South London quartet’s debut suggests they’ve the potential to be unstoppable.
Pomplamoose musician delivers a seductive and singular solo album.
A considered and focused return for the elusive Ergo.
Knowingly titled, impossibly bouncy and genuinely likeable.
An extraordinary record from a singer previously overlooked.
All these years later, the Manics’ debut remains a remarkable work.
A third solo set which slowly unfurls its dreamy charms.
For a moment, INXS were peerless. This is that moment.
No edge, no side, just pop music in excelsis – and that’s more than enough.
A bold and brave new album that steps from the bedroom into the spotlight.
Hugely impressive debut LP from the Liverpool trio.
There may not be a more personal album released in 2012.
Lyrically deep and musically adventurous, Michaelson has it all.
Stone returns to her covers comfort zone, with excellent results.
Neither a sea-change nor a slump, this 40th studio LP finds Sir Tom on fine form.
A collection full of life from a band that evidently loves what they do.
There’s much to adore from the bluesy folk duo on this second set.
As calling cards go, Bending the Dark states this genre-fusing act’s case eloquently.
A greater leap forwards than we could have expected the trio to make.
A fifth set from the Brit-based Kansas girl, which finds her expanding her palette.
Twisted Americana with more frills than one might expect.
A study of what might have been, and what was, which packs plenty of walloping choruses.
An exhilarating 10-track debut from the intense Bristol four-piece.
A second album that’s easy to admire but hard to love.
An understated ‘debut’ collection from the sometime Get Cape man.
A third album which should establish Example as a chart-topper for the long haul.
