She played to an audience of more than 3,000 on the steps of a vast ruined Roman temple in the eastern city of Baalbek.

The famous diva, who is seen as a symbol of the country's survival through its years of turmoil and unrest during the 15-year civil war, last sang there in 1974, the year before the war began.

In an emotionally-charged evening, Fairouz and her troupe of 70 dancers sang and acted out folk tales of village love, conflict and reconciliation.

The performance drew spontaneous outbursts of applause, and many in the audience were moved to tears.

Enduring symbol

Throughout Lebanon's civil war, Fairouz stood out as one of the few true symbols of nationalism, widely respected for refusing to perform in any part of the then divided country.

Many Lebanese say they find it hard to listen to her music without remembering the dark days of the war and reflecting on their own personal losses.

Her music is still hugely popular.

Every morning at seven many of the country's Arabic radio stations begin their programmes with up to an hour of Fairouz recordings.

The festival at Baalbek was attended by President Elias Hrawi and several Cabinet ministers and members of Parliament.

After the concert the president hugged Fairouz.

"You are the opera of Baalbek. Festivals should start with you because you have become a part of Lebanon's history," he said.