Vicari said his portrait of Maria Callas was the hardest to paint of all the works in the collection When Augustus John sat for Vicari in the 1960s, he insisted he was drawn not painted Francis Bacon's work greatly impacted on Vicari while at the Slade school of art in London Edith Piaf was the "living embodiment" of Edward Munch's Scream to Vicari Vicari was introduced to Albert Einstein by the scientist's niece in the 1950s Vicari's first portraits of Ella Fitzgerald were done on plates
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