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| Wednesday, 13 February, 2002, 12:55 GMT When technology makes the news ![]() This is war and it will be televised New technology has allowed the delivery of news to become all pervasive, compelling, faster and more immediate. But is there a price to pay for getting it so quickly, asks BBC News Online's Jane Wakefield. In 1982 television viewers had to make do with still pictures of troops and the voice of reporter Brian Hanrahan, with the sound of gunfire in the background, to form their own picture of the Falklands conflict. Come 2002, viewers had a much more intimate picture of the war in Afghanistan, complete with live pictures of the BBC's John Simpson entering Kabul. It proved to those with short memories how far technology has changed the nature of news reporting. For the journalist in the field the distinction between words, video and audio could become increasing blurred in the future as the convergence of technology leads to a convergence of roles. Immediate news So the future of news reporting could well mean a journalist sitting at a laptop in the middle of a conflict editing their own TV package on the move, as well as writing and sending still pictures for online and audio for radio. Such a manic reporter will have little "thinking time" warns reporter Ray Whittaker from The Independent newspaper.
Mr Whittaker recalls with nostalgia the days when journalists had to travel miles to find the nearest telephone. With the advent of 24-hour news channels, digital interactive services and online news it can sometimes seem that there is information overload as news reporting enters the 21st century. But does the ability to find comprehensive news coverage at the touch of a button or the click of a mouse lead to a watering down of content? 'Hamster wheel of production' With the BBC collecting twice as much material as it can broadcast in a day, there is certainly no shortage of news. In the fast-paced and competitive world of breaking news though there may be one casualty thinks Bob Jobbins, chairman of the Rory Peck Trust, the UK's only charity dedicated to freelance cameramen and women.
"The hamster wheel of production is driven by the logistics of supplying material back to the all-consuming machine." That hamster wheel is about to spin even faster as digital services are pushed to consumers, increasing the number of channels and the number of news bulletins. Currently around 30% of homes have digital TV but, as executive editor of BBC Newsgathering, Peter Mayne points out, not a lot is yet known about how they are using them. "There is evidence that a lot are still using the analogue buttons although on the positive side, 40% have clicked on the news interactive buttons. Live reporting is an essential feature of digital channels such as News 24 and the advent of satellite trucks and videophones makes much more live reporting possible. This brings its own dangers, not least the problem of journalists running out of things to say and, in desperation, resorting to speculation. Sacrifice of quality? "With 24 hour networks journalists can be pushed into speculation which is bad journalism," admits Mr Mayne.
Ironically, the quality of both sound and picture are pretty low but it would seem that consumers are willing to sacrifice quality if they know that they are getting the news as it happens. The challenge for broadcasters and content producers in the future will be to find a way of bringing immediacy and quality together. | See also: Internet links: The BBC is not responsible for the content of external internet sites Top Sci/Tech stories now: Links to more Sci/Tech stories are at the foot of the page. | ||||||||||||||||||||
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