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Tate Britain is holding a joint exhibition of three of Europe's greatest 19th Century artists in the Turner Whistler Monet show. Among the works on show are Whistler's Nocturne in Black and Gold: The Falling Rocket (1875).

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The exhibition, which runs from 10 February-15 May, showcases some of the best of the trio's work, including Turner's Burning of the House of Lords and Commons (1835).

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Claude Monet, painter of Pool of London (1906), and James Abbot McNeill Whistler were friends and collaborators, both contributing to the development of Impressionism in the 1870s.

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They were great admirers of British artist JMW Turner and his paintings, such as San Benedetto (1843), and drew on his work to create a new movement.

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The exhibition focuses on views of the River Thames, the Seine and the city of Venice, such as Whistler's Lagoon, Venice (1879-80).

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Monet's San Giorgio Maggiore at Dusk (1908) captures the view of the church near St Mark's Square.

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Whistler began work on Wapping in 1860, having moved to the area of London, but did not consider it finished until four years later.

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Monet, who lived in London around 1870, used Charing Cross Bridge as his inspiration for a number of paintings, experimenting with natural light.

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Whistler used Battersea Bridge to experiment in colour in works such as Nocturne in Blue Gold - Old Battersea Bridge (1872-5).