| You are in: In Depth: e-cyclopedia | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Monday, 25 October, 1999, 17:01 GMT 18:01 UK Art attacks: Don't handle with care ![]() Tracey Emin's bed attacked - the rest is history A famous work by one of Britain's best known artists, on display in a world respected gallery, is pounced upon by semi-clad miscreants. This may be many an art lover's worst nightmare, but maybe they've actually done Tracey Emin's bed a favour.
Already the star exhibit of the Turner Prize exhibition at London's Tate Gallery, My Bed has been given countless more column inches and airtime thanks to the pillow-fighting antics of two self-styled "visual artists".
Sculptor Rachel Whiteread, twice shortlisted for the lucrative Turner Prize, was less fortunate. In 1993, her piece House, the concrete cast of a demolished terrace home in London's East End, picked up the �20,000 award. The inside-out dwelling also attracted a �40,000 prize as the year's worst artwork from pop-stars-turned-pranksters the K Foundation. Neither award cut much ice with Tower Hamlets council. The local authority in the deprived area sent the bulldozers in to finish off 193 Grove Road and assure it a place in art myth. Que sera sera American Richard Serra can empathise with such public hostility. The minimalist sculptor was forced into the spotlight when his work Tilted Arc was installed in Federal Plaza, Manhattan. The 120ft-long steel structure curved gracefully across the square. However, its simple grace was lost on workers who were unable to make a beeline for their offices.
London desk jockeys have a greater love of Serra's efforts. His sculpture at Liverpool Street Station is much favoured by commuters caught short at closing time. It is increasingly hard to stand out in contemporary art, but the odd episode of unsolicited vandalism has proven to do the trick. In 1997, the Sensation exhibition at the Royal Academy contained many controversial works, but for all of the pickled animals it was a painting which provoked the greatest debate. The art of discussion Marcus Harvey's portrait of Moors murderer Myra Hindley elicited comment before it was attacked with ink and eggs. But the assault by outraged protesters made Harvey a household name and saw his work discussed at many a dining table. And German artist Joseph Beuys suffered at the hands of less enraged critics when a cleaner inadvertently scrubbed a bath clean. Like Emin's bed, the soil had actually been part of his artistic toil.
Mischievous Marcel Duchamp spent nearly eight years working on his piece The Bride Stripped Bare by her Bachelors, Even - a complex collage and collection of items encased between two large panes of glass. When removals men accidentally smashed the finished product, Duchamp - always keen on chance and accident - took it on the chin and said he thought it was just what the work needed. Such nonchalance certainly did his reputation no harm. The E-cyclopedia can be contacted at e-cyclopedia@bbc.co.uk |
See also: Internet links: The BBC is not responsible for the content of external internet sites | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| ^^ Back to top News Front Page | World | UK | UK Politics | Business | Sci/Tech | Health | Education | Entertainment | Talking Point | In Depth | AudioVideo ---------------------------------------------------------------------------------- To BBC Sport>> | To BBC Weather>> ---------------------------------------------------------------------------------- © MMIII|News Sources|Privacy | ||