22.08.08Maestro student Sue Perkins posted a thoughtful article in the Guardian newspaper. These are her thoughts on what she has learned:
"Being a conductor isn't just about setting the time. A metronome can do that. It isn't about grabbing the glory with a few judicious hand sweeps and a torrent of sweat. A great conductor is an alchemical force: someone who can absorb the historical weight of a famous melody, the expectations of an audience and the mercurial brilliance of a host of musicians, and shape them all to his or her interpretative ends. She can bend sound in the moment; she has the power to command consensus.
"As a performer, I'm used to seeing my audience. Now, my backside is facing the people I'd normally be facing, and I'm looking instead at people who are more knowledgable than me, and who know far better than I do what's coming. I am a terribly shy person, but I have now learned to stare at a stranger with an oboe in his mouth, or a viola in her arms, with the intensity I would normally reserve for a lover.
"I never realised what a very physical activity conducting is. My whole upper body aches. Conductors live well into their 90s, and this is largely down to the cardiovascular workout they get. Conducting has resculpted my physique into very lean muscle mass: I have lady biceps. (I can see a DVD workout coming on: eat what you want but beat time to Beethoven's Ninth. Mind you, your bottom half would be the size of a continent.) Meanwhile, my mentor has been trying to take away the props I find useful. He has made me tie my hair back. He's trying to get me to take my glasses off because he wants me to stare, and raise my eyebrows, and gurn at the orchestra. I talk with my hands a lot, and he's trying to take that away and make my gestures really delicate.
"Whatever the critics make of Maestro, I hope they don't call it a reality show. Yes, we amateurs are eliminated as the weeks go on; but reality is washing your knickers and slagging off your friend's boyfriend and putting food out for the cat. It isn't standing in a posh suit in front of the finest performers in the world as a sonic boom of beautiful strings smacks you in the chops. That's not reality - not for me anyway. For me, it's pure bloody magic."
Jane Rodgers, Swindon
Well said Sue!! What a thoughtful insight. I wish you all the very best for the remainder of the competition.
08.12.08A revealing new documentary, Maestro: The Inside Story, will be shown over Christmas.
13.09.08Maestro winner Sue Perkins tonight wowed the 35,000-strong Proms in the Park audience at the Last Night of the Proms.
10.09.08Charlotte Higgins, the Guardian’s arts correspondent, was first up with a review of the Maestro Final posted on the Guardian Culture Blog at 9.53 this morning. A Spectator review has also been posted by Henrietta Bredin.
09.09.08At tonight’s Grand Final, writer and comedienne Sue Perkins emerged from the audience vote to win the BBC’s first ever Maestro competition.
04.09.08Virtuoso violinist and conductor Maximum Vengerov will replace Simone Young on the panel of judges for the Maestro Final on Tuesday 9 September.
02.09.08The Maestro series reached new levels of tension as four students faced the orchestra vote.
01.09.08Soprano Rebecca Evans and tenor Alfie Boe will join the Maestro show for Episode 4.
01.09.08Will female conductors ever achieve equality? I think they will, says conductor Madeleine Lovell
01.09.08TV talent shows come in many demographically targeted guises - I commend a different event - Maestro.
26.08.08Bradley Walsh did not survive the BBC Concert Orchestra’s vote this week.
26.08.08Maestro viewers have asked about the various musicians who have helped the students in their preparation.
22.08.08I watched Maestro (BBC2) mostly because it was there … how wrong could I be because it was riveting.
22.08.08Maestro student Sue Perkins posted a thoughtful article in the Guardian newspaper. These are her thoughts on what she has learned
22.08.08Ex-grilfriend Bjork had a hand in Goldie’s conversion to classical …
22.08.08Alex: “The first thing you have to learn as a conductor is how to stand up straight.”
21.08.08Rejected student David Soul bares his … about what he learned from the Maestro experience.
19.08.08Following the BBC Concert Orchestra’s vote, Bradley Walsh was saved and David Soul exited the competition.
19.08.08In the run-up to Episode 2, Katie Derham has been finding out how to get an orchestra to do what she wants …
12.08.08The BBC Concert Orchestra decides who remains in the competition.
05.08.08Journalist Christopher Middleton visitis the students as they try out their conducting skills on an orchestra of young musicians in a church in London.
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