CROSSING CONTINENTS - Japan NARRATOR: There are 16 gentlemen in here - who is over sixty in this room? One two three four five six seven are over sixty. And who's the oldest? I think - there's a bit of an argument here about who's the oldest. The oldest worker at the Mayekawa factory is in fact ninety-one years old. There are two thousand employees here at this refrigeration and cooling plant just outside Tokyo and thanks to their zero retirement policy, one hundred of them are working way beyond sixtieth birthdays. Now Mr Daidoo, you've been here thirty-seven years. What's your secret? DAIDOO: I like to work! When I work with the younger people, I am very lively and I can keep my good condition. If there were many companies like, like Mayekawa, my company, the whole society in Japan can be more active and lively. NARRATOR: This is the generation that fought in the Second World War and then helped re-build Japan out of the ashes. Today as the economy nose-dives, their duty and dedication remain strong. My interpreter Mai introduces me to another worker. MAI: He's Mr Sakai Yamamoto, he's now seventy years old. YAMAMOTO [translated]: He feels that he's paying back to the Japanese society, what the Japanese society gave him. In Japan people work hard for the society, for Japan. It's very difficult for him and difficult for the people in his generation just to devote themselves only for pleasure or fun. NARRATOR: Do you ever worry that you're not able to do the work? YAMAMOTO [translated]: Never. He's never thought about it. NARRATOR: Japan respects its old people. That, at least, is the tradition and official position. There's a national holiday to honour them, and the state appoints living treasures - 115 distinguished artists, crafts people and musicians over sixty- five. Hozan Yamamoto is one of them, a revered composer and Japanese flute player. HOZAN YAMAMOTO [translated]: I feel I have to act as a model for senior citizens in Japan, Hozan Yamamoto tells me. It's a great privilege and we're treated like royalty. It's important that we uphold tradition because the young don't respect old things. But, he says, being a living treasure is tough to live up to sometimes! NARRATOR: And they're living longer than anyone else in the world. But the speed with which Japan is ageing and the sharp drop in the birth rate are not just cause for celebration. There's alarm too: can the weak economy bear the strain of a top-heavy society? And what do you do with so many old people? Questions familiar to us in Britain too as we battle with our own pensions and care crises. That's why the whole of this week's Crossing Continents is about this new silver society emerging in Japan – and the lessons we can learn back home. This place – Sugamo - is Tokyo's version of Florida, home to visible hordes of cheerful, active old people but without the leisure suits, rather grey or brown anoraks, and the occasional kimono. They get around on scooters, work out at the gym and eat healthy food. Now I'm off to see the man they call their patron saint: Shigeaki Hinohara, doctor, writer, workaholic, international VIP, and campaigner for better rights for the elderly. He's ninety-one years old. I must say first of all, Mr Hinohara, it's impossible to believe you are the age you are. I think you, you are ninety-one? HINOHARA: Yes I was born in 1911. NARRATOR: And you're planning to live at least another ten years? HINOHARA: Yes, and I want to play golf at a year ninety- five. NARRATOR: You plan to start playing golf at age ninety- five? HINOHARA: And I believe I can succeed but I don't have the time. I work you see, at least seventeen hours a day. NARRATOR: Seventeen hours a day? HINOHARA: Seventeen hours, more than that you see. I like to change it you see the profile of the elderly people. NARRATOR: So you want to re-define when people are called old? HINOHARA: Yes, and you see the most of the people over the age of seventy-five, they really are the healthy so initiating a new life at the age of seventy- five, start something new. Live the simple life, simple living but high thinking. NARRATOR: Dr Shigeaki Hinohara, thank you very much indeed, and I wish you long life and happiness. How do you say that in Japanese, long life and happiness? HINOHARA: ….soshite kofuku ni NARRATOR: But the long life and happiness of Japan's growing band of senior citizens also means more care and higher costs. For the medical and social lowdown on Japan's elderly, I'm spending the morning with one of Tokyo's top gerontologists, Professor Takao Suzuki at the Tokyo Metropolitan Geriatric Hospital. SUZUKI: One thousand patients daily come in here and we have about seven hundred beds. NARRATOR: It's very busy this morning. There are hundreds of people here in the waiting area. Professor, can I, with your help ask a couple of people why they are here, what their problems are? SUZUKI: She has not so good condition of the abdomen. NARRATOR: Stomach problems? SUZUKI: Yeah he had a fall, and he had a fracture at the wrist. NARRATOR: How old is this gentleman? SUZUKI: Seventy-four years old. NARRATOR: Very young. SUZUKI: Oh yes indeed, indeed. NARRATOR: Now Professor Suzuki, I'd like you to help me understand a couple of basics. The problems of the elderly in the UK that we hear most about are heart disease, cancer, really serious illnesses. Do Japanese people suffer those illnesses as well? SUZUKI: The prevalence of such chronic diseases is much less in the Japanese elderly people. One of the reasons is the very good weight control. For example in the United States many people are suffering from the obesity and -- NARRATOR: And also in Britain as well. SUZUKI: Right, right but in Japan obesity is not so a big problem. They eat much leaf and with green vegetables and they eat much less fat comparing with those in the UK or US. So I think the diet is one of the very good factor but social relationship or social tie or special network is much much worse in Japanese elderly. Japanese people has less contact with their friends or family etc. NARRATOR: You see, it's very interesting for me coming to Japan for the first time because the impression I have before I came is that the Japanese people respect the elderly. SUZUKI: No no no. The answer is no. Maybe lower or lowest in the developed countries, I think. NARRATOR: So respect for the elderly is the lowest you say in the developed countries, here in Japan. That's astonishing for me. SUZUKI: Yes indeed. NARRATOR: I want to talk to you about the political aspects of ageing in Japanese society. You know because many of the problems we have in the UK, there are not enough beds in hospitals, there's not enough nursing care. What about Japan? SUZUKI: I think we have the similar problems because the rapid increase of the elderly person means the rapid increase of the medical costs so that Japanese government is just struggling. NARRATOR: As a gerontologist, are you happy with the services provided by the state for old people? SUZUKI: No, absolutely no. NARRATOR: Are there enough care homes, are there enough residential homes, nursing homes for elderly people in Japan? SUZUKI: No, no absolutely no. So many elderly people are waiting. NARRATOR: A song about springtime and young love from the residents of Century City, a private retirement home in the north of Tokyo. The number of over- 65s has doubled in twenty-five years and to cope with them, schools are being converted into care homes and the private sector is booming. Look at this place: grand piano in the spacious lobby, a restaurant – not canteen, cafés, shops, a swimming pool, exquisite suites for the residents. So who should look after us when we're old? It used to be the family. In Japan, just forty years ago, eighty per cent of OAPs lived at home – today it's only half that. Japan's golden retirees are taking responsibility for themselves. They have the money. They hold half the country's savings, and this solution suits the government fine. In this ailing economy they are happy to further shift the burden of care onto the elderly and onto the private sector. Tamotsu Kawabe is the director of Century City Home. A place like this must cost a lot of money. How much do the people pay who come here? KAWABE [translated]: When you come here, you have to pay between thirty million yen and fifty million yen plus one hundred and fifty thousand yen a month for food and everything else. NARRATOR: Now let me try and work that out in sterling. That's almost a quarter of a million pounds downpayment to live here. In addition £750 a month for food, extra and so on. That's an incredible amount of money. Can people in Japan afford that? KAWABE [translated]: Basically the people who live here, you can say they're from middle upper class. They're rich enough to live here. That's right. Their pension is quite high. NARRATOR: I'm now sitting in the lobby of Century City and I'm sitting with Mr and Mrs Uchida, and you are eighty-three and eighty-two. You're obviously very happy here in this home but would you rather you were looked after by your children or your grandchildren? Mrs UCHIDA [translated]: She never expected to be taken care of by her family. NARRATOR: What do you feel about the Japanese government? Are they doing anything to help elderly people like you? Mr UCHIDA [translated]: He thinks that Japan is in prolonged recession now. Being independent is the most important thing. We can't depend on the government, we have to be independent. NARRATOR: There's now a growing silver market in this country. It's a very lucrative business. There are many companies, many designers who are creating products just for you. How do you feel about that? Mr UCHIDA [translated]: I think they're good, they're excellent. If I were younger, I would definitely go into this kind of business, make products for elderly people. NARRATOR: I want to buy this machine. I'm sitting in a full length massage chair having my feet, my calves, my thighs, my buttocks, my back massaged, pummelled as never before. This is Tokyo's largest electronic shop. And there's a huge section of this shop devoted to products for the elderly. You've got foot baths, cholesterol monitoring machines, you've got extra loud alarm clocks, you've got -- I have never had such a deep massage in all my life. But there are winners and losers in this new silver society. I'm now about to leave Tokyo to fly to the snowy north, to Akita, a region rarely visited by foreigners, to hear a story rarely told. Over the past few years we've got used to those tales of Japanese businessmen committing suicide. Suicide has been called here a national epidemic, but the largest group of depressives and suicides in Japan is not middle-aged men. It's the elderly. It's absolutely freezing, I'm surrounded by snow, white as far as the eye can see. This is Yuri Town in southern Akita, population 6,200 and it is notorious for having the highest suicide rate amongst the elderly population in the country. Now there's snow here for five months of the year. It's quite remote, very cold, very difficult conditions. It used to be a prosperous farming area, rice farming, and now that economy has declined as well. This town, this house, is the opposite of everything I've seen so far in Japan: no gadgets, no computers, no neon. All generations living in one house, struggling to get by. And it's taking a long time to find people to tell me their stories. I've entered a culture of silence and stoicism. Echio Sato is sitting on a mat on the floor, dressed in a simple blue cotton smock. She's eighty-one years old. ECHIO SATO [translated]: So she lives with her son and daughter-in-law and grandchildren and great-grandchildren but there is no conversation. They don't have any communication. She feels like she's a burden for her family and she's very stressed-out. Her meal is always left in the kitchen and she's got to eat it by herself, not with other members of her family but it's not fun to have dinner by herself. It's not fun. Of course she is very sad. She cries every day and she wants to talk about her problems to her friends but if she does it, that will make her friends sad too. It's not a cheerful subject to talk about. NARRATOR: When you're not feeling well, do you go to the doctor? Do you go to the hospital? SATO [translated]: She definitely does go to see a doctor when she's not feeling well physically but if she's depressed or she's not feeling well mentally, does she go to see a doctor? No, she doesn't because there are many other patients waiting for the doctor. She feels really guilty to talk about her personal problem. NARRATOR: What do you want to happen? You've led a good long life and hopefully you'll live many many more years. How do you want your life to be? SATO [translated]: She wants to be happy, she would like to be happy for one hour a day at least. NARRATOR: I'm inside a traditional wooden house with a pagoda roof, sliding screen doors, shoes off as I enter. Outside the window fallow rice fields and rusting farm equipment. Again endless cups of green tea. I'm not sure whether Mr and Mrs Takahashi will talk. They're in their seventies. There's a lot of nervous, embarrassed laughter. It's a difficult subject. Both her brothers hanged themselves. Why do you think your brothers committed suicide? Mr & Mrs TAKAHASHI [translated]: They think that they committed suicide because of pride. They just didn't want to show their miserable features to others. For them suicide means hanging, in this area. It's because there's a old saying, it's like a proverb. When they face financial problems or when they stuck and they say oh I don't want to depend on anyone, I don't want to be a burden. Let's hang ourselves. You know that's the best solution and those people who are in that generation, they are not afraid of death. They experienced the World War II and they were educated to be ready to die for the country at any time. NARRATOR: Do you believe that it's better to keep these troubles within the family or did you think well, let's try and get help from somewhere else? Mrs TAKAHASHI [translated]: She wants to solve problems inside her family. She thinks it's better. And oh my god, they face a financial problem and Mrs Takahashi one day she went upstairs with ropes and tried to hang herself and she just realised that she was, what she was trying to do, and she doesn't know what stopped her but she just realised that she was standing upstairs with ropes in her hands. And she was so scared. NARRATOR: Well I've just heard that Mrs Takahashi has never told that story before, even to the psychiatrist, Dr Naoki Watanabe, who introduced me to her. He comes here regularly from Tokyo, a rare expert in depression and suicide among the elderly. NAOKI WATANABE: It has something to do with family relationships where the elderly feel very isolated. This is one point and the other is the lifestyle of youngsters and the lifestyle of the older persons are now quite different. Also Akita is a male- dominated society. After the man get old, they will lose this role. NARRATOR: So if the men in Akita have been farmers all their lives and then suddenly they have no work, nothing to do, then they start to feel useless? WATANABE: Then the depression can set in, yes. NARRATOR: You've worked abroad. Do you find a different attitude here in Japan to the United States or Britain? WATANABE: Oh yes, and we found that the elderly from this eerie town in Akita seem to be very neurotic and also introverted, and they would like to hide everything. It is difficult to investigate suicidal people because it is sort of shame to talk about someone in the family who committed suicide. NARRATOR: Are doctors and nurses and health care workers in Japan, are they trained to recognise the symptoms of depression? WATANABE: I don't think so. They will only prescribe medicine for headache or stomach ache and finish. NARRATOR: You've got a long way to go. WATANABE: Yes, long way to go and this is my life work. NARRATOR: The first time I've heard some hale and hearty laughter since I arrived in Akita three days ago! This is a keep fit class for the elderly in a gleaming new community centre in Yuri Town. There are some changes. The government – local, regional and national - has been shocked by the suicide statistics. Some money's now going into research, health education for seniors, telephone helplines, special training for GPs and nurses, and into funding places like this so the old people get out of their homes. The transformation is stunning. One person in particular I recognize: great-grandmother Echio Sato. You're laughing here now. You are surrounded by your friends here in the community centre, you have loving nurses and care here. Does it make you happy coming to the community centre? SATO [translated]: It definitely does help and now she knows some other people have very similar problems so it's nice to know that she's not the only one. She likes dancing, origami and do some games together, and then start drinking in the afternoon. NARRATOR: Start drinking tea? SATO [translated]: Sake. NARRATOR: The seventy eighty and ninety year olds I've been meeting in Japan are resilient and inspiring, in spite of their problems. I doubt whether my generation will cope as well. And they've taught me some simple lessons - save, care for your friends and family, eat healthily, be active. And my final lesson awaits me in this café back in Tokyo over specially requested English tea and biscuits. After weeks of exchanging e-mails and terrible jokes, I'm about to meet Japan's most irrepressible senior citizen, the satirist, writer, interpreter to American presidents, champion skier and Anglophile, seventy-two year old Masumi Murumatsu. So how does he do it? MURUMATSU: I only do things I enjoy doing, amusing people and thus amusing myself. NARRATOR: When I think of the Japanese, I don't connect humour with Japanese people. MURUMATSU: Our humour is least known to the rest of the world because we don't show it on our expressions, the facial expressions or countenance. But you know in our language we don't have the difference between l and r, so humourless is humorous for us. We try to be humorous and we're humourless. That's a bad joke. NARRATOR: Mr Murumatsu, people of your generation have been through a lot. You've been through the Second World War and then your generation worked very hard to build up this country, and now the majority of people are suffering economic hardship. Is this a reason for the seriousness of this society? MURUMATSU: That is right, that is why I'm trying to lighten it up. We at the same time have one of the highest rates of suicide. I'm trying to tell people you don't have to kill yourself. If you fail in business, so what! You haven't done anything wrong. I think our whole system is too rigid, I think the fear of failing has been the biggest obstacle. We cannot be winners all the time. We were winners for several decades after the war, then we became a bit arrogant. Today we're suffering this doldrum but we will come through it. Basically we are flexible people. NARRATOR: Masumi Murumatsu, thank you very much. Just tell me before I go, what age do you want to retire at? When are you going to stop? MURUMATSU: I am now into my second life. I'm not re-doing my life, I'm enjoying my new life as author and humorist. I like it. NARRATOR: Frantic fun frenzied Tokyo, the crowded streets are owned by the young and middle-aged, spending and working as if there were no tomorrow. Why save, who cares! Once I thought Japan had modern life worked out but today they're ignoring the human basics and it's a bit scary. Ageing is their number one social problem but they have few answers. Britain is ageing fast too and what's happening in Japan will soon hit us. But we have one advantage: we can act now.