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| Thursday, 1 November, 2001, 09:33 GMT Tate Britain goes public ![]() Prince Charles donated a painting to the gallery Art gallery Tate Britain's �32.3m centenary development, already officially unveiled by Prince Charles, opens to the public on Thursday. The project, the most significant change to the gallery since it opened in 1897, gives it a modern entrance, with 10 new and five refurbished exhibition spaces all built into the neo-classical structure.
"I have a preference for galleries which do not try to upstage the art," said architect John Miller. "For us the key thing has been light and space." The new spaces have already received critical approval for their elegant integration of old and new. Tate Britain's historical quirks - including World War II shrapnel damage to the exterior and air-raid signs in the basement - remain intact.
A wall signed by leading UK figures in the arts, including Tracey Emin and Howard Hodgkin, is still there, but hidden behind the rebuilt walls of the Duveen galleries. At the opening, Prince Charles said art should not be viewed as elitist and was highly relevant to modern life. The prince has loaned a painting from his own collection - a portrait of Frederick, Prince of Wales - which normally hangs in his study. The prince said traditional techniques were just as valid as newer, more experimental art and were deserving of a place in state school education.
He said: "Whereas 100 years ago, an installation artist may have received short shrift from the art colleges of the time, it is the traditional, watercolourist who struggles to make his way to day." The new development has created four new galleries within the main building, and six new temporary exhibition spaces - the Linbury galleries - on the lower floor. Five existing galleries have also been refurbished. The increased space will allow important works to be brought out of storage. Artists such as Bacon, Gilbert and George, Gainsborough, Blake and Turner will be given more space. The National Lottery funded some �18.75m of the project through the Heritage Lottery Fund.
"This project is what we're all about - conserving and displaying the treasures which Britain possesses in greater numbers, to better effect and accessible to more people," she said. Tate Director, Sir Nicholas Serota, says that the new building is "only the beginning" of his plans for Tate Britain. "The next challenge will be to strengthen the collections and to make them more accessible to encourage new audiences," he said. Tate Britain is to lay out its collections in broadly chronological fashion, rather than in themed rooms as has become popular at Tate Modern. But there will be temporary themed exhibitions drawing on the collections of Tate Britain and others. The opening show is Exposed: The Victorian Nude, which draws together works by Rossetti, Alma-Tadema, Sargent and many others. |
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