueline Wilson’s Wonderful World with the BBC Symphony Orchestra 

Welcome to Jacqueline Wilson’s Wonderful World! Jacqueline Wilson believes that anything can tell a story – music included. Lots of composers, especially the ones we’ll hear today, are really good at conjuring up faraway places using magical sounds. As you listen to their music, you can go on a journey with them in your imagination. So prepare to set off on a musical adventure that will take you from the Arctic Circle to the Roman arena to a circus and a masked ball – with a detour to Denmark for a ride on a steam train! Along the way, we’ll meet some of your favourite characters from Jacqueline Wilson’s brilliant books, including the courageous Hetty Feather – and, of course, Tracy Beaker.

You’ll have heard of superheroes who have a normal day job as well as a secret hero identity. But did you know that they really exist? Alan Langford was one of them! His real name was Alan Owen and he was known as a BBC music producer. Then, in his spare time, he would put on his composing cape and become Alan Langford, composer extraordinaire. He wrote lots of light, charming orchestral music, like this mischievous ‘Galop’ from A Little French Suite.

Look around and you’ll probably notice that people in the audience are on their best behaviour (at least, I hope they all are!). Russian composer Igor Stravinsky wasn’t always so lucky: at the first performance of his ballet The Rite of Spring, the audience caused a kerfuffle because they were so shocked by the newness of what they heard and saw! Stravinsky was one of the most important composers of the 20th century, inventing colourful sounds like a scientist in a laboratory. But he wrote his Circus Polka as a bit of a joke, for a ballet featuring 50 ballerinas and 50 elephants – all dressed in pink tutus!

Once in a while a musician writes a piece of music that stays in the memory of almost everyone who hears it. What’s their secret? Is it hours of hard work? Or a flash of inspiration? Perhaps it’s a little bit of both … Keisha White’s Someday (the theme tune to The Story of Tracy Beaker) is one of those songs – Stormzy called it ‘one of the most prominent pieces of Black British music’. Singer-songwriter Keisha White grew up in London and was already working as a musician by the time she was a teenager!

Next time you watch TV, try to imagine what the show or film would be like with no music, just the actors talking. Would it be as exciting? Would that bit that makes your eyes go really wide because you can’t believe what’s happening be … a bit boring? Music is one of the best ways we can create different moods, and this is something British composer Kevin Sargent understands really well. He’s written music for loads of films and TV programmes, including My Mum Tracy Beaker.

Mason Bates is an American composer and DJ who has an exciting and unusual approach to writing music. He once said that he always tries to ‘bring something fresh into the concert hall’, and he likes to include puzzles and games in his pieces. Bates enjoys mixing different musical styles into a bubbling potion of sound: electronics, jazz, techno and classical. Some of his creations are really funny as well, especially the crazy creatures in his Anthology of Fantastic Zoology! These creatures include ‘Nymphs’, the nature goddesses from ancient Greece.

Julius Fučík played in marching bands, so it will come as no surprise that many of his own pieces were written for similar groups. Fučík was a Czech musician who grew up in Prague, where he learnt to play the bassoon, with its lovely, deep sound, and had composition lessons with the most famous Czech composer of them all: Antonín Dvořák. Fučík was fascinated by the history of the Roman Empire, which inspired his most famous piece, the Entrance of the Gladiators.

Anna Clyne is from the UK but now lives in the USA. She started writing music when she was very young – at the age of 7! – and likes to encourage and support young composers as part of her work. Clyne once said that ‘musical compositions are living, breathing things’ because she loves to hear the way her music changes with each performance, as though it has a life of its own. Written for the Last Night of the Proms in 2013, her Masquerade recaptures the secret thrill of a masked ball.

Finnish composer Einojuhani Rautavaara believed that writing music is a bit like gardening: he loved the way musical ideas can develop and blossom into something beautiful, like flowers or plants. But he didn’t like things to be too neat, and he said that his music is like an English garden: ‘freely growing’. Rautavaara liked to bring the natural world into his pieces as well, and his Cantus arcticus (or ‘Arctic Song’) uses recordings of birdsong from the icy Arctic Circle.

Hans Christian Lumbye was from Denmark and wrote some of the most popular dance music of his time: popping polkas, wonderful waltzes and giddying galops that would leave the dancers out of breath! As a teenager he played the trumpet in an army band, and later he worked at the Tivoli Gardens in Copenhagen – one of the oldest amusement parks in the world. Lumbye liked to entertain people with fun pieces like the fizzing Champagne Galop or this chugging Copenhagen Steam Railway Galop.

Programme note © Joanna Wyld
Joanna Wyld is a writer on music whose work embraces a broad spectrum of eras and styles. She has won awards for her creative writing and has written family concert notes for the BBC Symphony Orchestra, BBC National Orchestra of Wales and Royal Liverpool Philharmonic Orchestra.

Coming up at the Barbican

Friday 5 November 7.30pm
Mark-Anthony Turnage: Up for Grabs

Relive one of the beautiful game’s greatest final day dramas. Highlights of the 1989 knife-edge match at Anfield are projected onto a screen as composer and Arsenal fanatic Mark-Anthony Turnage gives the game the symphonic treatment.Book tickets

Biographies

Mei-Ann Chen conductor

Taiwanese-American conductor Mei-Ann Chen has been Music Director of the Chicago Sinfonietta since 2011. This season she also became Chief Conductor of the Austrian orchestra Recreation – Grosses Orchester Graz. In addition, she is Artistic Partner of Houston’s ROCO (River Oaks Chamber Orchestra), Artistic Director and Conductor of the National Taiwan Symphony Orchestra Summer Festival and Conductor Laureate of the Memphis Symphony Orchestra, having served as its Music Director from 2010 to 2016. To date she has conducted more than 110 orchestras worldwide.

Highlights of this season include return engagements to the Helsinki and Oslo Philharmonic orchestras, Liechtenstein Symphony Orchestra and Het Residentie Orkest (the Hague), and debuts with the Santa Fe Pro Musica and Spain’s Basque National Orchestra. She will also make her debuts with the New York Philharmonic and San Francisco Symphony, adding to previous US conducting engagements with the Baltimore, Cincinnati, Chicago, Houston, Indianapolis, Oregon, San Diego, Seattle, Toronto, Tucson and Vancouver Symphony Orchestras.


Dame Jacqueline Wilson reader

Photo: James Jordan

Photo: James Jordan

Jacqueline Wilson wrote her first novel when she was 9 years old and she has been writing ever since. She is now one of the UK’s bestselling and most beloved children’s authors. She has written over 100 books and is the creator of characters such as Tracy Beaker and Hetty Feather. More than 40 million copies of her books have been sold. 

As well as winning many awards for her books, including the Children’s Book of the Year, Jacqueline Wilson is a former Children’s Laureate, and in 2008 she was made a Dame. She is also a keen reader and has amassed over 20,000 books, along with her famous collection of silver rings.

Isabel Clifton Hetty Feather

Photo: Sandra Singer Associates

Photo: Sandra Singer Associates

Isabel studied at the Singer Stage School, Leigh-on-Sea, from the ages of 10 to 18. She is now in her second year at the Urdang Academy in London.

She took on the role of Hetty aged 10 and has played the role in all six series of Hetty Feather,
as well as in The Christmas Adventure.

She has also appeared in the lead role of Riley in the short film Honey.

Emma Maggie Davies Jess Beaker

Photo: Sam Chipman

Photo: Sam Chipman

Emma is 11 years old and has been acting since the age of 6 in local productions including Fiddler on the Roof, Matilda and Annie

In 2019 she took up the role of Jess Beaker in CBBC’s My Mum Tracy Beaker. She has also recently completed filming The Beaker Girls with Dani Harmer. 

Emma has also previously appeared in the short film Lavender, for which she won Best Young Actress at Prodigy Film Festival.

In her spare time she loves to bake, make jewellery and sing with her elder brother Tom in his band. She also loves to read Jacqueline Wilson books! Her favourites are My Sister Jodie, Little Darlings and My Mum Tracy Beaker.

Dani Harmer Tracy Beaker

Dani played Tracy in The Story of Tracy Beaker, Tracy Beaker Returns and My Mum, Tracy Beaker.
In 2010 she won the Children’s BAFTA for Best Drama. Dani’s Castle was created in 2012, offering Dani her first opportunity as producer, aged 23.

Other roles include Molly Venables in three series of After You’ve Gone and Young Jo Brand in Little Crackers, as well as appearances in Trial and Retribution, My Family, Pie in the Sky, The 10th Kingdom, Beast, Touch Me, I’m Karen Taylor,The Beeps and Coming of Age.

Aside from being a contestant in Let’s Dance for Sports Relief and in Strictly Come Dancing, she has starred in panto productions, played Janet in the 40th-anniversary UK tour of The Rocky Horror Picture Show and played Viola in Shakespeare’s Twelfth Night. In 2013 she opened The Dani Harmer Academy of Performing Arts in Ascot, Berkshire, for children aged 6 to 18; she is also an Ambassador for the Make-a-Wish Foundation.

Chloe Lea Katy Carr

Chloe is 15 years old and lives in Manchester, where she studies at the Salford TV Workshop and A Will and A Way Theatre School.

She is currently a series regular in Apple TV’s Foundation. She has also appeared in The Dumping Ground and Scott & Bailey.

In 2018 she was awarded a Young Perfomer BAFTA for her performance in the title-role of the TV series Katy, based on Jacqueline Wilson’s book. 

In the same year she won the Monologue Slam UK Youth Round and was named the Royal Television Society’s North West Best Breakthrough Talent, as well as being nominated for the Royal Television Society Best Breakthrough Talent Award.

BBC Symphony Orchestra

The BBC Symphony Orchestra has been at the heart of British musical life since it was founded in 1930. It plays a central role in the BBC Proms at the Royal Albert Hall, performing at the First and Last Night each year in addition to regular appearances throughout the Proms season with the world’s leading conductors and soloists.

The BBC SO performs an annual season of concerts at the Barbican in London, where it is Associate Orchestra. Its commitment to contemporary music is demonstrated by a range of premieres each season, as well as Total Immersion days devoted to specific composers or themes. Highlights this autumn include the season-opening concert conducted by Sakari Oramo including music by Brahms and Ruth Gipps; a concert conducted by Principal Guest Conductor Dalia Stasevska featuring the devised work Concerto No.1: SERMON by Davóne Tines, combining music and poetry in a unique examination of racial injustice; children’s author Jacqueline Wilson reading from her bestselling books in a family concert; the world premiere of Up for Grabs by composer and Arsenal fanatic Mark-Anthony Turnage; and the BBC Symphony Chorus’s highly anticipated return to the Barbican stage in December. 

The vast majority of performances are broadcast on BBC Radio 3 and a number of studio recordings each season are free to attend. These often feature up-and-coming new talent, including members of BBC Radio 3’s New Generation Artists scheme. All broadcasts are available for 30 days on BBC Sounds and the BBC SO can also be seen on BBC TV and BBC iPlayer and heard on the BBC’s online archive, Experience Classical.

The BBC Symphony Orchestra and Chorus – alongside the BBC Concert Orchestra, BBC Singers and BBC Proms – also offer enjoyable and innovative education and community activities and take a leading role in the BBC Ten Pieces and BBC Young Composer programmes.

Chief Conductor
Sakari Oramo

Principal GuestConductor
Dalia Stasevska

Günter Wand Conducting Chair
Semyon Bychkov

Conductor Laureate
Sir Andrew Davis

Creative Artist in Association
Jules Buckley


First Violins
Cellerina Park
Jeremy Martin
Richard George
Colin Huber
Ni Do
Molly Cockburn
Zanete Uskane
Ruth Ehrlich
James Wicks
Will Hillman
Katharina Paul
Joseph Devalle
Amanda Smith
Sarah Thornett

Second Violins
Dawn Beazley
Daniel Meyer
Vanessa Hughes
Danny Fajardo
Rachel Samuel
Caroline Cooper
Victoria Hodgson
Lucica Trita
Peter Graham
Raja Halder
Eleanor Bartlett
Marina Solarek

Violas
Rebecca Chambers
Philip Hall
Joshua Hayward
Nikos Zarb
Natalie Taylor
Michael Leaver
Carolyn Scott
Mary Whittle
Peter Mallinson

Cellos
Timothy Walden
Tamsy Kaner
Marie Strom
Mark Sheridan
Clare Hinton
Sarah Hedley-Miller
Michael Atkinson
Augusta Harris
Morwenna Del Mar

Double Basses
Nicholas Bayley
Richard Alsop
Michael Clarke
Beverley Jones
Elen Pan

Flutes
Michael Cox
Tomoka Mukai

Piccolo
Oliver Roberts

Oboes
Gareth Hulse
Imogen Smith

Cor Anglais
Louise Hayter

Clarinets
Richard Hosford
Joy Boole

Bass Clarinet
Thomas Lessels

Bassoon
Julie Price

Contrabassoon
Steven Magee

Horns
Nicholas Korth
Michael Murray
Andrew Antcliff
Jonathan Bareham
Mark Wood

Trumpets
Toby Street
Joseph Atkins
Stuart Essenhigh

Trombones
Becky Smith
Dan Jenkins

Bass Trombone
Robert O’Neill

Tuba
Richard Evans

Timpani
Antoine Bedewi

Percussion
David Hockings
Alex Neal
Fiona Ritchie
Joe Cooper

Harp
Louise Martin

Piano/Celesta
Elizabeth Burley

The list of players was correct at the time of publication

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