Welsh outfit releases one of 2012’s most resounding debuts.
Caribou’s Dan Snaith’s purest transition to the dancefloor yet.
Monster tunes to be cranked out at the volume they deserve.
A stellar compilation prioritising song selection over DJ showmanship.
Every track’s an anthem, every second precious, on this breathless new album.
A sleek synthetic sound driven by a heart of human loneliness and longing.
A great third LP which sounds like the work of a band hitting its peak.
A journey through the introspective and the bombastic, the striving and the exhaustive.
An album of fire, spirit and sweat – and sometimes that’s all you need.
Album three finds the Swedish electo-indie quartet rightfully breaking the mainstream.
Electro duo serves up welcomed familiarity, received without contempt.
Moffat’s characteristic honesty and intensity combines with Wells’ tender compositions.
Warm, wistful and nostalgic without ever coming on too maudlin.
Album three from the Brighton sextet treads a similar stylistic path to previous LPs.
Doing things their own way for 10 albums, Deerhoof’s latest is typically eccentric.
An immediate delight that set the quintessential tone for Fatboy’s future.
Shifting, shimmering mini-scores wracked with emotional subtlety and unexpected warmth.
A collation and culmination of their finest work in years.
Seamless and polished, unhurried and wonderful, sparkling with a new-found black beauty.
Heaves with their established mysticism but takes proceedings to a new plateau.
They’ve found a renewed clarity to go with their lozenge-smooth lethargy.
Emerges from the swampland armed with an acoustic, and desire in its belly.
