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Scots Prologue, for Mrs Sutherland's Benefit Night


What needs this din about the town o' Lon'on? How this new Play, and that new Sang is comin? Why is outlandish stuff sae meikle courted? Does Nonsense mend, like Brandy, when imported- Is there nae Poet, burning keen for Fame, Will bauldly try to gie us Plays at hame? For Comedy abroad he need na toil, A Knave an' Fool are plants of ev'ry soil: Nor need he hunt as far as Rome or Greece, To gather matter for a serious piece; There's themes enow in Caledonian story, Would shew the Tragic Muse in a' her glory. Is there no daring Bard will rise and tell How glorious Wallace stood, how hapless fell? Where are the Muses fled, that should produce A drama worthy of the name of Bruce? How on this spot he first unsheath'd the sword 'Gainst mighty England and her guilty Lord; And after many a bloody, deathless doing, Wrench'd his dear country from the jaws of Ruin! O! for a Shakespeare, or an Otway scene, To paint the lovely, hapless Scottish Queen! Vain ev'n the omnipotence of Female charms 'Gainst headlong, ruthless, mad Rebellion's arms. She fell - but fell with spirit truly Roman, To glut that direst foe, - a vengeful woman; A woman - tho' the phrase may seem uncivil, As able - and as wicked as the devil! [One Douglas lives in Home's immortal page, But Douglases were heroes every age: And tho' your fathers, prodigal of life, A Douglas followed to the martial strife, Perhaps, if bowls row right, and Right succeeds, Ye yet may follow where a Douglas leads!] As ye have generous done, if a' the land Would take the Muses' servants by the hand; Not only hear - but patronise - defend them, And where ye justly can commend - commend them; And aiblins when they winna stand the test, Wink hard, and say 'The folks hae done their best'. Would a' the land do this, then I'll be caition, Ye'll soon hae Poets o' the Scottish nation, Will gar Fame blaw until her trumpet crack, And warsle Time, and lay him on his back. For us and for our Stage, should ony spier, 'Whase aught thae Chiels maks a' this bustle here?' My best leg foremost, I'll set up my brow, We have the honor to belong to you! We're your ain bairns, e'en guide us as ye like, But, like guid mothers, shore before ye strike; And grateful still, I trust, ye'll ever find us: For gen'rous patronage, and meikle kindness, We've got frae a' professions, sorts, an' ranks: God help us! - we're but poor - ye'se get but thanks!

Listen

Karen Dunbar

About this work

This is a poem by Robert Burns. It was written in 1790 and is read here by Karen Dunbar.

More about this poem

'Scots Prologue, For Mrs Sutherland's Benefit Night' was written in 1790. Mrs Sutherland, along with her actor husband, was collecting subscriptions to build a new theatre in Dumfries.

Burns's prologue seeks to encourage support for the new theatre by appealing to Scottish patriotism. Burns invokes icons of Scottish independence such as William Wallace (c.1270-1305), Robert the Bruce (1274-1329) and James 'the Black' Douglas (d.1330) to incite patriotic passion for Scottish cultural independence, and to appeal for Scottish play writes and theatrical talent to replace imports from the London theatre circuit.

It is apparent from one of Burns's letters that he was aware of the potential for this poem to provoke political offence. Indeed, in a letter to David Staig on 01 March 1790, the poet writes that 'there is a dark stroke of Politics in the belly of the Piece' and rather flippantly claims that, if Staig considers it treasonable, 'the said prologue may not see the light'.

Pauline Mackay

Themes for this poem

brotherhoodequalitynationalism

Locations for this poem

London

Selected for 22 September

We are a day late in remembering the playwright John Home who was born on September 21st, 1722. The author of 'Douglas' heard the cry from the crowd at its premiere, 'Whaur's yer Wullie Shakespeare noo?'. In this one respect, Home outdid the Bard who had ambitions to compose a drama but never got beyond writing prologues. Today’s example mentions Home and his best known work. The general tone of 'Scotland is wonderful, who needs London' is in the spirit of that hilariously bathetic heckle. In uttering the plea, 'O for a Shakespeare!' the Bard may have been himself auditioning for the role as Scotland’s playwright. There is not much evidence here, alas, that he had it in him.

Donny O'Rourke

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