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| Friday, 18 May, 2001, 12:41 GMT 13:41 UK Recycled return for Mummy ![]() The Mummy Returns: A nagging sense of d�j� vu The BBC's Neil Smith reviews The Mummy Returns. The first of this summer's big-budget blockbusters recycles everything that made the first Mummy a surprise hit two years ago, without adding anything fresh to the mix. The fact that so many actors from the original decided to return is a tribute to writer-director Stephen Sommers, but it also evokes a nagging sense of d�j� vu. Indeed, the only new elements in this familiar blend of comedy, thrills and digital effects are American wrestling star 'The Rock' and Big Breakfast blonde Donna Air, who contributes a blink-and-you'll-miss-it cameo near the beginning. Picking up 10 years after the first instalment, The Mummy Returns finds Indiana Jones-style adventurer Rick O'Connell (Brendan Fraser) married to ex-librarian Evelyn (Rachel Weisz), with whom he has a nine-year-old son (Freddie Boath).
Thousands of years earlier, the Scorpion King sold his soul to the Egyptian god Anubis in return for an invincible army of slavering hell-hounds. When he is accidentally roused from his slumber, Rick, Evie and her brother Jonathan (John Hannah) have just one week to save the earth - not just from the Scorpion King, but also from the Mummy (Arnold Vosloo), back from the grave with his own plans for world domination. The virtually incomprehensible plot is merely a skeleton on which to hang a succession of preposterous action sequences, including one which finds the good guys chased through the streets of London in a double-decker bus. To make things even more complicated, it transpires that Evelyn is the reincarnation of the Pharoah's wife Nefertiti (no sniggering at the back!), who has some unfinished business with the Mummy's long-lost love Anck-Su-Namun (Patricia Velasquez).
There are also two stunningly choreographed knife duels between Velasquez and Weisz that reportedly left the latter's hands peppered with scars. But while the first Mummy retained some of the camp humour of the 1930s Universal horror movies that inspired it, this frenetic follow-up is an alienating and rather exhausting experience. Rest assured you get plenty of bang for your buck, and the pace rarely lets up. So desperate is Sommers to get started that he dispenses with opening titles altogether. It's a shame, though, that while The Mummy Returns is undeniably bigger and bolder than its predecessor, it falls conspicuously short in terms of wit, characterisation and ingenuity. The Mummy Returns is on general release from 16 May | See also: Internet links: The BBC is not responsible for the content of external internet sites Top Reviews stories now: Links to more Reviews stories are at the foot of the page. | ||||||||||||||||||||||||||
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