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| Wednesday, 10 November, 1999, 10:11 GMT Censorship: What falls to the cutting room floor? ![]() As the seasoned movie-goer knows, sex, violence and swearing are as much a part of today's cinema experience as popcorn and multiplexes.
One such is the Brad Pitt movie Fight Club, which whipped up a storm in the US, when it was released in 1999. In the UK its theme of bare-knuckle fighting provoked a reaction from the film censor. The British Board of Film Classification ordered cuts to two scenes in which the character played by Ed Norton delights in beating a "defenceless man's face into a pulp".
The casual observer may find it difficult to understand what is permitted and what is not. The board does not entirely rely on written guidelines. The only absolutes it must adhere to are those set down in law. These include the Obscene Publications Acts (no material which is likely to be depraving or corrupting), laws on blasphemy, criminal libel and those governing the treatment of animals and use of children. Beyond that, it bases decisions on a system of precedent. The aim is to ensure consistency.
The tenets of BBFC doctrine are context, treatment and the intention of the film-maker. "Virtually any theme can be accepted if the treatment is responsible," say the BBFC guidelines. "The same images may be acceptable in one context but not in another."
The process of vetting a film is therefore highly subjective and might explain why the BBFC, for the first time in its 87-year history, is consulting the public before settling its new guidelines. It says the majority of the cuts fall into one of the following areas:
Yet despite the fuss over other controversial releases in recent years, including Reservoir Dogs, Natural Born Killers and Crash, the BBFC refuses certificates to only a handful of films. In the 1980s only 16 movies were refused under its guidelines and as attitudes to sex and bad language - though not violence - relax, the trend continues that way. The E-cyclopedia can be contacted at e-cyclopedia@bbc.co.uk |
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